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EDIT: Now on ao3, new chapters will be added there: https://archiveofourown.org/works/65905306/chapters/169777987
Oh boy me and my poor impulse control again. I do plan on continuing this but it'll be more of a side project until I finish one of the fics I'm actively posting on ao3 atm. But have it anyway, cuz why not.
Reader will be gender-neutral, but a lot of Ring-a-Ding's nicknames will lean to what a lot of people would consider feminine. Doll, Sweetiepie, etc, and the word pretty will probably be used in later chapters. I mean all of this CAN be gender-neutral but if it's not your cup of tea please handle with care. :)
Chapter 1 - Palazzo
The light of creationâŠ
Lux had been everything, and yet nothing. It had lasted an eternity, yet had been over in a second. Eventually, he meets the fate that all immortal gods meet after achieving their machinations.
Boredom.
Boredom, boredom, boredom. The one true enemy of all immortals. Sure, sometimes theyâll play dead or sulk in some other realm for a time and let the mortals think theyâve won. Sometimes their power is so depleted itâs even necessary to do so, but those are temporary setbacks. In reality, the only real threat to those with infinite time is running out of things to fill it with.
So what to do?
Heâll have to start small, obviously. Nothing that would be worth recording, nothing that would become legend. Little more than a warm up--a simple dalliance.
Heâll start at the last place heâd been, in the only form heâs ever taken. The familiar is simple and as good a starting point as any for his little excursion.
Slowly, he gathers himself, pulling himself back to a singular point in space and time--where and when the Palazzo next plays the Mr. Ring-a-Ding reel.
Back to Miami, back to the PalazzoâŠand back to being Mr. Ring-a-Ding.
*
Cleaning out the projection booth isnât supposed to be part of your job. Yet here you are, sweeping the dirt and grime thatâs piled up after 73 years of the theater being abandoned. At least itâs winter, and a fairly cool winter at that, making the inside of the unairconditioned theater âmuggyâ rather than âunbearably hot and stuffyâ.
The power itself is on, so thereâs some lighting, though the majority of the light bulbs have long since burned out, leaving the place fairly dark, especially now that the sun has set.
Youâve been told to try to salvage whatever old equipment or âantiquesâ you might find. Your boss has even offered to split any proceeds 70/30 in your favor--your his âmagnanimousâ way of compensating you for the extra responsibilities.
Never mind that hauling the equipment, restoring it, and finding a buyer would probably be a part-time job in and of itselfâŠone which, like your current job, wonât pay much, especially after the split.
But you canât turn up your nose at it, either. So you go through the old books, papers, and machinery that lay scattered on the floors and shelves. Whatever antiques may have been worth anything probably are too ruined to sell at this point. The massive hole in the side of the building from the film closet exploding all those years ago had never been repaired, so the theater hadnât exactly been shielded from the elements. Even the door to the projection room had eventually rotted and fallen away, leaving the room open to critters and even more dirt and leaves and detritus carried in by the wind.
You guess the projectors themselves are the only thing in the room that may be worth the effort of hauling anywhere but the dumpster. But theyâre so covered in dirt and grime you canât imagine that any of the interior mechanisms could possibly work.
âŠDo collectors of antique projectors even care if said projectors actually work? You suppose youâll have to research that later. In any case, youâre sure anything worth anything would have been stolen by looters long ago.
So far youâve been more focused on clearing away the obvious trash to clear a path to the projectors. Sweeping dirt, mud, and leaves off the floor, then clearing the broken bits of wood from the rotted shelves and what you guess used to be some kind of desk. Finally, thereâs space to stand alongside the projectors so you can look them over.
Theyâre covered in grime, of course, but as you begin to wipe that away, you see they actually look to be in decent shape beneath it all. No sign of rusting or warping on the metal casing, which is surprising. Youâd half expected the old things to go to pieces as soon as youâd touched them, but it seems--like a lot of old tech--theyâre built fairly sturdy.
Though that doesnât mean their inner workings are still operational, you remind yourself.
As you move to the second projector, your brow knits as you notice something.
Thereâs still a roll of film loaded into it. Thatâs not so surprising on its own--from what youâve heard this place had been abandoned pretty hastily back in the 50s--but what is odd is just how pristine the celluloid looks.
