Nov 6, 2024
Anne W. Brigman (1869–1950), Infinitude, 1910
Loading...
seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from Romania
seen from China
seen from United States
seen from United States
seen from Slovakia
seen from United States
seen from South Korea
seen from United States
seen from Netherlands
seen from United States
seen from United States
seen from Italy
seen from United States
seen from China
seen from Sweden
seen from Russia
Anne W. Brigman (1869–1950), Infinitude, 1910
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Aleph : Infinitude ⭒
OM! That (the Invisible-Absolute) is whole; whole is this (the visible phenomenal); from the Invisible Whole comes forth the visible whole. Though the visible whole has come out from that Invisible Whole, yet the Whole remains unaltered. Om! Peace! Peace! Peace!
Ishā Upanishad 1 Purnamadah Purnamidam mantra invocation (Paramananda tr.)
Painter unknown
Título: A Propulsão que Previu a Infinitude Nankin sobre Papel Nankin on Paper 21↔ x 29,7↕ cm
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Skyway Bridge at night. :: (Tampa Bay Waterfront Life and Beaches)
* * * *
“The textures of the world are an outline of the infinite. [Wallace] Stevens said, or at least I seem to remember that he said, the thing seen becomes the thing unseen. He also said that the reverse way was impossible. [Theodore] Roethke wrote that all finite things reveal infinitude. What we have, and all we will have, is here in the earthly paradise. How to wring music from it, how to squeeze light out of it, is, as it has always been, the only true question. I’d say that to love the visible things in the visible world is to love their apokatastatic outline in the invisible next.”
— Charles Wright, from an interview by J.D. McClatchy “The Art of Poetry XLI,” Quarter Notes: Improvisations and Interviews (University of Michigan Press, 1995)
[memoryslandscape]
Caspar David Friedrich: Der Mönch am Meer (The Monk by the Sea). 1808-1810. Oil on canvas, 110 cm × 171.5 cm.
A finite element—by its very finitude—is bound and limited, and can only evoke, express and imagine finitely.
Ahmed Salman