āDirty Computerā [Emotion Picture]
So, Dirty Computer is the new soundtrack to my life and I have not stopped listening since its release date, so its safe to say that i am obsessed with it and it will most likely be my favourite album to come out of this year, but in this post i also be writing about the emotion picture, which are the images that go with the narrative.
Ā Dirty Computer, being Janelle Monaeās third studio album, takes her artistry a step further, and is a distinct chapter in her career with a more experimental sound and aesthetic. Janelle Monae has always been a musician who is heavily involved in her art and consistently pushes boundaries as opposed to simply being a generic ācookie-cutterā artist, and this is showcased even more so in this new album x era.
As the emotion picture starts, we are transported to this ultra modern, futuristicĀ like world. Erasion of identityĀ and what it means to be ādirtyā is discussed, as we are then introduced to Janelle Monae, as Jane 57821. At 4:14 a short snippet ofĀ ā I Got That Juiceā ft Pharell Williams (track 9) can be heard in the background, followed by the imagery of a drone like gadget which seems to stop Jane whilst she is driving. This could be symbolic of the high number of African Americanās who are constantly stopped and searched by the police and Janelle could be referring to the institutional racism in the police force, which is a issue that has affected many and is heavily discussed today. Shortly after this, it cuts to the spoken intro of āCrazy,Classic, Lifeā which is an interpolation & excerpt of the United StatesĀ āDeclaration of independenceā by MLK, whilst a variety of different individuals are presented in the shot. Janelle could be trying to convey discrimination by presenting minorities in society, and again, reinforce the theme of identity. "Crazy, Classic, Lifeā embodiesĀ Janeās care free spirit in the album and makes a great introduction to the music, and could be described as more āpopā than what we are used to hearing from Janelle Monae. This part of the film is particularly visually appealing, from the clothing, to the lighting and the many different scenes and self-conscious editing.Ā
We are introduced to Janeās love interestĀ āZenā and at 12:23, āTake a Byteā start to play, which is a cleverly crafted song title as the spelling ofĀ āByteārefers to a gigabyte, fitting in with the theme of technology, but can also be taken literally, so it has a double meaning. This is intriguing as a music fan, as this play on words is not commonly used but adds more substance to the song.This is my favourite song on the album as it acts as ear candy due to the memorable bassline and authentic melody. It also sounds effortlessly classic and is interesting as it isĀ difficultĀ to pinpoint a particular genreĀ to it.
My favourite visual goes along with the songĀ āPynkā which was already released as a single, but in fact, includes extra scenes in the emotion picture. This song is a female empowerment anthem and captures the theme of embracing sexuality which is dominant throughout the album. I think it is particularly interesting how Janelle was able to take a stereotypical colour for girls, like pink, that is arguably constraining, yet reclaim it and make a song to represent and uplift women. The visual takes place in an abandoned pink desert. From the iconic, staple piece trousers which have captured the attention of the majority, to theĀ āgrabs backā underpants, the message of feminism that the Janelle is trying to portray is clear. The video is also purposefully inclusive to trans women and individuals who identify as a women, as not all of the women in the video have the trousers to represent this. This video also has a very present-dayĀ ātumblrā aesthetic and can be seen to r represent black women, through the use of the representationĀ of black models in the video.