The bits youâd found scattered about while cleaning had been dirty, crumpled and curled from age, and trying to load it into a projector would have just made it fall apart.
But the roll in the projector now looks brand new. You adjust your glasses, leaning close and squinting. It looks like a cartoon, but the images are too small and the room too dim for you to tell much more than that.
An old reel like this might be worth something if itâs still playable. Maybe itâs even a piece of lost media? Though you doubt youâd be so lucky. You push your glasses back into place, trying to find the mechanism to unload the reel. Your hand brushes a switch on the back of the machine, and despite you barely touching it, the projector suddenly springs to life.
The light flickers on and you hear the familiar whirring and clicking of the old film projector starting up.
You glance to the theater below, where an odd image is displayed on the tattered remains of the movie screen.
Some kind of cartoon character, a blue-skinned bug with a pig-like nose and straw boater hat, grinning widely. The title card which follows reads: âMr. Ring-a-Ding Goes to Town!â
Not a character or show youâre familiar with, and you like to think youâre pretty versed in old cartoons.
âOh itâs such a beautiful day! I think Iâll go to town! Yes sirree!â the titular character says as he strolls down the road with the sort of jauntiness that can only be captured by old rubber hose animations.
You only watch for a moment before turning your gaze back to the projector. As much as youâre curious about this old cartoon youâve found, you donât want to risk potentially damaging the film. So youâd rather get the reel out and back into its case before something goes wrong.
You have no idea how you even turned the projector on. After a moment of searching, you find a labeled ON/OFF switch and press it.
Nothing happens. The film keeps rolling.
â...What did I just turn off, then?â you mumble to yourself. After a moment of searching, your eyes happen to drift back to the screen, and you do a double take.
Mr. Ring-a-Ding is gone. The cameraâs just holding on an empty shot, showing only the pathway and the sign pointing to town. It looks like the showâs been paused, but the filmâs still rolling.
Why had the cartoon hung on this long shot of the background? Some kind of joke youâd missed the setup for?
As youâre staring, the projector abruptly switches offâŠdespite the reel not having ended. You glance sharply at it, wincing. Itâd be just your luck if you find a working pre-1950âs projector and film reel only to immediately break itâŠ
Before you can think too much on that, though, you hear a rustle of fabric from the theater, and peering through the darkness, you see the heavy curtains that cover the screen are being pulled shut.
âHello?â you call out. No answer.
You quickly leave the projection room, jogging down the short hallway and entering the back of the theater. âHello?â you call again. âBrent? Brent, is that you?â you ask, guessing--and hoping-- your boss had come by to check on your progress for some reason.
You keep your gaze on the closed curtain, slowly walking down the stairs of the center aisle towards it. The few lights that are on are mostly towards the back, leaving the front of the theater fairly dark.
Youâre just reaching the third row of seats and getting ready to call out again when the curtains suddenly fly open.
âTADAAAA!!!â shouts none other than Mr. Ring-a-Ding himself.
You scream, scrambling back, your heel catching on one of the steps and causing you to fall on hard on your rear.
Ring-a-Ding laughs, though itâs not a particularly mean-spirited laugh. âWhoopsie daisy! Thatâs why we donât walk backwards on stairs!â he says with a teasing wink.
âW-W-Who are you?â you stammer out, your eyes wide.
He smirks. âGlad you asked, my dear!â A jaunty tune begins playing out of nowhere, and Mr. Ring-a-Ding begins a lively dance. âIâm Mr. Ring-a-Ding, Iâll make your heart bells sing!â
Your mouth hangs open even further as you simply stare at him, agape, as he sings. And sings. And sings. For well over a minute, which may not be that long as songs go but is certainly a long time for him to sing and dance unprompted while you can only stare on in shock.
âIâm Mr. Ring-a-Diiiiiiiiiiiiiiiing!â he belts out the last line, taking off his hat and spreading his arms wide.
You canât even begin to muster a response.
Mr. Ring-a-Ding chuckles, placing his hat back on his head. âYâknow, usually I get interrupted before I finish the song,â he says.
You make a vague, strangled noise that sounds like a distant, âUh-huhâŠ?â
He lets half a beat pass before shaking his head, his grin never leaving his face. âYannow, this is usually the part where youâd introduce yourself. Buuuuut if you ainât got a song prepared you can just say your name.â
After a brief hesitation, you manage to stammer out your name. Your eyes havenât gotten any less wide, and you havenât been able to stop staring at the cartoon man before you.
