I think it would be very easy for a Post Perse fading! Apollo to justify working for Kronos.
An Apollo who has seen the love of his life, his wife basically, die and the gods move on. Slowly, agonizingly slowly, but there's over a thousand years between Perse fading and the Great Prophecy, so they change nevertheless. They forget their children, used to someone else taking care of them, and when they remember its to send them out on a quest. Children leave camp younger and younger, and don't come back. Even Chiron, his old foster son, grows complacent, too comfortable sending babes to their deaths.
Apollo tries to keep his head down and be the best father to his children as he can. To some, he was their only parent; his children tended to pop up when a mortal reminded him of Perse in a particular way, often without sex (he was a widow, not chaste), and sometimes that resulted in them abandoning his child. Perse never would have abandoned a child though. She would have loved them. Michael. Kayla. Austin. Lee. Will. So many before. So many after.
But his children keep dying. Everyone's children keep dying, and no one cares, like Perse meant nothing to them and Apollo.
I never really understood how Ares was the one to catch Luke with the Master Bolt instead of, you know, the literal hunting gods.
And Apollo doesn't really want to help Kronos out, but like... he's going to need some sort of fire power and/or distraction so he can chop Zeus into little bits. Gramps can have the throne for all he cares, just leave Apollo alone with his kids and they'll be fine.
And Apollo would be such a good twist villain in one of these fics and you know what? Perse would think it was hot. He was doing evil to make a better life for his kids, that is DILF behavior and I won't stand for anything otherwise.
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Unlike some of his half-siblings, he and his sister were born from the womb of a Titaness, whose domains include motherhood and modesty. Artemis took a chunk from modesty, swore to protect the modesty and dignity of girls all over the world. Took a part of motherhood and made childbirth bearable. Apollo took the part of motherhood and became the protector of young boys all over the world. He took a chunk from modesty and wove it around himself until he became the very personification of harmony amongst mortals.
With his very first breath, he knew.
Apollon was born with the pulse of the future in his veins, the knowledge that stirred in his ichor, like magma under the earth. Ancient, powerful and reserved. He was born with the melody of nature humming in his ears, his ichor changing tune with every noise he focused on. He was born with golden eyes that saw too much, golden eyes like his grandfather, golden eyes that watched the island of Delos heel under his and his sister's patronage.
Apollon was born with knowledge, music, poetry, archery, all in his senses, ingrained as if he would not exist without them. His eyes saw beauty and pain and turned it into poetry. His eyes saw the future in fragments and turned it into answers for questions that shouldn't be asked. His eyes tracked movements across the world, ready to spill blood at a moment's thought.
With time, he yanked and grasped and snatched as he saw fit. Medicine, plague, cowherds, shepherds, music, art, archery, protection, duty. Apollon took everything that the mortals needed for him to take and regulate.
Apollon, a child born with his mother in terror and the threat of violence over his family's fates even before he had taken a breath. Apollon, half god, half Titan, born with the eyes of his grandfather and knowledge of his grandmother. Apollon, born with the urge to raze and erase, controlling the life force of all of the earthlings and healing them all at once.
Apollon, whose divinity is as fickle as the mortal eyes who perceive him.
Apollo, who walks the Earth with eyes hidden behind reading glasses, hair tied with a pen, a book of poems tucked under his arm. Apollo, who walks with a pep in his step, melody of the world flowing around him. Apollo, who protects young boys with bruises and memories that leave scars on their minds and hearts. Apollo, who laughs as he makes a rhyming riddle, laughs as people do not interpret the truth in front of their eyes. Apollo, who heals kittens with a touch, who feeds filthy hands to wolves. Apollo, who knows too much just from a look.
Apollo, who wears bright colours and all his possessions are stamped or carved with laurels. Apollo, who smells of hyacinth flowers. Apollo, who plays the flute whenever he is in a foul mood, gripping the instrument like he can kill someone with that alone.
Apollo, who keeps the murmurs of Apollon tucked behind his ear, watching the mortals be hopeful in their silly ways. Apollo, whose eyes are blue.
