Recording 14 February 2017
Holborne Pavan and Galliard Mark Seow (violin), Tabea Deus and Olwen Foukes (recorder), Kate Conway (viola da gamba), Freddy Ouellette (sackbut), Jonathan Freeman-Attwood (production). St Mark’s Church, London.

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Recording 14 February 2017
Holborne Pavan and Galliard Mark Seow (violin), Tabea Deus and Olwen Foukes (recorder), Kate Conway (viola da gamba), Freddy Ouellette (sackbut), Jonathan Freeman-Attwood (production). St Mark’s Church, London.

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The Dancing Master's Guitaret by Ivodne Galatea http://ift.tt/1pA0KpT
Pavans and Galliards were court dances of the sixteenth and early seventeenth centuries, and were probably of Italian origin. The word Pavan may be derived from Paduana meaning ‘of Padua’, suggesting a connection with that city (as is clear from Holborne’s score, in which the word ‘Paduana’ appears as part of the title). The pavan was sedate in character and often used as an introductory, processional, dance. It is almost invariably in duple metre.
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As It Fell Upon A Holy Eve -- Anthony Holborne, perf. Anthony Rooley & James Tyler
my friends' parents gave me a collection of Elizabethan music when i turned seventeen, and this Holborne suite was right after a shitton of Praetorious. I really dig this sort of music, but more than anything i wish my name were Praetorious. can you imagine how bitchin that would be?
anyways, enjoy some music from 1599.
Anthony Holborne : Lullaby — ensemble Musicall Humors, dir. Julien Léonard.

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