âWhoâŠare you?â you ask again.
He quirks a brow, smirking playfully. âOh come now! I just sang about that for a full minute and a full thirty-six seconds! Donât tell me ya need all that repeated?â he teases.
âErm--ah, noâŠâ you say. You lean forward, managing to pull yourself to your feet and begin slowly walking towards him.
He seems unphased, grinning up at you innocently as you approach. You stop when you reach the bottom step, standing in front of the stageâŠbarely an armâs length from the odd creature atop it.
âYouâreâŠa cartoonâŠâ
âYes indeedy-do!â he chirps.
âD-DidâŠyou justâŠcome out of that film?â
He smirks, waggling a finger at you. âDonât make me laugh!â
You blink. âIsâŠthat a funny question?â you ask blankly.
âDonât make me laugh!â he repeats.
You sigh, running a hand through your hair. âI must be going insane.â Not exactly a surprising result, given what Brent has been putting you through, but you hadnât expected it to manifest quite like this.
âNaaah!â he says with a flick of his wrist. âYou seem perfectly sane to me. Iâm perfectly real, after all!â he says cheerfully.
You canât help but let out a weak chuckle at that, shaking your head. âYeah, thatâs just what a hallucination would sayâŠâ
Mr. Ring-a-Ding snorts. âWell, alright, dollâŠya got me there. BuuuutâŠis it not also what a real cartoon brought to life would say?â
One corner of your mouth ticks upward in the faintest hint of a smile. âYou uhâŠyou got me there,â you say, borrowing his phrasing.
His grin actually seems more genuine for a moment, a bit more warm than his somewhat teasing smirk.
âYouâreâŠreally real, then?â you ask. Slowly you reach out towards him with one hand.
He raises a brow, and for the first time his smile falters. Only for a moment, though. His grin returns as he lightly pushes your hand aside with one finger. âNot sure what I can say to that that ainât already been said,â he chuckles.
âF-FairâŠâ you say, taking the hint and lowering your hand. Him moving your hand aside has already proven that heâs solidâŠor that your hallucination includes touch in addition to sight and sound.
He steps forward, hopping down from the stage. You take a step back, watching as he walks around you and up the stairs.
âWell this place has sure seen better days, huh?â he says, looking up at the deteriorating building. His gaze pauses on the hole in the ceiling. A blue tarp is pulled tightly over it, keeping out some of the elements until the construction crew arrives to patch it.
âHeh. Not in my lifetime,â you say wryly.
âOh no?â he asks casually, turning to glance back at you.
âItâs been closed for over 70 years now,â you say.
âOh?â he asks again, continuing to walk up the stairs, his gaze turned upwards as he takes in the state of the theater. âDonât suppose you know why?â
If you werenât so flustered, you may have noticed the lack of surprise in his toneâŠmaybe even the underlying coyness. But as it is, you simply take the question at face value.
âA fire in the film closet caused an explosion. Thatâs why thereâs that hole up there,â you say, nodding towards the tarp.
He follows your gaze, humming in thought. âOh, is that all?â he asks, glancing at you sideways.
This time you do notice the coyness in his tone, but you think heâs simply trying to be funny.
âI think there was some other drama around it,â you say. âI did a bit of research before coming out hereâŠbut itâs hard to tell whatâs true and whatâs just urban legends these days. But it sounds like there was some kind of hostage situation, and thatâs what led to the explosion. No casualties though, from the sounds of it.â
Mr. Ring-a-ding chuckles. âWell, thatâs a relief!â he says, managing to sound genuine, though not particularly invested. âAnd whereâs good olâ Mr. Pye these days?â
âWho?â you ask blankly, following him up the stairs towards the projection booth.
âReginald Pye. The projectionist,â he says simply, not bothering to glance back at you.
âThe--?â You cut yourself off. âUh, abandoned theaters donât have projectionists,â you say, with a weak laughâŠnot thinking about why he may be asking after the former employee.
