#remixing

Stimpunks.org: A Knowledge Commons at the Edges

Remix like a punk Create open source communities instead of walled gardens of intellectual property rights – to create a global knowledge commons and to maximise collective intelligence.Replacing Control With Ecologies of Care | Autistic Collaboration Our Glossary, Field Guide, Library, Pillars, Gallery, and Courses steadily expand in depth and breadth. We’re building a knowledge commons and a…

Skywalker Sound credits for Terminator 2: Judgement Day, including the 1993 Special Edition and 2000 Ultimate Edition Skywalker credits and The Terminator’s “Audio Restoration and Re-Mixing” credits (which now appear added on HD prints of the film, at least on Pluto TV’s print. Tweet proof here).

The THX and POP Sound Encoding credits for the Ultimate & Extreme Editions are included, to reflect the people who made T2 sounding real good.

I don’t really have much experience with remixes! People who Do This Thing, if the primary ‘remix element’ is a change in point of view, how close do you stick to the original, especially in terms of dialogue? Do you keep dialogue the same but primarily change the internal narration etc? Do you aim to make your remix independently readable of the original story?