#ibta

Mistakes we let ourselves be haunted by

This is International Brain Tumour Awareness Week #IBTA and I am overjoyed to announce that this painting has been SOLD! - 100% of sales to be donated to the Brain Tumour Foundation of Canada for research in the hope that a cure for this devastating disease may be found. Heartfelt thanks to these supporters. You are the best! (at Kinbasket Lake) https://www.instagram.com/p/CV9KEyJJAH9/?utm_medium=tumblr

Por outro lado a maior parte das pessoas que procuram tratamento com ibogaina já passaram de 4 a 10 internações e é claro que ao procurarem após tantas internações ainda para se tratar com ibogaina é evidencia de que nen um dos procedimentos anteriores foi satisfatório mas ainda surge as dúvidas nestes.

I found myself disagreeing with most of these quotes, although many of them ring true for certain types of theatre. In all of the quotes, Bogart either explicitly says or implies that taking part in theatre should be deep and meaningful, sometimes even life-changing, for all involved, whether it be the audience, the actors, or the directors. This can sometimes be true, with many popular and underground pieces of theatre giving the audience new morals or new outlooks on the morals they already had. However, my point of view is that theatre doesn’t always have to be so serious. Theatre can sometimes be light and shallow, and genres of theatre made purely for entertainment like slapstick or cringe comedy are, in my opinion, not lesser forms of theatre. For example, 39 Steps offers very little insight into the human condition, and even when it does, that insight is not the audience’s primary takeaway nor is it the reason they came to see the play. By the end of the play, the audience takes away 39 Step’s funnyness, the impressive feat of delivering the whole play with only 4 actors, and how quirky the costumes are. Yes, there is some “moral at the end of the story” element to it, but that arguably is not the main point. In my opinion, 39 Steps is not a less valuable as a piece of theatre than a performance that delves into humanity’s deepest fears and insecurities, or one that questions the nature of life itself, like, for example, No Exit. To me, there is no way that theatre “should” be. Theatre has an incredibly rich past and an even richer future, and binding it to one definition of what all theatre should be is not only stifling and constricting for the artist, but impossible.

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Pure joy. #Octavia2015 #octavianooooooo #ibta #slowmo (at Books A Million)