He stops, spinning on his heel to face you. âWell of course they donât, you silly billy!â he says, waggling his finger at you. âThatâs why I asked where he is, because heâs obviously not here!â
You open your mouth to speak, then quickly close it again, your brow knitting in sympathy. âI-ItâsâŠbeen 70 yearsâŠâ
Mr. Ring-a-Ding cants his head, grinning up at you. âSo youâve said,â he says blithely, clearly having no idea why the point bore repeating.
âŠDoes he really have no idea?
âHowâŠold was he? Mr. Pye?â
âDunno. Kinda old I guess. Why?â he asks. He doesnât seem to be understanding the significance of your questions.
You find yourself wondering if a living cartoon even knows what death is. You chew your lip, shifting uncomfortably.
âWhatâsa matter, sweetie pie? Cat got your tongue?â he asks playfully.
You sigh, rubbing your arm as you finally meet his gaze. âSeventy years isâŠa long time for humans. I-ItâsâŠrare for humans to live past a hundred. A hundred-twenty at most.â
His smile freezes in place as he stares at you in silence for a moment before simply saying, âAh.â
âI-IâmâŠsorry,â you say quietly. You crouch down in front of him and are about to put a comforting hand on his shoulder, when he steps back, waving a hand.
âDonât make me laugh!â he says, a bit more forcefully than heâd said it before.
You pull back, your eyes widening at the seemingly heartless response. Mr. Ring-a-Ding turns on his heel and resumes his march up the stairs while you slowly get to your feet, stunned.
Is he really that callous, or does he justâŠnot understand the situation? You have no idea what kind of show Mr. Ring-a-Ding had been. Many cartoons from that time never mentioned death, and the ones that didâŠwell, they had a fairlyâŠirreverent attitude about it. So itâs not much of a stretch to imagine a 1930âs cartoon brought to life, would be wholly unequipped to deal with it.
âŠNo more a stretch than â1930âs cartoon brought to lifeâ is to begin with, anyway.
Heâs nearly at the top of the stairs by the time you begin trotting after him.
*
Lux leaves you behind without a second thought, making his way into the projection booth. The two projectors are still there, a bit dirty but otherwise the same as he remembers them. Objects wielded by the gods tended to withstand the passage of time remarkably well, after all.
ObjectsâŠbut not mortals. Not humans. The difference between a year and century is nothing to a godâŠbut apparently itâs everything to a human.
Lux has no heart, but he feels an unpleasant sensation in a place very similar.
He doesnât like it.
He wanders over to the pile of rubbish and broken wood that had once been Reginaldâs desk. Of course, thereâs nothing of significance there. Not anymore. Reginald would have taken any pictures of himself or Helen when heâd left. Lux knows that much.
Lux is aware of you entering the room behind him, but doesnât pay you any mind as he moves to the projection window, hopping up onto the edge of one of the projectors to look out the small window into the theater. Where heâd spent so long watching Reginald and Helen dancing together.
Thereâd been something compelling about it. Almost more compelling than light itself. Lux had never understood his own fascination with it, but also hadnât really cared to think too much on it.
As heâs staring down at the empty house, you finally speak.
âWas heâŠa friend of yours? Mr. Pye?â you ask gently.
Lux tears his gaze away from the window to look at you curiously. Heâs not sure how to answer. Gods arenât friends with mortals. Theyâre barely friends with each other most of the time. Pye had been a disciple, a minion, a servant.
Yet Lux doesnât want to speak any of those words aloud. He tells himself itâs because youâd react poorly to them. While heâs not convinced he has any use for you, heâs not so unconvinced that he wants to drive you off over something trivial.
So, he dips his head in a nod, returning his gaze to the ruined theater. âSomething like that,â he says, his voice flatter and more gravely than the upbeat, chipper tone heâd used before.
âI-IâmâŠsorry,â you say again. âDâyouâŠhave anywhere to go?â
âDonât need to go anywhere,â he says shortly. Maybe he should have just endured the boredom for another millennium or two to recover his strengthâŠthen maybe he could muster the power to do something actually interesting. He assumes the conversation is over and is almost ready to simply return to light when you speak again.
âWell, you canât stay here!â
Luxâs eyes flash yellow for the briefest of seconds and he turns sharply to face you, incredulous at your impudence. A human, a mere human, not even a particularly powerful one, telling a god where he can and canât go?!
Heâs about to banish you into celluloid for your insolence when he processes your expression.
Your brow is upturned, your eyes filled with worry as you clutch your hands together fretfully.