The demigods do not realise the difference between the ancient times and the present. He pities them, honestly. His self control hangs by a rope only made of hope and dark amusement and he pities them all, who test this rope just by existing.
He does not pity Perseus.
While Apollo walks around with laughs and amusement, he sees the demigod's disdain for the divine plain in his sea eyes. Apollo finds it even more amusing. He has known the fate of this man since he was a boy, since he first stepped in front of the Oracle who told him he will lose what matters the most. He knows, the boy's most treasured possessions are not inanimate objects; they are people. His mother, who saw Poseidon, who knew it was not a fisherman but the Father Of Monsters, who walked beside her. His friends, the other little demigods and the satyr, the current Lord of the Wild. His little sister, who has green eyes, not of the sea but of the emerald that his step father has. The cyclops who calls him a brother as if he was saying a prayer of salvation.
Apollo knows all of them, knows their fates from all the prophecies they have stepped foot in.
When they fight against the mother earth, Perseus lives up to his name, instead of the ridiculous nickname he insists on using. He is destruction personified, doing what he was prophesied to do: raze.
The boy's sea eyes are no longer the reflection of the Sun on the Sea, nay, they are the depths of the sea that the mortals are afraid of. As he stands with half a glare and his sword coated with golden dust and the lower half of his face covered in blood, even Perseus' friends refuse to look into his eyes.
The boy challenges all the gods present, demands accountability and justice and Apollo raises an eyebrow. So naive, he was.
There is no justice in the world unless it is snatched.
When Apollo's father tries to blame him for the mistakes of his legacy, Perseus snorts and snarls something or the other about the Augur. He demands justice, again, from the god of justice. And Zeus, who knows there is no justice, does not give him any. But, he does not punish Apollo.
Not that Apollo cares for it, nay. Had he been punished, Apollo would turn his head again and let breath the shadows of Apollon, just until he was at the peak of his power again.
Apollon has killed many, in many different ways. But as Perseus argues with the gods again, Apollo watches the scene unfold and thinks that there must be some poetry in the boy, some melody that Apollo has forgotten to weave into music. He focuses on the boy's heartbeat and it blooms in his ears, the sound of the waves of the ocean, the hiss of burning poison. Apollo does not have a heart. No god does. But if he did, he likes to think he would have matched the beat of his heart with Perseus'. Destruction and beauty. Delicate and dangerous, in one.
Months later, when they sit across from each other with their respective beverages getting cold, Apollo grasps Perseus' hand and tells him that his eyes are the colour of the abyss of the sea, the depths of the ocean that even he is not allowed to touch.
Perseus cups Apollo's cheek in a tender way that that hasn't been bestowed upon Apollon since he killed Python. He tells him Apollo's eyes are golden, much brighter than of the healing fleece and the imperial gold dagger strapped to the demigod's calf.
Apollon knows where his name came from. He knows the meaning of apollymi, to destroy, to erase. To purify. To renew after ruin.
Perseus knows where his name comes from. The hero who lived. He also knows perthein, the ravager, the destroyer. To lay something to waste.
They are both weapons. Arrows that are hidden in a quiver. Sword that lights even the darkest of tunnels. Their eyes are reflectionâ golden shadows of a cruel master of time and abyss of the untamed sea. Their eyes are hidden to everyone but each other.
Because Apollon, who has torn apart a living creature from skin and flesh for an insult to himself, who froze a town for an insult to his mother, loves Perseus, who has survived tartarus by finding out that he can force misery on Misery, a goddess that was the daughter of a primordial, who has killed enough monsters that his shadow alone is now akin to Thanatos.
Itâs strange. You hadnât noticed it before but Aphrodite has been avoiding you. You might have remained clueless had Hermes not told you himself.
No.
Wait.
Thatâs the lie you would tell anyone who asked you why you were looking for her. In truth, you wanted to know what Apolloâs feelings were. It has been a month since the incident with the Nymph and no such incidents have been repeatedâŠas far as you know.
