Claudia ya goofball!
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Claudia ya goofball!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
#sainttropez #sttropez #ŃĐ”ĐœŃŃĐŸĐżĐ” #moke #minimoke #emoke #work #workinprogress #shooting #auto (Ă Saint-Tropez)
AgymanĂłk (2015)
animĂĄciĂłs film, PG
RendezĆ: Pete Docter, Ronnie Del Carmen
2015-ben a Pixar eddig nem lĂĄtott ĂłriĂĄsi ötlettel ĂĄllt elĆ, ami talĂĄn mindannyiunknak megkönnyĂti a szemĂ©lyisĂ©g mƱködĂ©sĂ©nek megĂ©rtĂ©sĂ©t. SzemĂ©lyisĂ©gĂŒnket ugyebĂĄr nem csak a neveltetĂ©sĂŒnk, kĂ©pzettsĂ©gĂŒnk, vagy környezetĂŒnk befolyĂĄsolja, hanem a megannyi bennĂŒnk levĆ Ă©rzelem, emlĂ©k, benyomĂĄs, vagy hajlam is. A legtitokzatosabb mĂ©gis a tudatalattink, ami leginkĂĄbb fekete lyukra emlĂ©keztet minket, Ă©s amirĆl eddig nem sokan kĂ©szĂtettek filmet. Ezzel prĂłbĂĄlkozik az AgymanĂłk.
A film egy kamasz kislĂĄny fejĂ©ben jĂĄtszĂłdik, akinek az Ă©rzelmei szĂł szerint Ă©letre kelnek. A törtĂ©net Riley szĂŒletĂ©sĂ©vel kezdĆdik, egy hagyomĂĄnyos kis körƱ, egyetĂ©rtĆ, szeretĆ csalĂĄdban cseperedik fel, a szĂŒlĆk imĂĄdjĂĄk Ćt, minden a legnagyobb rendben halad, amĂg Riley kamaszkorba nem lĂ©p. A kislĂĄny 11 Ă©ves lesz Ă©s a csalĂĄd hirtelen MinnesotĂĄbĂłl San Francisco-ba költözik, hĂĄtrahagyva a barĂĄtokat, iskolĂĄt, hokicsapatot. Ezzel az ĂłriĂĄsi vĂĄltozĂĄssal egyĂŒtt Riley-nĂĄl az Ă©rzelmek zƱrzavara is beköszönt. Ezt az Ă©rzelmek egy ideig prĂłbĂĄljĂĄk kĂ©zben tartani, amĂg kettĆ közĂŒlĂŒk ki nem röppen a hosszĂștĂĄvĂș memĂłriĂĄba.
Az öt fĆhĆs tehĂĄt: DerƱ, aki mindig pozitĂv (szĂnes), BĂĄnat, a szomorĂșsĂĄg megtestesĂtĆje (kĂ©k), MajrĂ© (lila), Harag (piros) Ă©s Undor (zöld). Ezek mind aranyos, Ă©des, vicces szimbolikus figurĂĄk, akik Riley pillanatnyi lelkiĂĄllapotĂĄt Ă©s a kĂŒlvilĂĄggal valĂł kapcsolatĂĄt kontrollĂĄljĂĄk. EgymĂĄst fĂ©lrelökve veszik ĂĄt az irĂĄnyĂtĂĄst a vezĂ©rlĆpult (Ă©s Riley) felett, de szerencsĂ©re nagyrĂ©szt DerƱ diktĂĄlja a menetrendet. EgyedĂŒl BĂĄnatrĂłl nem tudni, hogy miĂ©rt is van ott, mi szĂŒksĂ©g van rĂĄ, egĂ©szen a törtĂ©net vĂ©gĂ©ig. Egy ĂŒvegfalĂș vezĂ©rlĆterembĆl irĂĄnyĂtanak folyamatosan, de az emberi jellem mĂĄs rĂ©szeit is szemmel tartjĂĄk. Ilyenek pĂ©ldĂĄul a âszemĂ©lyisĂ©g-szigetekâ, amelyek egyedien tervezett vĂĄrosok; a hosszĂștĂĄvĂș memĂłria, ahol egekig magaslĂł polcokon ĂĄllnak a memĂłriĂĄk, Ă©s ahonnan agymunkĂĄsok porszĂvĂłval szippantjĂĄk ki a mĂĄr elszĂŒrkĂŒlt, nem szĂŒksĂ©ges telefonszĂĄmokat, vagy pĂłni neveket. Ezek a mĂ©ly sötĂ©tsĂ©gbe kerĂŒlnek, ahol megsemmisĂŒlnek, ide tehĂĄt nem tĂșl jĂł beesni.
