Nov 29, 2023
Eric Fleischauer, "Universal Paramount," 2010,
Inkjet print,
Image: 11 h × 17 w in (28 × 43 cm),
Sheet: 13 h × 19 w in (33 × 48 cm).
Courtesy: Wright20
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Eric Fleischauer, "Universal Paramount," 2010,
Inkjet print,
Image: 11 h × 17 w in (28 × 43 cm),
Sheet: 13 h × 19 w in (33 × 48 cm).
Courtesy: Wright20
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
twohundredfiftysixcolors (2013) by Eric Fleischauer and Jason Lazarus, 97:00, silent
“Crafted from over 3,000 animated GIFs, twohundredfiftysixcolors is an expansive and revealing portrait of what has become a zeitgeist medium. Once used primarily as an Internet page signpost, the file type has evolved into a nimble and ubiquitous tool for pop-cultural memes, self-expression, and artistic gestures. The film is a curated archive that functions as a historical document charting the GIF's evolution, its connections to early cinema, and its contemporary cultural and aesthetic possibilities.”
See also: “A brief history of the GIF (so far)” (2014), “The Animated GIF: Still Looping After All These Years” (2013), “All the Feels: The Morphology of the Reaction GIF” (2015), “Brief Thoughts on the Art of the Animated GIF” (2016).
Citywide: "twohundredfiftysixcolors" and Apostrophe
Filmmakers Jason Lazarus and Eric Fleischauer talk about their work "twohundredfiftysixcolors" — a film composed entirely of .GIF files. Then, Sei and Ki Smith, give us the low down on Apostrophe, their DIY art gallery, event space and music venue in Bushwick. October 1, 2014
«This is the first 6 minutes of twohundredfiftysixcolors - a 97 minute long film comprised entirely of animated GIFs. for more information about the project visit: twohundredfiftysixcolors.com
crafted from thousands of animated GIFs, twohundredfiftysixcolors is an expansive and revealing portrait of what has become a zeitgeist medium. Once used primarily as an Internet page signpost, the file type has evolved into a nimble and ubiquitous tool for pop-cultural memes, self-expression, and artistic gestures. The film is a curated archive that functions as a historical document charting the GIF's evolution, its connections to early cinema, and its contemporary cultural and aesthetic possibilities.»
Eric Fleischauer, Jason Lazarus, twohundredfiftysixcolors (2013)
Read reviews at the following links:
http://ca.blouinartinfo.com/news/story/990216/variations-on-a-meme-twohundredfiftysixcolors-reviewed
http://hyperallergic.com/68355/twohundredfiftysix-colors-flashes-one-gif-too-many/
http://www.flixist.com/thoughts-on-twohundredfiftysixcolors-215418.phtml
Eric Fleuschauer, "Universal Paramount", 2010. Digital image. [Sourced from: http://www.ericfleischauer.com/universalparamount.shtml]
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Eric Fleischauer
Hah, look at the color variation from these two photos. Top image from MoCP site and below from Fleischauer's website. I'm guessing the bottom image is the correct one. Apologies, Eric Fleischauer!
A particularly fitting mashup for you this week, John.
A belated birthday gift, perhaps?
Eric Fleischauer
Universal Paramount, 2011 Archival Ink Jet Print 9 x 12 inches on 11 x 14 inch paper
Edition of 50