Itâs driving you crazy, and you have no one to speak of such complicated emotions. You just want to place a name on it. Itâs NOT jealousy. That would mean you cared. Disappointment?
You shake off the feeling. You have to deal with it yourself. Aphrodite is well known to gossip. Hephaestus most likely wonât care. Artemis is Apolloâs sister. Your father, would raise hell but then itâll be top Olympus news. The only person who can relate to your situation would probably use it to take off the attention from her husbandâs next affair. You have no one.
You sigh in annoyed resignation. You remember why you never surfaced from the sea. Maybe if you had you wouldâve made more connections? No. If you hadnât left the sea in the first place, you wouldnât be in this situationâŠ
âTrouble in paradise?â Came a mischievous tone you know all so well.
Curt. âHermes.â
âAww, come on! Youâre not still mad at me, are you?â
You had been short with him ever since you found out about his part in your meeting with Apollo. The same one that left you unconscious and in a miserable marriage.
âSo you are?â
You huff out, âI am not in the mood for your games, God of Thieves.â
âIâve apologized beforeâ, he whines. âHow was I supposed to know heâd pull a Hades?â
You give him a look. He always had a strange manner of speaking, but no one questioned it since heâs also a God of languages.
âPull a Hades?â
âYes! You know the story, the very one. The lonely God Hades saw a wandering Persephone and fell in love. Blah, Blah, Blah, kidnapped her, marriage, BOOM! A sort of happily ever after.â
You had finally come to the realization. Who else but Persephone would understand your situation better than you?
âDo me a favor and Iâll consider forgiving you.â
It had taken a while, but you had finally gotten your meeting. Hades was at first apprehensive, but it seems Persephone soothed him enough to change his mind. Although it did have to be held in the Underworld. Not that you minded.
It was your first time being there. It is quiet and dark. Something that has left you in both a state of tranquility and unease. Two spirits come to you and silently guide you to the back of the temple where, unlike the rest of the underworld, flora thrive. At the center lies a grand gazebo, already there is Persephone fussing over the table cloth.
You silently step up towards her, she now fusses over the tea.
âPersephone.â
Despite Persephone being a Goddess herself, she jolts.
âOh! Lady Y/n!â
You nod to her. âAre you alright?â
She motions for you to sit. âYes, of course. Itâs just youâre my first official guest. I wanted to make a good impression.â
âYou donât have to try so hard. This isnât exactly a formal visit.â
âOh, okay.â
She sounds a bit relieved and disappointed. Perhaps she wanted someone to come to her for a major decision but youâre not going to pry that information out of her. You werenât here for her and youâre on borrowed time.
She motions for you to sit across from her. âI think this is the first time weâve officially spoken.â
âIt is.â You sit down calmly while looking around. âMustâve been hard to get used to the underworld compared to the mortal realm.â
She looks nervous as she pours your cup of tea. âIt wasâŠdifficult, but one manages. Itâs not like I canât ever go backâŠâ
âHave you tried to ever break it?â
That seems to have startled her. âWhat?â She lets out a humorless chuckle that briefly ends. âOf course not. Iâd be up against the Ruler of the Underworld. Thereâd be no sense to try.â
At those words you study her. On the surface she seems jittery, clumsy, and almost naive, but you know better. Youâre a woman, a Goddess. She hasnât tried to get away not because she couldnât, but because she didnât want to. Why would she after all? Her mother had always been overbearing. Even if she did miss the surface, she has power down here, she gets to make the calls, she can soothe her husband enough to get her way.
You donât point any of it out. Why would you? You wouldâve done the same thing. The only difference is that Apollo doesnât rule a realm.
âYouâre right. Sorry to be insensitive.â
âItâs no problem at all!â She seemed relieved to have the subject dropped, but then proceeds to be sympathetic and cautious. âI heard you and Lord Apollo are in the sameâŠsituation.â
You take a sip of your tea before responding, âUnfortunately.â
Nothing more, just âunfortunatelyâ. You donât want to speak with her anymore. You canât help but dislike her.