A filmet nĂ©zhetnĂ©nk simĂĄn egy aranyos animĂĄciĂłs kalandfilmkĂ©nt, ahol a kĂ©t bajba kerĂŒlt Ă©rzelem, az elfelejtett kĂ©pzeletbeli barĂĄt, Ding-Dong (a rĂłzsaszĂn vattacukor elefĂĄnt-delfin-cica figura, aki karamellacukorkĂĄkat könnyezik) segĂtsĂ©gĂ©vel prĂłbĂĄlja megtalĂĄlni a visszautat a irĂĄnyĂtĂłtoronyba, hogy egyĂŒtt helyrehozzĂĄk a magĂĄbĂłl kifordult, dacos Rileyt, akinek szĂł szerint összeomlik a szemĂ©lyisĂ©ge. DerƱ Ă©s BĂĄnat ĂĄt kell vĂĄgjon a kislĂĄny minden agytekervĂ©nyĂ©n, ami mindannyiunknak Ă©rdekes Ă©s kalandos utazĂĄs, hiszen megismerjĂŒk, hogy mi az Elvont Gondolatok Alaguta, mi rejtĆzik Riley tudatalattijĂĄban, amelynek ajtajĂĄt Ćrök vĂ©dik, milyen az ĂlomstĂșdiĂł, hogyan mƱködik a memĂłria. Rengeteg aprĂłsĂĄg dobja fel mindezt, pĂ©ldĂĄul, amikor Ding-Dong vĂ©letlenĂŒl felborĂt kĂ©t lĂĄdĂĄt, majd vĂĄlogatĂĄs nĂ©lkĂŒl visszaönt Ă©s összekever mindent, hozzĂĄfƱzve, hogy az ilyesmi gyakran megesik. Az egyik lĂĄda volt a TĂ©nyek, a mĂĄsik a VĂ©lemĂ©nyek.
Az AgymanĂłkat azonban nĂ©zhetjĂŒk egy mĂĄsik sĂkon is, Riley Ă©rzelmi Ă©s gyermeki Ă©njĂ©nek összeesĂ©se Ă©s âfelnĆttĂ© vĂĄlĂĄsaâ szempontjĂĄbĂłl. Ez törtĂ©nik ugyebĂĄr tinĂ©dzser korban is, itt viszont nem lehetett Ă©veken keresztĂŒl tartĂł törtĂ©netet bemutatni, ezĂ©rt Riley hamar âlerendeziâ a dolgot, nĂ©hĂĄny nap alatt. A film meglepĆen drĂĄmai Ă©s felnĆttes, ami utĂĄn nem Ă©pp vidĂĄman jövĂŒnk ki a mozibĂłl, ahogyan azt eddig megszokhattuk a rajzfilmeknĂ©l. Happy end ugyan, de mĂ©gsem az a felhĆtlen vidĂĄmsĂĄg tölti be a lĂ©gkört. A felszĂnen minden rendben, de valĂłjĂĄban mĂ©giscsak egy gyermeki lĂ©lek mƱködĂ©se van itt felboncolva, tizenegy Ă©ves kislĂĄny Ă©nje összeomlik, hogy a film vĂ©gĂ©re egy teljesen Ășj Ă©pĂŒlhessen fel, felnĆtt vonĂĄsokkal Ă©s bonyolultabb struktĂșrĂĄkkal.
