seen from Türkiye
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seen from Maldives
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seen from United States
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we watched the pre-code Mystery Of The Wax Museum tonight and everyone who's ever peddled the line that the Hays Code "made writers and directors get more creative" is selling you such a lie.
we also watched Knife+Heart which has a bunch of gay fucking on screen.
fuck censorship, art forever.
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Some observations from my latest film binge
Explaining to a heterosexual that allegorical or implied gay sex IS actually explicit gay sex because historically queer depictions on screen were forced into subtext and is still to this day still more "shocking" or "taboo" to mainstream audiences than a heterosexual sex scene so filmmakers continue to use classic tropes and shorthand to depict gay sex
to protest against the Hays code censoring movies photographer Whitey Schafer tried to fit as many banned things ( by Hayes code) in one Image , 1934
Fun policing dead and buried
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im convinced that there's still some kind of Hayes' Code internal to Hollywood because what do you mean EVERY SINGLE STORY that involves immortality in any way has to make the character choose death/denounce immortality/tell someone that they WANT TO DIE. Every single one. I've never seen a movie wholly endorse the concept of people choosing not to die. That is some rich people propaganda bullshit yall
[checks dash] ah yes I see it's another beautiful morning for the ripple effects of the Hayes Code to be still continuing to poison the well of English-language media culture and literacy to this day.
1933: Hold Your Man, starring Clark Gable and Jean Harlow
A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme. Hold Your Man is significant as Harlow's transitional film from the pre-code days. Technically the Hays Code did not go into effect until July 1934, studios were trying to police themselves earlier than that to take some of the heat off. (MGM)