You sigh, âNothing can be done. Hera has already blessed the union.â
âHas he been kind to you?â
âYes.â Your answer is unwavering. You wonât let anyone think otherwise. You refuse to be further humiliated by letting anyone know heâd lay a hand against you.
Youâve made up your mind to never again go to Persephone for anything. The cunning thing got on your nerves. You shouldâve known better.
You walk around the temple in Delos, thinking to yourself until Apolloâs radiant light takes over your senses as he approaches. He looks desperate, and you can already tell whatâs to come.
Apollo takes your hands in his own trembling ones. âWhy? Why would you go to such a dreary place? Where my sun cannot reach?â
You look at him unamused. âI am a Goddess, not property, I can speak to whom I please.â
âBut to such a place?!â
You wrench your hands from his. âWhat are you spouting about? Youâre so dramatic.â
âI cannot keep you under vigilance if my sun doesnât reach!â
âEven better.â
He looks dejected, âI want to make this easy for the both of us, my love, but I cannot if you do not meet me halfway.â
You donât even look at him, instead looking out into the gardens. The flowers show off their petals proudly. Everything is devoid of darkness. What a shame.
âI tire of you.â You turn around. âI will be resting. Do not wake me.â
Thinking about a dark Perpollo fic idea where Apollo starts hanging out with Percy while he's at college bc he developed a crush on Percy & is deeply frustrated that the object of his desires doesn't want him in the same way at all. Percy, of course, is in a very committed relationship with Annabeth and has no desire to ever leave her side.
He's also very oblivious to Apollo's feelings for him (go figure).
While Apollo has changed and grown, becoming a better father and a better god/person... he's not quite used to being told 'no'. He is an utterly ancient deity, once one of the most powerful and fearsome gods in the pantheon. There are endless stories of his failed lovers, but also many a tale of his acts of retribution. Skinning satyrs alive, slaying Niobe's children because she dared to brag, quarreling with his own infant brother, etc.
And Apollo, perhaps precisely because he got such a recent a taste of mortality, cannot help but look at Percy and feel like he's racing against a ticking clock. Every second of every day, Percy is growing older. He's growing closer to death. If not by the hands of some other god or monster, then disease or old age. If Apollo doesn't act now, he could very easily lose Percy forever. And he doesn't want to go through that feeling again. Never again.
So, after much thinking, planning, and toiling over every aspect, every possible flaw in his idea, he comes to one conclusion. Winning over Percy's mind and heart would be an impossible task while he's still devastatingly loyal to Annabeth. But his body?
Percy is only human. And Apollo would know how easily humans can be broken. He will make Percy's body fall in love with him, want and crave his touch, and eventually, that cavernous aching desire will whittle away his mental resolve, his loyalty, and all his reservations about loving a god.
Apollo will make Percy addicted to his touch.
But he must be careful. He canât let Percy or Annabeth catch onto his plan too early.
So, the next time Apollo sees Percy, his lovely little pearl is struggling to study for his upcoming Latin exam in the campus library. Apollo, disguised as a student, walks up to his table and claps Percy on the shoulder.
Percy inhales ever so slightly and relaxes for the brief moment Apollo puts his hand on him. For Percy, the tiniest wave of warmth flows through his body, taking the edge off his anxiety and frustration. It's so faint he doesn't even notice it. He looks up and shoots a smile at Apollo, clearly not in the mood to talk but at the very least, not irritated to see him.
Apollo pretends he's on his way to see some of his Roman kids but stopped by to chat. Percy is courteous but casually mentions that Annabeth is going to show up to help him study as soon as she gets out of class. Apollo takes his cue to leave but brushes Percyâs shoulder as he goes, imparting another tiny bit of soothing warmth on his way out.
He wants Percy to associate that comfort, warmth, and sense of safety with himself. And even if he doesnât do so on his own, Apolloâs spell will make it happen.
The warmth itself is a blessing, but also a curse. It brings peace and comfort when present. But when it fades after a few minutes, itâll leave Percy feeling the tiniest bit colder than he was before it came. He will feel just a little more alone.