It hadnât been an order. Youâre not demanding he leave. Youâre worried whatâll happen if he stays.
It occurs to Lux that his entrance hadnât been as grand this time. A silly little fellow popping out from behind a curtain--not a giant creature emerging from the screen before banishing fifteen people to film.
You have no idea what he is. Well, that had been true of all the humans back then, too, but they had at least understood he was an immeasurably powerful being--something to be feared.
But you donât think that. You clearly think heâs far more helpless than he is. Do you even realize heâs immortal? Surely not, if youâre fretting about him squatting in some old building. Do you imagine that heâs capable of being hungry? Sick? Cold? Like some feeble little mortal?
Most gods would be insulted at such a notion and would be quick to put you in your placeâŠbut Lux finds the ideaâŠinteresting. A mortal who doesnât fear him. Who asks nothing of him. Who thinks he needs them.
That last part is particularly amusing to LuxâŠHe supposes he had been in the mood for a bit of a dalliance, and it seems one has presented itself.
His irate expression softens, and turns his brow up in a tired, melancholy expression. âButâŠI got nowhere else to go.â
Lux makes sure not to lay it on too thick. Heâd made that mistake with the Doctor, though he hadnât really expected to be able to fool a Time Lord for all that long regardless. So he hadnât exactly bothered to bring his A game to that bit of deception.
You move to stand beside him, leaning against the wall beside the window. âWellâŠmaybe, you could stay with me?â
The surprise on his face isnât entirely feigned. That had been easier than heâd thoughtâŠNot that he needs to stay with you, or anywhere in particular of course. The grin that spreads across his face is also mostly genuine.
âOh, gee willikers! Youâd let me do that?â he says, keeping his tone suitably modest as his smile turns ever so slightly shy.
âWell, I donât want to leave you alone in an abandoned theater all nightâŠâ you say with a small smile. You frown, tapping your chin in thought. âThough I donât know how Iâm going to get you back to my apartment without anyone seeing youâŠâ
Lux chuckles. âMmm, I can draw quite a crowd,â he agrees with a wink.
âYes, Iâd imagine,â you laugh, glad he at least understands the potential consequences of just taking off down the street on his own. âHm, what time is it, anyway? Maybe the streets wonât be too crowdedâŠâ you muse.
You pull some kind of electronic device out of your pocket, pushing a button on the side of it. Suddenly the room is lit up with a blinding white light.
âGah!â you yelp, covering your eyes and touching something on the screen to dim the glow. âSorry about that, didnât mean to flashbang you,â you say to him with a sheepish chuckle.
Lux is hardly phased of course, but he can tell by your rapid blinking that youâve utterly destroyed the night vision youâd been building up in the darkened theater. âQuite alright! Seems you got the worst of it,â he says good-naturedly. âBut what is that, exactly?â he asks, leaning forward.
âOh, itâs my--Well, itâs called a phone but itâsâŠprobably much different than any phones youâdâve seen in the fifties,â you say, holding it out for him to look at.
âHmmâŠâ he hums. He places his hands on either side of the phone, turning the screen towards himself slightly to examine it. He knows more or less what it is, of course. While heâs not familiar with this exact bit of tech, many, many civilizations have similar devices. Glowing, lit up screens or holograms, connecting everyone to everywhere, milleniaâs worth of information at the push of a button.
Well, maybe not millenia on this one. Not yet. Itâs still fairly primitive as far as most displays go, and he doubts the signal could even reach the Earthâs moon, much less another galaxy.
Though heâs glad for your unintentional reminder that someone who only knows the Earth of 70 years ago ought to be impressed by this clunky old tech.
âOh goodness!â he gasps eagerly, doing a suitable job of pretending this is by far the most advanced piece of tech heâd ever seen. âMy my my, what a tiny little screen!â he says. He pokes part of the screen, pretending to be startled when one of your apps opens.
âIt even plays videos,â you say, tapping the YouTube app and letting a random video from the recommended list autoplay.
âGolly, how clever!â he pretends to marvel. âSay, that gives me an ideaâŠâ
It doesnât, really, but it presents a good segue to the idea heâd had the moment you pulled out the device.
While you hold the phone, he presses one of his hands against the screen. Even at his small size, his hand is still bigger than the screen, but as he pushes his hand flattens and shrinks, becoming an image on the screen.