Amint lĂĄtjuk, Freudnak sok nyoma fellelhetĆ a mese menetĂ©ben, viszont analĂzisrĆl, meditĂĄciĂłrĂłl, ĂĄlomfejtĂ©srĆl szĂł sincs (bĂĄr megjelenik az ĂlomgyĂĄr, ami Hollywoodot remekĂŒl parodizĂĄlja; valamint az a rĂ©sz is Ă©rdekes, amikor a tudatalattibĂłl elĆhozzĂĄk a bohĂłcot, Ă©s az Ć segĂtsĂ©gĂ©vel Ă©bresztik fel Riley-t). A mese inkĂĄbb szĂłrakozva tanĂt meg minket a pszicholĂłgia alapjaira, Ă©s segĂt rĂĄjönni, hogy hogyan is mƱködik az ember. A kedvenc rĂ©szem pĂ©ldĂĄul Riley elsĆ napja az iskolĂĄban, ahol a stresszhelyzetben minden Ă©rzelem megbolondul, Ă©s ĂłriĂĄsi Ă©rzelmi kavargĂĄs megy vĂ©gbe. Ez nagyon ismerĆs lehet mindenikĂŒnk szĂĄmĂĄra, Ă©s ĆszintĂ©n szĂłlva, miutĂĄn lĂĄttam a filmet, erĆsen elgondolkoztam, hogy mi is megy vĂ©gbe az Ă©n agyamban.Â
EzĂ©rt is Ă©rdekes tehĂĄt ez a film, elgondolkodtat, segĂt megĂ©rteni Ă©s tudatosĂtani lelkĂŒnk folyamatait. Nem feltĂ©tlenĂŒl vidĂĄm film, de megĂ©rtjĂŒk, hogy mind folyamatosan vĂĄltozunk, Ă©s nem feltĂ©tlenĂŒl jĂł irĂĄnyba. A szomorĂș emlĂ©kek Ă©pp Ășgy alakĂtanak bennĂŒnket, mint a vidĂĄmak. VĂ©gre egy animĂĄciĂłs film, amely felnĆtteknek is Ă©pp olyan Ă©rdekes, mint a gyerekeknek!Â
(U.i.: Azért 8 éven aluliakkal nem nézetném meg...)
ĂrtĂ©kelĂ©s: 9,5/10
G. EmĆke
I recently had an experience where I was sitting in the car with my parents having a conversation and all of a sudden I felt like I didn't know them and I felt like I was someone else who was stuck in my body and my life and it felt very out-of-body and weird. This sort of thing has happened before but not to this intensity or for as long (it lasted about a minute or so) and it's freaking me out. Do you think you might have an idea of what this could have been? -please tag this emoke-
Hey there lovely!
I am by no means an expert, but to me this sounds very much like dissociation. Specifically depersonalisation or derealisation. I answered an ask on this a while ago which I think summed up and highlighted what dissociation is and I would like to show you an extract from that as I think the information and sources are really useful.
Dissociation tends to be where we âlose controlâ of ourselves. I occasionally dissociate, mostly in times of stress/anxiety and it feels like I am no longer in control of myself, like I have taken a passenger seat and I am just watching what is happening through my eyes but I canât actually control what it is that I am doing, I just watch. Derealisation is a form of dissociation and it tends to be where you donât feel real, feel like things are a dream or that you or other people/other things donât exist. Depersonalisation is another form, where you feel that your body isnât real or that it doesnât feel right. It can also be when you see yourself differently- like you are watching yourself like an out of body experience.
This is an excerpt from the mind.org.uk website about dissociation, I would really recommend you visit the website [source] to read even more about types of dissociation and what it means.
âThere are five types of dissociation:
AmnesiaThis is when you canât remember incidents or experiences that happened at a particular time, or when you canât remember important personal information.
DepersonalisationA feeling that your body is unreal, changing or dissolving. It also includes out-of-body experiences, such as seeing yourself as if watching a movie.
DerealisationThe world around you seems unreal. You may see objects changing in shape, size or colour, or you may feel that other people are robots.
Identity confusionFeeling uncertain about who you are. You may feel as if there is a struggle within to define yourself.
Identity alterationThis is when there is a shift in your role or identity that changes your behaviour in ways that others could notice. For instance, you may be very different at work from when you are at home.
Dissociation can affect your perception, thinking, feeling, behaviour, body and memory. If you experience a dissociative disorder you may have to cope with many challenges in life. The impact of dissociation varies from person to person and may change over time. How well a person appears to be coping is not a good way of telling how severely affected they are.
The effects of dissociative disorder may include:
- gaps in your memory- finding yourself in a strange place without knowing how you got there- out-of-body experiences- loss of feeling in parts of your body- distorted views of your body- forgetting important personal information- being unable to recognise your image in a mirror- a sense of detachment from your emotions- the impression of watching a movie of yourself- feelings of being unreal- internal voices and dialogue- feeling detached from the world- forgetting appointments- feeling that a customary environment is unfamiliar- a sense that what is happening is unreal- forgetting a talent or learned skill- a sense that people you know are strangers- a perception of objects changing shape, colour or size- feeling you donât know who you are- acting like different people, including child-like behaviour- being unsure of the boundaries between yourself and others- feeling like a stranger to yourself- being confused about your sexuality or gender- feeling like there are different people inside you- referring to yourself as âweâ- being told by others that you have behaved out of character- finding items in your possession that you donât remember buying or receiving- writing in different handwriting- having knowledge of a subject you donât recall studying.â
I would really recommend having a read through the rest of the booklet on that website because it is really informative and has so many experiences and information including self help tips. I would also really recommend you take a look at our page on grounding techniques because those techniques are super super helpful when trying to control dissociation. They are really effective and can help to âbring you backâ when you donât feel in control.