Despite all of Apollo's fears about Percy growing old and past his prime, as well as his fears of Percyâs death, Apollo knows he has to take things slow. Heâll only offer the smallest, shortest touches for now. Just friendly touches on the shoulder or "accidental" brushing of the hands. Then the intensity of his warmth and the subsequent painful cold will increase over the span of weeks, months, perhaps even the next few years if Apollo can really remain disciplined and bide his time.
But sooner or later, while heâs still young and beautiful, Percy will not only bask in Apolloâs warmth but crave it more than anything else in the world. Heâll be desperate for it. He wonât feel whole without it. Apollo will consume Percyâs thoughts and all his strength.
He will make the son of the sea want him if not love him, to the point that if Apollo told Percy to abandon Annabeth to be at his side, Percy would do so without hesitation.
Ultimately, by the time Apollo is done with him, Percy will be addicted to the sun god and will accept immortality just to free himself of that unbearable cold. Forever warm, forever together.
I love the fic cause it shows more of the dark side of greek mythology and it is fresh in the sense that it actually has Percy not wanting to be with apollo and seeing apollo's obsession for what it is ...
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from this : https://www.tumblr.com/harmatia/791963754677108736/shining-upon-man?source=share
Actually, I wanted to finish writing everything before talking about the events in the fic and my ideas for some of the descriptions. But I couldn't hold back, because I might not get the chance to post them later (since this part might end up being cut because the storyline keeps changing).
Letâs start with Halcyon Green. Heâs a is son of Apollo in the canon. You can find information about him on the Wiki. Iâll post the link here :
https://riordan.fandom.com/wiki/Halcyon_Green
Also, about his name :
"Halcyon" is a name for a bird in Greek legend generally associated with the kingfisher. There was an ancient belief that the bird nested on the sea, which it calmed in order to lay its eggs on a floating nest. Two weeks of calm weather were therefore expected around the winter solstice. This myth leads to the use of halcyon as a term for peace or calmness
Halcyon, from Latin Alcyone, from Ancient Greek áŒÎ»ÎșÏ ÏΜη (AlkuĂłnÄ), daughter of Aeolus and wife of Ceyx. When her husband died in a shipwreck, Alcyone threw herself into the sea whereupon the gods transformed them both into halcyon birds (kingfishers). When Alcyone made her nest on the beach, waves threatened to destroy it. Aeolus restrained his winds and kept them calm during days in each year, so she could lay her eggs. These became known as the "halcyon days," when storms do not occur. Today, the term is used to denote a past period that is being remembered for being happy and/or successful.
(https://en.m.wiktionary.org/wiki/halcyon_days)
Alright, after this, Iâm going to type out some of my small ideas, starting from the beginning.
âA Songbird,â
About this part, I briefly explain that Apollo calls Halcyon a "Songbird" because of the origin of his name.
AlkyĂłne comes from alkyĂłn (áŒÎ»ÎșÏ ÏΜ), which refers to a sea-bird with a mournful song
Apollo said at last, a low hum, soft as the opening of a hymn,
In this line, I also highlight Apollo's role as the god of music! And it's fun to write it this way, because it's like: Hello, my dear sonâ guess what? Is this opening song for a warm father-child scene, or is it the moment you meet the final boss in a horror game?
âshould know how to keep the seas calm. not stir them beneath the light.â
As you read earlier, the sea becomes calm when the bird starts laying its eggs. So, Apollo talking about calming the sea is a reference to that. And ânot stir them beneath the lightâ, in this context, light refers to Apollo.
What Apollo means is that Halcyon's actions not only failed to calm the sea, but actually made it rough. The sea was so stirred up that it even disturbed the light â which means Apollo himself.
The boy turnedâ slowly, like in his dream,
> Apollo often came to the boy in his dreams, or maybe it was a vision â a scene he saw again and again in his dreams.
"Lord Father"
I added this to clearly show the imbalance of power between them. It might seem a bit strange... but thereâs really not much information about Halcyon. So I made him more respectful, more obedient, to make the power imbalance between them stand out even more through the narration that follows:
the boy greeted him with respect. He did not ask why Apollo had come. He knew better than to question the will of a god.