Your eyes widen in surprise as he leans forward, and soon all of him has disappeared into the phone.
He grins at your sputtering noise of shock. Humans are always so stunned at the most innocuous things.
You turn the phone around, and see him standing in front of your app icons and desktop background, which is a stylized picture of a starry night sky, complete with blue and purple nebula-clouds.
âMind clearing a bit of space, honey?â he asks, leaning against the edge of the screen and pointing behind him with his thumb.
âOh, s-sure, hang on,â you say. You swipe the screen slowly, making sure moving the desktop icons doesnât fling him offscreen as well. Once youâre sure it wonât, you swipe past a few screens until youâre at a blank page on your desktop.
âMuch obliged!â he says, tipping his hat. He turns around, whistling appreciatively at the background. âShame to be blocking this lovely view!â
âHehâŠrightâŠâ you say. âA-Are you umâŠsure youâre okay in there?â
âOf course!â
âMy apartmentâs about a half hour walk away, is that alright?â
âCertainly! Take all the time ya need!â he says, sitting down at the bottom of the screen, turning away to look up at the stars.
âRight,â you say, carefully setting the phone down so you can sling your backpack over your shoulders. You carefully pick up the phone, moving it carefully as if youâre balancing something delicate atop the screen. âIâm not gonna jostle you too much moving around, am I?â
Lux has to resist the urge to scoff and roll his eyes. Just how fragile do you think he is? Though at the same timeâŠitâs not exactly difficult to pretend heâs moved by your concern as he turns around, flashing a brash grin.
âAw shucks, sweetie pie!â he says, waving a hand. âIâm tougher than I look! I can handle myself just fine, even on a little screen like this!â he declares, puffing out his chest proudly.
You laugh, and heâs a bit surprised at the warmth in it. âAlright then. Just uhâŠlet me know if itâs too bumpy, alright?â
âSure thing!â he says, turning back to face the starry background, ending the conversation for now.
*
You donât mind the quiet walk. It gives you time to process.
A living cartoon. He just came out of the theater screen, then put himself into your phone, and now heâs crashing at your place for a yet-to-be-determined amount of time.
Your curiosity at how he can even exist and how he works has been quickly overshadowed by worries about his mental state. You suspect heâs grieving his friend, even if heâs reluctant to show it. Heâs from the 50âs after all--not exactly a time rife with emotional vulnerability, especially in men.
From what youâve pieced together, heâs a living cartoon who had been friends with the theaterâs projectionist in the 50âs. Somehow after the theater was abandoned heâdâŠgone dormant? Or something? Youâre not sure how that works yet but what you are sure of is that the poor guy has been essentially flung forward 70 years into a world he likely no longer recognizes.
You reach your apartment building and climb up the stairs to your studio apartment. âItâs a bit crampedâŠâ you warn him.
âIâm sure I can make do,â he says easily. âTwo-dimensional characters donât take up much space, after all,â he winks.
âI suppose,â you say, locking the door behind you. âYou can come out--â
Youâve barely finished the sentence when he pushes against the screen, his whole upper half emerging almost instantly, bringing his face so close that your noses almost touch as he grins widely at you.
You squeak in surprise, your cheeks burning as you drop the phone. To your relief, he hops out the rest of the way before it hits the ground, gracefully floating to the floor while your phone thuds on the rug next to him.
âA-Are you alright?â you say in alarm, kneeling in front of him.
Mr. Ring-a-Ding steps back with a sheepish chuckle, picking up your phone for you. âOh, perfectly fine! Didnât mean ta startle ya!â he says playfully. He checks over your phone, whistling in surprise at the weight of your heavy phone case. âThis thingâs got some heft! Whyâs it armored up like itâs going to war?â he asks as he passes it back to you.
You grin wryly at him. âIn case someone jumps out at me.â
He raises his brows, his smirk showing some appreciation for the quip.
You get to your feet, flipping on the main light. As promised, it is indeed cramped. An unmade twin bed is shoved into one corner, and across from it is a small flatscreen TV atop a stand, positioned in a way that one would either have to lay on their side to watch TV or sit atop the bed with their back against the wall.
The kitchen takes up half of another wall, being little more than a fridge, sink, some cabinets, and less than a foot of actual counter space. A microwave sits on a small, rickety shelf next to the fridge.
