Get Your Motor Runnin'!
Head Out On The Highway!
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Get Your Motor Runnin'!
Head Out On The Highway!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Alternative film poster for Gattaca (USA, 1997), directed by Andrew Niccol. Discrimination is taken to the next level in this dystopian future where eugenics form the basis of society. A thought-provoking and timeless film that sets out to prove that will and determination outweigh expectations and fate. Memorable quote: “I belonged to a new underclass, no longer determined by social status or the color of your skin. No, we now have discrimination down to a science.” Designed by Sarah Schrauwen and Mathieu Vancamp of doublebill.design.
Excited that Nightbreed is the second film for The Last Drive-In’s season finale!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I saw top gun (1986) in cinemas and it was INCREDIBLE- I felt as if I was seeing the first showing of it when it first came out! An amazing experience ! AND to see top gun: maverick after it as well was so cool because it made me make more connections between the two!
The perfect film to precede The White Reindeer (Erik Blomberg, 1952), available on MUBI, is Jean Epstein’s short released five years prior, Le Tempestaire (1947), which is still free to see in a stunning restoration on the Cinémathèque française’s online platform Henri.
Both black-and-white films center on a young woman who, in the absence of her fiancé / husband, hopes to find comfort in some form by seeking the help of a local tempest / shaman channeling (or claiming to channel) the old gods. In awe of nature's potential power, these women are drawn to its beauty yet horrified by its mysterious force. Their stories, based on pre-Christian traditional beliefs and told with little dialogue, become cautionary tales. There’s an underlying current of a search for passion and freedom, through the storm and the hunt, and consequently a loss of innocence. It's lyrical cinema at its finest. Two profound poems of sea and snow.
Screenshots: Mirjami Kuosmanen in The White Reindeer (left) and unknown actress in Le Tempestaire (right)