And thereâs also:
He was a good boy, Apollo thought.
But even a good boy could disobey.
This showed just how obedient he was to Apollo. But this time, he happened to go against Apollo and Apollo wasnât the kind to overlook disobedience. It had already happened once, so what could guarantee it wouldnât happen again? Because of that one act of disobedience from Halcyon, a child who was supposed to die ended up surviving.
That reminded Apollo of the time Asclepius brought someone back to life, it caused chaos in the Underworld, and Zeus struck his son with a lightning bolt. If this was left alone, Halcyon might meet the same fate or something even worse.
Like the saying goes: clip a birdâs wings, so it wonât fly far away.
Apollo stepped forward. The air moved behind him. âYou spoke,â he said, his voice still calm. âYou warned someone.â
From this, you might notice that Apollo is very angry â the air behind him shifts because of the heat coming off of him. But heâs still (trying to) stay calm. Itâs like heâs thinking, âLetâs go ruin a mortalâs day.â Why? Because his son didnât listen to him. And now, he wants to remind his son who he really is. He doesnât care who else gets hurt not as much as he cares about the fact that his own son disobeyed him.
âYou were told never to share what you see. You were warned. Not once. Not twice. All of your life. And yetâ you chose to defy me... for what? a nameless demigod?â
This part shows that Apollo is starting to get more upset. He really is trying to control his anger, but itâs getting harder for him. As he begins to speak, his emotions rise. The line âYou were warned. Not once. Not twice. All of your life.â Heâs repeating the warning not just for the boy, but to remind himself of how many times heâs been warning him.
When he says âAnd yetââ, he tries to lower his voice, to stay calm, and the dash (â) is there to show that pause â a moment where he tries to hold back his anger.
But it doesnât last. In the end, he lets out all his pain and disappointment. When he says âyou chose to defy me... for what? a nameless demigod?â heâs not just angry. Heâs hurt. This is him throwing out all his frustration, not just because someone disobeyed him, but because his son did.
The boy flinched slightly. His hands closed into fists at his sides.
Apollo is the god of music and poetry. And music is all about emotion. So when he speaks, his words carry that emotion clearly. His voice and word choices are powerful, almost like poetry.
Thatâs why his disappointment hits so hard. Itâs like when a parent who gave you everything looks at you and says, âWhy did you do this? When did I fail you?â
So Halcyon doesnât just flinch because of the words ânameless demigod.â
He flinches because he hears how much Apollo is truly disappointed in him.
Apollo saw it. Of course. He always saw. He had never looked away from the boy.
As you read, itâs pretty direct... Apollo had never taken his eyes off Halcyon since the day the boy was born. Or maybe since the day he learned about Halcyonâs prophetic gift.
At the time I was writing this part, I interpreted that Halcyon was the only one of Apolloâs children who had the gift of prophecy(At that time). That alone was already very rare among Apolloâs children and Halcyonâs power was strong enough that he was given an exception to the old rules.
You could say it was an unlucky moment for him. He had Apolloâs full attention.
...Because after I looked at the timeline, I interpreted it a bit:
He was born after the Maria Di Angelo incident, which means he was born after the previous Oracle of Apollo had been cursed by Hades. That made Apollo more protective of him.
Itâs like having a father who watches over you 24/7, as long as Apolloâs light could reach him.
(Just to clarify: he was around 60 years old, more or less, and when he was born, Octavian wasnât around yet or no matter what age he was, Halcyon was still one of the few children of Apollo known to have prophetic abilities at the time.)
And just so you know, Iâve only read the first two main series and the Diaries series. I havenât read the rest yet, so this is all I know for now. I might have missed some other characters â and Iâm sorry about that.
