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The Neon Knight
Tony Iommi, 1985.
Miss this absolute legend!
Hรก 33 anos: Ronnie James Dio se recusava a atuar como o ato de abertura para os shows de โdespedidaโ de Ozzy Osbourne no Pacific Amphitheater em Costa Mesa, Califรณrnia. De acordo com a biografia de Tony Iommi, Dio nunca pensou muito em Ozzy, e muitas vezes se referia a ele como um โpalhaรงoโ. Em um esforรงo para salvar os shows em Costa Mesa, os membros restantes do Sabbath chamaram Rob Halford (que havia deixado recentemente Judas Priest) para substituir Dio nos vocais, o que ele concordou em fazer com a benรงรฃo de Ronnie. Na segunda noite, Tony Iommi, Geezer Butler e Bill Ward juntaram-se a Ozzy no palco para tocar quatro mรบsicas, provocando a especulaรงรฃo imediata de uma reuniรฃo da formaรงรฃo clรกssica do Sabbath.

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8:06 AM EDT March 15, 2025:
Black Sabbath - "After All (The Dead)" From the album Dehumanizer (June 30, 1992)
Last song scrobbled from iTunes at Last.fm
A reunion of the Mob Rules lineup that didn't make quite the same impression. But a heavy album, and worth your time, I'm finding.
๐ญ๐๐๐๐ ๐พ๐๐๐๐๐๐ + ๐๐๐๐๐ ๐๐๐๐๐๐ = ๐
Friday, September 6: Black Sabbath, "Sins of the Father"
R.I.P. Ronnie James Dio (1942-2010)
Dehumanizer was one of the rare instances where a difficult recording process not only permeated the finished product but actually managed to enhance the final album.ย And while nobody, least of all the artists themselves, would want the act of making a record to be a struggle, the uneasy vibes gave tunes like โSins of the Fatherโ more weight and made the reunion of Black Sabbathโs Mob Rules lineup even more malicious than expected.ย Geezer Butler and Vinny Appice were an overwhelmingly forceful rhythm section, Ronnie James Dio was forceful, emotive and urgent, and Tony Iommiโs riffing was just straight up mean.ย This was an ugly track that obscured some of its hooks by smothering them with globules of noise, and that wasnโt simply due to Mackโs hammering production: Dio had a way of arranging his vocals such that his cadence became its own melody line, and parts of Appiceโs pummeling were catchy in their way, but โSins of the Fatherโ almost felt designed to create discomfort.ย This was ultimately why Dehumanizer remains something of a dark horse in the Sabbath catalogue- what was supposed to be a triumphant return became something ugly and a bit uninviting, but deeper listens revealed that to be more of a feature than a bug, and the sturdiness of the writing was undeniable.