#dykeferatu

La Mer -> The Great Below -> The Way Out Is Through -> Into The Void. I feel like these four are one continuous work and and they are their strongest together. So I will count them as "one song." Anyway, they impacted me harder than The Downward Spiral (the album) did, which I didn't think was possible. Together, they are one of my favourite works of art of all time. And as someone who went to art school I've seen a lot of incredible art in all kinds of mediums.

Please. I mentioned this in my response to your post but IT KEEPS REPEATING! WILL YOU PLEASE COMPLETE ME?! [Clears throat] I don't know what came over me just then. So basically I wasn't the same man after hearing this for the first time. In my brain, being the writer and composer of Please is one of Trent's highest accomplishments. It's that good to me.

Pilgrimage. I think this one also altered my brain chemistry. It's such a weird track and I can't stop thinking about it. Also the auditory textures are immaculate.

The Becoming. This song is everything to me. Odd time signatures that never feel steady, sounds meant to make you feel very uncomfortable, long verses that never seem to end, extremely deliberate but strange sounding emphasis on syllables, I could go on forever.

Reptile. I don't know how to explain it but this song puts me on a new plane of existence. It feels like an emotional state that is both everything at once and nothing at all. Not to mention it being an incredible work of sound design.

Sin. I wouldn't be reposting the PHM fancam every Monday if I didn't absolutely LOVE this song. It was one of the first NIN songs I heard, and I said to myself "I don't care if the rest of what this guy made is crap, this is one of the best songs I've ever heard."

Ringfinger. A track so underrated sometimes even I forget how good it is. Just generally a really good song that I love, not a lot more to say.

Happiness in Slavery. I love this one because in the intense parts it feels like the song itself is attacking me (positive) but in the quieter moments it feels like a cry for help.

Suck. I really like the balance of intensity, rage, and heavy textures mixed with quiet, sensual, and regretful moments. It's like Closer and The Big Come Down put into a blender.

Only. Immensely catchy with very relatable lyrics, this is one of Trent's best for sure. Actually, it has helped me with social anxiety. If I get really anxious that no one actually likes me, I start singing "I just made (that version of) you UP, to HURT myself" until I convince myself no one actually feels that way about me.

Sunspots. The bass in this one is just incredible, I can almost feel the airwaves vibrate through my body. Combined with Trent's gentle and quiet voice it's a very pleasant sensory experience. Great for decompression after sensory overload.

The Line Begins to Blur. I really, really love the balance of noisiness and texture contrasted with smooth gentle sounds. It's very Fragile-esque but it feels more in control, focused, and significantly less "I'm dead inside." It's truly beautiful in every way.

Discipline. To be honest, Discipline > Head Like a Hole and The Hand That Feeds. Of all the very pop and mainstream songs Trent has made (that I've heard so far), this one is absolutely the strongest for me. It's so undoubtedly Nine Inch Nails, yet fits so perfectly amongst much less alternative/industrial artists. I'm 100% recommending it to anyone who wants to get into NIN. (My Mom also loves this song, it's her favourite NIN song I think.)

1,000,000. This one is kind of amazing to me because it's like every angry depression song Trent made up to that point rolled into one. Like actually just playing them all at the same time, I feel like I'm under psychic attack (positive). It's also... Unfortunately catchy. I have to be careful not to sing it out loud.