âI gave you a house when I could have given you a cage. I gave you song when I could have left you in silence. I gave you love, Halcyon.â
Like I mentioned earlier, Halcyon is also the name of a kingfisher. So when Apollo talks about a cage and says Halcyonâs name, it makes his words sound more beautiful. Itâs like heâs politely asking, âI gave you a home â why would you want to live in a cage? Whatâs wrong with what I gave you?â Something like that. He doesnât actually mean any harm. He just doesnât understand why Halcyon wonât listen to his warnings.
(In truth, Halcyon never directly disobeyed him. But the boy kept the prophecy inside himself and said nothing. As time passed, it only grew stronger. It became harder to keep it in â like drinking water. But in this case, the âwaterâ is the prophecy. What you swallowed wasnât just water, it was your own words.
And those water(those words) didnât fill your stomach. They shattered your mind.
Even if you slit your throat and lost your voice, you would still be forced to swallow them.
Even if you tore out your eyes, you would still see them.
Even if you destroyed your hearing, the visions would still reach you, through dreams, through visions, through the gift of prophecy passed down from your father.
You drank too much (of the prophecy), more and more. It burned in your throat (because you couldnât tell anyone). It weighed on your mind (some of the visions might be good, but what if they were terrible? He had to endure them). It made you feel overwhelmed. In the end, you couldnât hold it anymore â and you threw it up. But at the worst possible time.)
And importantly, Apollo stayed very calm throughout this whole scene. He was controlling, but also had the tone of, âWhy didnât you listen to my warning? Donât you know what happens to mortals who ignore the godsâ warnings? But donât worry, my dear. Iâll punish you myself â because you caused so much trouble that I was blinded for a moment.â
(âBlindedâ here means the eye that sees the future. Changing the future caused things to get so messy that Apollo couldnât see clearly anymore. And now he has to deal with the consequences.)
âI warned you, didn't I?â
At this point, Apollo brings the focus back to his main point.
It held. It burned.
Not hot. Just final.
What is burning? Is it his anger? His eyes? His emotions? Or maybe itâs the world itself, suffering under the rage of a god named Apollo.
âAnd still, you chose not to obey me.â
And this is the last thing he says.
He tries to stay calm and fails, in a dramatic way.
Because Halcyon chose a nameless demigod. Someone he barely knew, someone he only met once, over his own father, who had raised him all his life?
So now he wonders: were the songs, and his love, not enough for Halcyon?
Why did the boy throw them away?
(This part also shows more of his godhood and the imbalance of power between them.)
That's all about this drabble!
Ps.
Oh.. also, as the god of light and the sun (according to canon), Apollo can see everything that happens in the world... anything touched by his sunlight. So he could watch Halcyon from sunrise to sunset. And he could also enter his sonâs dreams.
The poor boy never really had time away from his father.
Oh! (*2) About Apollo and Helios⊠I know that Helios is the sun, butâŠ
Helios = the sun (lit)
Apollo = god of the sun
Apollo drives the chariot that pulls the sun, but he isnât the sun itself. (Itâs like the bro is pulling a chariot that carries the body or breath of Helios across the sky, hahaâŠ)
This is like a passing of rolesâ from the Titans to the gods.
Do you get what I mean?
Like Zeus and lightning. Heâs the god of lightning, but he isnât lightning.
Like Poseidon and Pontus, Heâs the god of the sea, but heâs not the sea itself.
So Apollo is the god of the sun, but he isnât the sun.
Because Iâve been getting into Epic: The Musical lately and because the PJO and HoO will always have a place in my heart:
Due to some plot convenient reason, Percy gets sent back in time to around the time Odysseus has started his journey home
Percy meets the SeaFam and basically gets accepted into the family (maybe he ends up earlier in time to bond with them but doesnât realize the Odyssey is happening until later?) (or maybe the SeaFam gets some memories/imprints of their future relationship with Percy and see him as family?)
But basically, I wanna see Percy and Odysseus meet after the thing with Polyphemus and Odysseus ends up hurting Percy who only wanted to help him a bit
Like what would Poseidon and the SeaFam do to Odysseus for hurting Percy?
Maybe make it Perpollo because Dark!Apollo getting revenge on Odysseus for hurting his lover is justâŠ.