Dissociation can stand alone as a disorder, but it is rare and dissociation is much more frequently a symptom of another disorder, or a part of another disorder. Like I mentioned in the extract, I sometimes dissociate when I am anxious, so it could be that dissociating links in with something else. I would recommend seeing a doctor and telling them what you are experiencing, they will be able to begin a treatment plan with you which involves treating your dissociative symptoms as well as anything else.
I hope this can help you, we are always here!Adrienne
x

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ĂtĂ©let MagyarorszĂĄgon (2014)
(Judgment in Hungary), Ărta: G. EmĆke
RendezĆ Ă©s forgatĂłkönyvĂrĂł: HajdĂș Eszter
Rövid összefoglaló:
MagyarorszĂĄgon a kĂ©tezres Ă©vek vĂ©gĂ©n heves vita alakult ki a magyarsĂĄg Ă©s a romĂĄk között, ami egĂ©szen vĂ©rengzĂ©sig fajult. NĂ©hĂĄny fĂ©rfi, aki Ășgy Ă©rezte, hogy neki kell kezĂ©be venni MagyarorszĂĄg sorsĂĄt, Ă©s rendet tenni az orszĂĄgban, sorra tĂĄmadott meg a roma csalĂĄdokat, gyilkolt le vĂ©letlenszerƱen kivĂĄlasztott fĂ©rfiakat Ă©s gyerekeket is.Â
A törtĂ©ntek a mĂ©diĂĄban is nagy hangot kaptak, ezĂ©rt HajdĂș Eszter (elmondĂĄsa szerint) kötelessĂ©gĂ©nek Ă©rezte dokumentĂĄlni a sorozatgyilkossĂĄgot tĂĄrgyalĂł per minden napjĂĄt, Ă©s az ĂĄldozatok emlĂ©kĂ©re egy dokumentumfilmbe fƱzni a 167 napos, majdnem 3 Ă©vet ĂĄtfogĂł tĂĄrgyalĂĄs-sorozatot. A forgatĂĄs elsĆ napja a tĂĄrgyalĂĄs legelsĆ napja volt, 2011. mĂĄrcius 25.-e, Ă©s 2013. augusztus 6-ĂĄn, az ĂtĂ©let kihĂrdetĂ©sĂ©vel Ă©rt vĂ©get. HajdĂș Eszter stĂĄbja volt az egyetlen, amely a nĂ©gy gyanusĂtott perĂ©nek minden napjĂĄt dokumentĂĄlta.Â
Az 'ĂtĂ©let MagyarorszĂĄgon' magyar ĂĄllami tĂĄmogatĂĄs nĂ©lkĂŒl, teljesen fĂŒggetlen dokumentumfilmkĂ©nt kĂ©szĂŒlt el magyar-nĂ©met-portugĂĄl koprodukciĂłban.Â
A filmet a Filmtettfeszt alkalmĂĄval KolozsvĂĄron is vetĂtettĂ©k, itt volt rĂĄ mĂłdom nekem is megnĂ©zni a filmet, majd a film utĂĄn közönsĂ©gtalĂĄlkozĂłt tartottak, ahol a rendezĆ szemĂ©lyesen is mesĂ©lt a forgatĂĄsrĂłl, a filmrĆl Ă©s a felmerĂŒlĆ kihĂvĂĄsokrĂłl.Â