A decent chunk of the floor is covered in old newspapers, atop which sit an easel splotched with paint. A small table holds some paints and brushes, but the easel itself is empty.
âYou a painter?â he asks with genuine curiosity.
âTrying to be,â you say as you set your backpack down beside the bed.
âTrying?â he repeats with a quirked brow.
âWell, I mean, I paint, so I am a painter I suppose, butâŠnotâŠreally making money off it yet.â
âAh. âFraid I canât help you there,â Mr. Ring-a-Ding says, turning out his empty pockets. A moth flies out of one of them and disappears behind him and he grins sheepishly up at you.
âOh, donât trouble yourself over it,â you say easily, waving a hand. âIâŠdo sort of have a job lined up. At the theater. Iâll be painting a few murals in the lobby.âÂ
âYeah?â he asks, intrigued. âIf ya donât mind me saying so, honey, itâs gonna take more than a fresh coat of paint to get that place back in shape.â
Your laugh is a bit cynical as you shake your head. âOh, trust me, Ring-a-Ding, Iâm well aware. The builders and cleaning crews are running behind, so the boss--my dadâs friendâs son--is giving me some money to do what I can to get things moving while we wait. And I kinda need the money, soâŠâ you trail off, shrugging.
âI see,â he says, stroking his chin in thought.
âA-Anyway, do youâŠneed anything? Dâyou eat, orâŠor need me to set up a bed for you somewhere?â
He chuckles sheepishly. âWellâŠthe truth is, I donât need food. Or sleep,â he admits.
That possibility had occurred to you on the walk home. That perhaps staying in the theater wouldnât be as detrimental to him as youâd initially fearedâŠthough it doesnât make you regret your invitation. Surely heâd still be lonely? Maybe even scaredâŠat the very least youâd like to think your apartment is still an improvement over a busted up old theater.
âŠThough perhaps youâre just flattering yourself.
âSo what do you do all night, if not sleep?â you ask.
âWatch movies. What else would ya do in a theater all night?â
âTrueâŠâ you say with a weak chuckle.
âBut I think my first night back, Iâll be just fine hanging out at the window.â
âOh,â you say, surprised. Youâd been about to try to set him up with your laptop, but maybe thatâll be an endeavor for another time, when you have more time to explain it to him. âIn that caseâŠI think Iâll get ready for bed, if thatâs alright?â
âCertainly, sweetheart!â he says easily.
*
As you go to get changed, Lux perches on the console table below the small window, looking out it. The stars are barely visible--humans have apparently entered the phase of their development where they havenât a clue how to manage light pollution.
Though that doesnât bother Lux all that much. The glow of the neon signs and street lamps is light too, and at the moment heâs not overly picky.
He smiles softly to himself, replaying your words in his mind. If thatâs okay. Why wouldnât it be? As far as youâre aware, heâs harmless. Maybe even fragile. Yet you still ask his permission for something as innocuous as getting ready for bed.
Youâre certainly interesting. Though perhaps not very sharp. Your boss is clearly taking you for some kind of ride. Lux isnât a trickster god, but he doesnât have to be to see that youâre being duped.
Maybe he can help you out with that. Not out of any sense of justice or loyalty to you, of course. Gods donât need food but they can rarely turn down a hearty serving of comeuppance.
As far as idle dalliances go, you might just be a good one.
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ummmmmmmmm âiâll do it tomorrowâ and âiâll get to it eventuallyâ starting to look an awful lot like the engraving of a tomb stone âŠâŠâŠâŠâŠ đ«Ł
The interview linked in the masculinity post ("HEATED RIVALRY stars get emotional during my NEW interview!â) is a fascinating watch bc you can tell that itâs an affecting question for the both of them but Connor immediately voices how it makes him feel while you can see it in Hudsonâs eyes but he focuses on crafting a thought-out response for Shane. They pass the vulnerability between them basically.
You know I never fully watched this bc the interviewer gave me secondhand embarrassment. Their responses also feel similar to the way they wrote on the little hockey pucks haha Connor is going for a snappy one liner while Hudson is a wordy guyyyyy. We talk about Hudson Shane guy but Connor is equally an Ilya guy!!!!!! Itâs not your faultâŠ.