Detail from Compianto sul Cristo morto by Cima da Conegliano (1504).
I like to imagine the putti’s crying heads as some sort of gigantic and ominous manifestation hovering above the landscape, observed by a puzzled crowd on top of the hill.
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Detail from Compianto sul Cristo morto by Cima da Conegliano (1504).
I like to imagine the putti’s crying heads as some sort of gigantic and ominous manifestation hovering above the landscape, observed by a puzzled crowd on top of the hill.

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