Goodbye Storage was pretty good and I have some thoughts after finishing it-
First off, it's another example of how Magia Record will choose the most convoluted explanation whenever possible instead of doing something far more simple and understandable and SOMEHOW making it work. Additionally, it'll have like... a lot of exposition that you just can't look at too hard.
Like Mikoto starts off the first ten minutes with a billion revelations on how her new parasite-powers/witchdom stuff works. How the fuck does she know any of that. How did she piece that together while she's in a dark void. How.
But you know what? Once you get past those three minutes, it's all good. Hanna and Mikoto have such a good god damn dynamic, wow. There are moments with surprising heart and clarity. Moments that make you think, "someone writing this really went through something." Hanna and Mikoto feel like real people-- they go back and forth on things. Sometimes Mikoto will feel one way and then completely backtrack and feel another, and it's not in a character-breaking way, but it feels more like someone who is standing on unsteady ground, who thinks one way and feels another.
Hanna does the anime trope thing of "I will be a villain to prove that heroism is right" which tbh I kind of hate because who the fuck does that irl. No one.
But it's okay, because honestly-- Hanna is not in a good state of mind here at all. Girl is clearly going through it. She had a horrible start to her life, still going through the horrors, she made her first friend then that friend BECAME A WITCH RIGHT IN FRONT OF HER IN A HORRID PAINFUL MANNER. THEN THAT FRIEND BECOMES A GHOST??? LIVING IN HANNA'S BRAIN??? LIKE. BRUH.
It doesn't surprise me that she's made her plan all convoluted. She's clearly not mentally well at the moment. I don't mean that in a diagnosis kind of way, but like the girl is traumatized and not thinking straight.
There's also all sorts of ways that you can dig into the event. It's straightforward on some stuff so you have a place to latch on to but it's ambiguous enough on other things so that you have enough wiggle room to have interesting interpretations and variances. Like;
Is Mikoto's presence making Hanna do things that she wouldn't normally want to do? Hanna wants heroism to win out. She wants to lose. Is that because, deep down, she's doing something she doesn't want to do?
I mean, Hanna has never been the nicest person either. It's possible she would have done this anyways-- but it's also possible that Mikoto's presence made Hanna even more extreme than she was before, or pushed her more than she ever would have gone.
There's just a lot of good stuff in it.
If you haven't watched it, I highly recommend it. It does have weak writing moments sometimes but it also has really really strong ones. I think it's def up there as one of my favorites now.
It's kind of a shame that both of them are dead, cause I really digged their dynamic. It felt very... earnest. Sometimes they yell at each other, sometimes they disagree and misread one another. They both want to make the other one happy, but they go about it in selfish ways that the other one doesn't want. But that's not a bad thing. It feels like it's because they're young. Like they need to make mistakes to learn how to love the way they want to be loved and to love another.
But that's the whole problem, isn't it? Mikoto is dead. Hanna will be dead soon too. They're not going to have a future where those mistakes build a foundation for them. This is it for them.
IDK. It's good bro.












