Jun 5, 2024
23 page devising portfolio for drama, it’s finally over thank God
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23 page devising portfolio for drama, it’s finally over thank God
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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New Moon Ritual 02/11/2021
We started rehearsal on a new moon in Aquarius, a time particularly good for setting intentions and manifesting the things we want.
We began with a ritual, for which you will need pen and paper:
1. Get comfortable in your space - light a candle, grab a blanket, whatever you need to feel good where you are.
2. Conjure a connection - invoke whatever forces you wish in order to support you; they could be deities, the four elements, Audre Lorde, whoever you want. Think for a moment and mentally reach out, invite those beautiful forces in.
3. Grab pen and paper and write 2 lists - a list of things you desire, things you want to call in, and a list of things you want to let go of. Take as much time as you need. Whenever you can, think in the present - “I am” versus “I will”.
4. With your mic on or off as you desire, declare your desires - actively call them in. Read the list, lingering on things if that feels right to you, repeating something if you feel compelled to.
5. Then, banish the things you want to let go of, actively sending them away. If the thing in question was once doing good but perhaps is no longer useful to you, you could say thank you before letting it go. If the thing in question is toxic or harmful, yeet it right out of your life with no hesitation.
6. Breathe and reflect.
How excited must have God been while He was planning to bring the creation into existence!
Random Xpressions
From the Ground Up Episode #12 |By Jeffrey Mosser, Quinn Bauriedel. In episode twelve of the From the Ground Up Podcast, Jeffrey Mosser talks to Pig Iron Theatre Company co-founder and co-artistic director Quinn Bauriedel about the history and future of the company, which is celebrating its twenty-fifth year.
Jeffrey: Text as information or text as gesture is a really appealing idea to me. That's really great. When you take the... I know you've done scripts as well, though, yes? The last, most recent thing I saw on your website was you did a version of Twelfth Night a while ago. So how do you grab onto Twelfth Night and say, okay we're gonna wrestle with this text and we're actually gonna try and turn this upside down and try and put our stamp on it.
Quinn: Yeah I guess just a little backstory to that which is, we had this residency at The Public Theater to work on Shakespeare, that was their idea. "let's get us some companies into The Public to see what they might do with Shakespeare." And we had never started with a script so it was... and that was a rule that we had set that was something that we wouldn't. But we also didn't want to not take this opportunity but they said you can chop it up, you can do it in a different language, you can do a wordless version of it. They were totally open to any interface we might have with the material. And that felt very appealing that they were game to let us explore. And there was no pressure on either side of things. There was no pressure for them to say we're gonna greenlight this and produce this, there was no pressure for us to say we're doing this as a company audition to get a gig at The Public. So we worked with Measure for Measure, and we tried it a dozen different ways and, interestingly, that research spawned four other projects that had nothing to do with Shakespeare but had everything to do with the themes of Measure for Measure. Eventually we did this project that we called Isabella, and it was only using text from Measure for Measure, but it was very chopped up. And we got rid of a bunch of characters and we had a whole conceit around it that it was set in a morgue, and a mortician who was this duke and he was animating these dead bodies using this old story, this spell, to become kind of a hero fantasy, and to rescue Isabella in the end. So we had had some experience with that. Very freeform, very trying to wrestle with Shakespeare.
Starting Points: #2
Mannequin Head;
Shows how thoughts roll around someone’s head
Initially quotes from of mice and men
Taking risks for the first time
Stepping outside the box
Emotionless face
Cold quotes for a faceless person
Eerie
Amethyst;
Perception
Inner beauty
Internal growth
Nothing starts beautiful but can grow to be be beautiful
Nostalgia
Memories
Innocence
Purity
Headlight;
Passive Assistance
Guidance
“Lighting the way for you”
How people can light the way for you even when you don’t realise it
The wind at our back
Gratitude
We thank those who are right there with us
Forgetting about the structures and basics that provide the opportunities
Accessibility
Maya’s excerpt “Panic”;
Feeling lost
Somewhere else
Words
Forbidden
Unliked
“You”
Pain people bring
Suffering people bring
Insecurity people bring
Mistakes
Mistakes that haunt us
Mistakes we let ourselves be haunted by
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Day 150 of 365: Just mapping a few things out. #madrama #dramastudent #ma #mastudent #devising #devisingtheatre #theatremaking #imagination #playrehearsal #play #creative #creativity #stage #fantasy #story #storytelling #blackboxtheatre #studiotheatre #props #365photochallenge #365days
People who don’t think that drama/theatre is a real degree or think it’s easy can fight me