A rendezĆnĆ bevallĂĄsa szerint nehĂ©z forgatĂĄs volt, sokszor, fĆleg az elsĆ Ă©v folyamĂĄn egyedĂŒl kellett forgatnia, mĂg nem kaptak semmi fĂ©le tĂĄmogatĂĄst. Ez okbĂłl a filmben kevĂ©s szögbĆl lĂĄtjuk a törtĂ©nteket, Ă©s ugyanazok a plĂĄnok, ugyanaz a vilĂĄgĂtĂĄs jellemzĆ elĂ©g hosszan. EttĆl kissĂ© amatĆr feeling-je van az egĂ©sznek, viszont a bĂrĂł szemĂ©lyisĂ©ge, Ă©s a kĂ©rdĂ©sek, valamint a âbeugrĂł szereplĆkâ (avagy a tanĂșk/hozzĂĄtartozĂłk) elĂ©g erĆsen viszik elĆre a törtĂ©netet. Az elejĂ©n mĂ©g nagyon zavart, hogy olyan amatĆrnek tƱnik az egĂ©sz film, sok hibĂĄt Ă©szleltem benne, sokszor nem Ă©rtettem, hogy miĂ©rt hagytak benne (szerintem) teljesen fölösleges rĂ©szeket. KĂ©sĆbb azonban azt vettem Ă©szre magamon, hogy a film 100%-ban leköti a figyelmem, beleĂ©lem magam, Ă©rdeklĆdĂ©ssel bĂĄmulom, hogy hogyan mƱködik egy bĂrĂłsĂĄg Ășgy istenigazĂĄbĂłl. Ălveztem a bĂrĂł beszĂłlĂĄsait, a szarkasztikus kiabĂĄlĂĄsĂĄt, a vicces pofĂĄkat, amiket vĂĄgott. A kihallgatottakkal egyĂŒtt Ă©n is âfĂ©ltemâ tĆle, elkĂ©pzeltem, hogy Ă©n is pont olyan bĂ©na lennĂ©k Ă©s nem emlĂ©keznĂ©k semmire amikor valaki ĂłriĂĄsi hangon ĂŒvölt rĂĄm Ă©s a hĂĄtamnĂĄl feltĂ©teles sorozatgyilkosok ĂŒlnek. NĂ©ha felhĂĄborĂtott, hogy olyan csĂșnyĂĄn beszĂ©l az emberekkel, mĂĄskor teljesen egyet Ă©rtettem vele Ă©s jött, hogy szĂĄjba vĂĄgjak egy-egy embert, hogy mondja mĂĄr ki, amit akar. RĂĄjöttem, hogy bĂĄr sokĂĄig szerettem volna bĂrĂł lenni, Ă©letem legjobb döntĂ©sĂ©t hoztam meg, amikor mĂ©gis mĂĄs pĂĄlyĂĄt vĂĄlasztottam, ugyanis Ă©n mĂ©g idegbetegebb lennĂ©k mint a dokumentumfilm âfĆszereplĆjeâ.Â
FĆszereplĆnek hĂvnĂĄm Ă©n a bĂrĂłt, hiszen Ć adja meg a film alaphangjĂĄt. A nĂ©gy vĂĄdlott perĂ©t lĂĄtjuk, az ĂĄltaluk âlĂ©trehozott törtĂ©netâ (a gyilkossĂĄgok) a film alapja, de nem ez a nĂ©gy ember vĂĄlik a film közĂ©ppontjĂĄvĂĄ. Szerintem sokkal inkĂĄbb arrĂłl szĂłl, hogy egy ember mennyire fel kell hĂșzza magĂĄt, ordĂtson, szenvedjen, idegbeteggĂ© vĂĄljon, hogy valamit vĂ©ghezvigyen itt, a mi tĂ©rsĂ©gĂŒnkben. Ebben a filmben benne van a magyar mentalitĂĄs, a hatĂłsĂĄgok Ă©s nagyobb szervek semmittevĂ©se, a magyar-roma ellentĂ©t, Ă©s maga a magyarok sorsa. Hiszen bĂĄrminek nekifognĂĄnk, Ă©ppen olyan visszahĂșzĂł dolgokba ĂŒtközĂŒnk, mint a bĂrĂł. Mintha mindenki összefogna ellene, az ĂĄllam Ă©s a mentĆsök is, akiktĆl aztĂĄn tĂ©nyleg azt vĂĄrnĂĄnk, hogy ne hazudozzanak össze-vissza Ă©s a munkĂĄjukat vĂ©gezzĂ©k, hiszen mi szĂł szerint rĂĄjuk bĂzzuk az Ă©letĂŒnket.
Ăsszefoglalva: a filmben vannak hibĂĄk, vannak idegesĂtĆen nem oda illĆ vagy kihagyhatĂł jelenetek, viszont ugyanakkor erĆsen sodor magĂĄval, leköti a figyelmĂŒnket Ă©s Ă©rdekes megvilĂĄgĂtĂĄst ad a bĂrĂłsĂĄgrĂłl Ă©s a nemzetrĆl.
ĂrtĂ©kelĂ©s: 7/10
#YxL #EmoKe (at emo elm city )
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