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Grimes for Discorder Magazine February 2012
Written by Sarah Berman / Photos by Michelle Ford / Hair&Makeup by Jenna Kuchera / Styling by Mila Franovic / Clothes by F as in Frank
[ full article text below the cut ]
It wasnât so long ago that Claire Boucherâa.k.a. Grimesâreleased a miniscule run of 30 cassettes for her breezy electro-goth debut Geidi Primes. Â
 Just over a year ago, the Vancouver-born, but then Montreal-based artist played to a modest crowd at the Astoria with the help of local jack-of-most-trades, Cameron Reed.   "Cam set up my first show in Vancouver, which was really nice of him,â Boucher recalls of the de facto show promoter, who also crafts glitchy atmospherics under the banner Babe Rainbow.  On the line from her parentsâ place in town, Boucher reflects on how far sheâs come.  "I think it was last Christmasâsometime back in the day before I was a real musician, or something.â   Since then, the ârealnessâ of Boucherâs career has undeniably rocketed skyward.  For starters, she recently signed with the esteemed English imprint 4AD.  Though sheâll stay on Montrealâs Arbutus Records within Canada, the international distribution deal places her in the past and present ranks of St. Vincent and the Cocteau Twins.  Boucherâs also coming off a well-received tour with Lykke Li, and her upcoming record, Visions, is enjoying critical adoration from all corners of the indie music blogosphere.  And with good reason.  The albumâs airtight production allows Boucherâs signature falsetto to soar over curious arrangements of vintage hip-hop loops, dancing Casio synths, occasional Nintendo chimes, and ever-breathy harmonies.  As her third solo release, Visions marks a graduation from bedroom composing into the world of avant-pop tastemaking.  Itâs realer than real, you might say.   Since her return to Lotusland in November, Grimes has immersed herself in the sushi and musical scenery she left behind in 2006.  Reached a few days before playing a collaborative DJ set with Reed at the Waldorf, Boucher reflected on the hippy vibes, potential alien correspondence and chemically-induced all-nighters sheâs experienced on the West Coast.   "We did a bunch of Dexedrine and drank a bunch of gin and made the sleaziest pop song of all time,â Boucher recalls of a very recent collaboration with Blood Diamondsâ Mike Tucker.  The resulting track, "Phone Sex,â will be released later this year.   "Itâs like a K-pop version of âWe Found Loveâ by Rihanna,â Grimes says, adding that the all-night creative burst escalated into absurdity pretty quickly:  "Itâs kinda psychedelic and has really weird lyrics that maybe imply an incestuous relationship, or something.â   Itâs with this tongue-in-cheek deadpan that Boucher seems to chide all of her accomplishments and tastes.  Whether weâre discussing a teenage obsession with Tool or her skyscraping vocal range, Boucher bookends her replies in self-deprecating humour.   "I think people think Iâm much more serious than I am,â she muses.  "Most of the music Iâve ever made, Iâve been so baked when I made it.  Like, really stoned.â   Perhaps for similar self-preserving reasons, Boucher doesnât get too personal in her song lyrics.  While a spare few phrases can be deciphered, most Grimes songs are comprised of wordless flowing vocal hooks.   "I just donât listen to lyrics much myself,â she explains.   Instead, Boucher finds herself emulating TLC and Mariah Carey-style R&B singing techniques ("Maybe thatâs totally taboo or not cool, but the idea of combining R&B and goth is like everything I could ever want,â the vocalist gushes), but without the straightforward romantic plotlines.  "I donât want to evoke anything super specific,â she says.  "If Iâm writing about something sensitive to myself, I donât want it to be cheesy, or something.  I feel like being abstract is a little more tasteful and less embarrassing.â   Without earthly lyrics to pin down, Grimes tunes are repeatedly branded âetherealâ and âspacey"âthe latter being a descriptor Boucher both enjoys and embraces.  "Iâm really into sci-fi; Iâm really into space,â the musician exults.  "I believe in aliens.â   One might even guess her otherworldly style of art-pop is an attempt to connect with other planets.  "Circumambientâ begins with spacey digital transmission, and album closer âknow the wayâ offers another round of buoyant, celestial echoes.   "I would send this record to aliens,â she says.  "But I donât know if I was trying to speak to aliens on this record.â   Conversely, Boucher says Vancouver has also brought out her grounded, nature-loving side.  "Itâs a little weird but kind of refreshing,â she says of the familiar landscape.  "I think Iâve become more of a hippy since Iâve returned.  Iâm appreciating nature I think for the first time.â   In her formative years, Boucher says she wasnât too concerned with Vancouverâs natural assets.  "I feel like I never looked at the mountains and felt like 'those are really beautifulâ or anything.  As a kid, I was just like 'oh, I hate my parentsâ or something.â   If you missed Grimesâ DJ set at the Waldorf in January, fret not.  Before she embarks on a solid year of touring, Grimes will headline the Fortune Sound Club later this month.  But when asked if the West Coast will be her creative destination once the promotion cycle for Visions winds down, Boucher was quick to suggest otherwise.   "I think I want to move to Berlin or Shanghai,â she says, describing the latter [sic] as âthe Montreal of Europe.â  The German capital has swiftly become a mecca for creative Canadian ex-pats looking to escape the real estate market:  "Super cheap equals a lot of art,â Boucher says, "because people can actually do shit and not work all the time.â   Though 2012 looks to be booked solid, itâs only a matter of time before we see Grimesâ next vision.  Or something. Â
Grimes kicks off a world tour at Fortune Sound Club on February 18. Â
Illustrations I made for Discorder Magazineâs article on Current: A Pacific Northwest Feminist Electronic Arts Symposium. It is a meeting place for women and non-binary people in the electronic arts! Read the article here: http://www.citr.ca/discorder/summer-2017/current/Â
Live in studio with Vancouver's RoomsRoomsDon't Be Yourself (Live on Radio Hell)Best part of waking upRoomsDon't Be Yourself (Live on Radio Hell)Don't be yourselfRoomsDon't Be Yourself (Live on Radio Hell)Get Out of My RoomRoomsDon't Be Yourself (Live on Radio Hell)What the worldRoomsDon't Be Yourse
Live on Thunderbird Radio Hell Episode December 8, 2022.Â
Rooms - new songs Donât be yourselfÂ
Host Ben LaiÂ
CITR - UBCÂ
Love to have a good excuse for a throwback! Sharing the moment we met @nardwuar at @sxsw last year as âCranes in the Sky / Itâs Youâ has been getting a couple spins on their @citranddiscorder show! SXSW was also one of the first places to hear us play âCranesâ live âĄď¸ go check out the show and huge thanks to Nardwuar & Bepi Crespan for the support, doot doola doot doo! đ . . . . #nardwuar #citr #discorder #bepicrespan #cranesinthesky #thirdmanrecords #solange #itsyou #bigjoanie #sistahpunk #sistahs https://www.instagram.com/p/CF_1AaPHhzc/?igshid=1f6c7ncwm4ij9

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