you lived, now what? is i think one of the more interesting questions we can pose with fiction, and i think it's maybe one of the most powerful vehicles for conveying the notion that there is no point at which you stop being a person. the most unforgivable irreparable harms are caused by people making choices. and we will make bad ones and keep making them. you're not immune. no one you love is immune.

and crucially, we don't necessarily build a better world by defining criterion for forgiveness, redemption, punishment, penance. forgiveness is relational and as much about the person who has been harmed as it is about the culprit. punishment's effect is rarely improvement. societally, our ideas of redemption and penance are firmly rooted in legalistic notions of judgement — whether based on human morals or divine — where personhood and worthiness are contingent on ticking off boxes that we could argue endlessly about redefining and relitigating.

if you move the story out of that frame, though, it's not a story about "making it up." its a story about living. it's a story about making choices. it's about reflecting on the ones you've made. it's about their impact on your relationships, your sense of self. and i think that inherently has value.

Spy in glasses seemed to be a hit! I ain't complaining tho. Here's what I imagined in my head in full color: