#combat class

Ladies, gentlemen, and everyone in between, I’d like to introduce you all to the first member of the Combat Class: Miss Niloufar Golshani!

Features:

Cis Girl

She/Her

Aromantic

Palestinian-French

Arab

14 Years Old

5’4”

Family:

Aisha Golshani (Mother) [Deceased]

Mostafa Golshani (Father) [Deceased]

Basma Golshani (Paternal Aunt)

Esteban Franco (Uncle)

Likes:

Fashion

Drawing

Bright patterns

Infinity Nikki

Cosplaying

Dried fruits (raisins, prunes, etc)

Anything with honey (I shit you not this girl could eat an entire jar and not get sick)

RuPaul’s Drag Race

Dislikes:

Minimalistic fashion

Monochrome (greyscale is allowed if it has another color accent)

Pretentious name brand clothes (Supreme, Chanel, Gucci, etc)

Glitter & sequins (that shit gets everywhere)

Those “Home Renovation” tiktoks that just ruin old houses

The same thing but with people ruining wedding dresses 

Kiwi 

Personality:

Niloufar is an incredibly eccentric and energetic girl. She always feels the need to be doing something—credit to the ADHD—and is constantly shifting between hobbies. Once she finds something she’s passionate about, it won’t leave her head until long after she masters it. However, this leads to Niloufar being forgetful and being easily distracted. She also has a tendency to be somewhat impatient and pushy when she feels others aren’t putting their all into their crafts. She DOES experience burnouts herself, but she has a hard time putting a name on specific moods so she doesn’t know what they really are.

Backstory:

Niloufar was born in Bougainville and raised by her elderly parents and *Amto Basma. She’d lived a decently quiet life, growing up surrounded by the scent of her mother’s cooking and the distant hum of her father’s old radio, often darting between chores and daydreams. Even so, she’d always been an energetic girl and needed SOMETHING to do. Even on the rare occasions where she felt too drained to talk, she’d catch herself sketching tiny fabric patterns in the corners of her notebooks. However, that changed when both parents passed away in their sleep, leaving Niloufar with her Amto Basma being her only immediate family. 

A few months after their deaths, Amto Basma decided to move to Paris with her new spouse, Esteban. Niloufar didn’t take it well at first, but completely changed her tune once she heard they were moving to Paris. Even so, leaving Bougainville felt like losing her parents all over again. Paris was dazzling and overwhelming, full of lights and the sounds of street artists that left her both excited and homesick.

     Niloufar was enrolled at DuPont, where she struggled at first, drained by the move and her new surroundings. However, that changed when she’d noticed DuPont’s theater department. Niloufar had been mesmerized by the detailed costumes used in the theater department’s plays, and since her Uncle Esteban also worked in the fashion industry as a textile designer, she’d been able to learn some basic design principles from him.

     After gaining enough experience with his help, Niloufar had volunteered to help design costumes for the theater department’s next play, which was when she met *Marinette. She was a bit wary of Niloufar at first due to her hyperactive and somewhat nosey personality, but over time, the two established some clear boundaries, though Niloufar was still incredibly eager to learn. The two would bounce ideas around during production, with Niloufar’s more eccentric and pattern-focused style meeting Marinette’s more simple yet elegant style. Despite their differences, they shared long afternoons in the sewing room, trading fabrics, jokes, and the occasional argument about which stitches looked better. Niloufar admired how calm and focused Marinette stayed under pressure—most of the time.

     Unfortunately, the theater department decided to play it safe with Marinette’s usual designs, calling Niloufar’s designs “wild” and “graceless”. This left Niloufar dejected and unmotivated. Marinette tried to reason with them and apologize to Niloufar for her designs being rejected, but even so, she couldn’t blame Marinette. 

     After that, Niloufar fell into a massive rut in her designs. She spent an entire week staring at her sketchbook without drawing a thing. Every unfinished design felt like a reminder that she wasn’t good enough. When Amto Basma found her like that, she didn’t scold her—she just sat beside her and told her how failure is only natural, and botched pieces were just fabric waiting to be reworked. The next time the theater department planned a show, Niloufar put her all into designing, and both she and Marinette were surprised that her designs were approved.

     Marinette had congratulated her and asked what her secrets were, but Niloufar developed a newfound competitive streak. In fact, she openly declared Marinette to be her new “fashion rival” and ran away with a bunch of fabric and her design book, cackling all the way. All Marinette could do was stand there understandably confused. From then on, the two turned every new production into a fashion duel—sketching faster, stitching bolder, and showing off their latest designs with mock-serious pride. Teachers started joking that the real show was happening backstage. Niloufar and Marinette had been “competing” each time the theater department or some other school project needed a costume designer, developing a friendly yet strong rivalry which pushed both girls to their limits.

*Amto is a Palestinian term for paternal aunt

*This refers to my interpretation of fanon!Marinette since canon!Marinette is all over the place in terms of personality and morality

Picrew used: Carrotkake’s Avatar Maker

Sooooo I’ve been lurking around a certain section of the Miraculous fandom for some time, and I’ve seen people creating their own fan made classes. After a lot of procrastinating, I’ve decided to make my own: the Combat Class. I’ll be posting info on one character at a time—which I’ll link here each time I finish a profile. They’re each inspired by characters from a certain franchise, but I’ll let y’all guess each inspiration. For now, all I can say is that they’ve got bones to pick with the Akumatized class—affectionately or otherwise, with each member mirroring and/or having beef with one of them.

I got the inspiration to do this from @booksrbetterthanpeople @msweebyness @imsparky2002 @nerdy-chocomallow and @thefcguy so go and check out their characters first!

Students (Unfinished) (2/11):

Niloufar Golshani

Tsubaki Bakkali

???

???

???

???

???

???

???

???

After about 3,000 years, the second member of the Combat Class is finally here: Tsubaki Sakaki!

Features:

Demigirl

She/They

Sexuality

Nationality (Japanese-Moroccan)

Blasian

14 Years Old

4’10”

Family:

Layla Bakkali (Mother)

Gorou Sakaki (Father) (Deceased)

Rami Sakaki (Older Brother)

Likes:

Playing the violin

Writing

Indie Rock

Madoka Magica

K-POP Demon Hunters (for obvious reasons)

Cold foods (ice cream, popsicles, gelato, etc)

Fish (as pets and as food)

Euphoria (to make herself cry)

Dislikes:

Overly bright colors

Christian parodies of normal songs on TikTok

Kids’ content (bad experiences)

“Revenge” mangas (the plot always goes out of control)

Carrots

The Kool Aid Man (don’t ask)

Euphoria (it makes her mad)

Personality:

Most of the time, Tsubaki keeps to themself. They tend to shut down around strangers, and they have a generally tough time talking to people they aren’t already close to. Despite this, Tsubaki is VERY talkative around her friends, She’s passionate about musical composition—of which she obviously got from her dad, and she’s skilled in playing both the acoustic and electric violin. Tsubaki can occasionally get tunnel vision concerning their goals, leading to them neglecting their other responsibilities—and even themself—on some occasions. She can also be somewhat bratty and spiteful towards people whom she perceives as having wronged her, and she has a hard time letting go of grudges. This also extends to people who’ve wronged her family and friends.

Backstory:

     Before Tsubaki was born, their parents were well renowned musicians in Rabat, Morocco, with her father, Gorou Sakaki, specializing in live music and her mother, Layla Bakkali, specializing in soundtrack design. They decided to move to Paris for a change of scenery, which was when Layla found out that she was pregnant with her second child, Tsubaki. She and her brother grew up surrounded by their parents’ love and music. Naturally, Tsubaki gravitated towards the violin—both acoustic and electric—and soon started a small band with two of her friends, Rosalee Périer and Jorani Sothear, which the three named Viola Blackout. Viola Blackout hadn’t been very well-known, mostly getting gigs at small events and such, but they’d still gathered a surprisingly dedicated fan base.

     However, there was bound to be competition, which came in the form of Kitty Section. They’d initially seemed like just another mediocre student band until their popularity suddenly skyrocketed and outshined  Viola Blackout’s two years of work. For the first time, Tsubaki feared for the band’s stability. While the bands didn’t interact much, their few encounters left a rancid taste in Tsubaki’s mouth. The group would gleefully yap about how their band was “built on nothing but hopes and dreams”, ignoring that half of their members, Juleka and Luka Couffaine, were children of two famous musicians themselves. While all three members of Viola Blackout were somewhat unamused by Kitty Section’s overly optimistic demeanor, Tsubaki’s disdain grew into disgust. Both of their parents had built their careers from nothing, and now, their father’s health had started deteriorating from a heart condition in a country where he was essentially a nobody. Viola Blackout eventually stopped interacting with Kitty Section, with Tsubaki’s resentment towards Juleka and Luka festering. However, they soon found what could be their ticket to regaining recognition: François DuPont’s Autumn Music Festival.

     As Viola Blackout’s main composer, Tsubaki pushed themself to their limit trying to make the perfect piece.. A week before the festival, they turned to their father to advice. To Tsubaki’s surprise, he actually asked to help with the composition. He hadn’t composed or even held a violin in years, so helping her finish the piece reignited his pride and hers alike. Tsubaki’s confidence rose upon finishing the piece, and when she shared their finished piece with Rosalee and Jorani, all three felt confident that they were bound to make a comeback. That is, until the festival actually came around.

   The girls poured their souls into their performance, but instead of applause, they were met with yelling and booing from members of the infamous “Akuma Class”, accusing them of plagiarizing Kitty Section’s newest song out of “jealousy”. Even when Tsubaki explained that her father had co-written the song, the crowd dismissed her since few knew Gorou Sakaki outside of Morocco. The situation ended in a massive fight, and Viola Blackout was disqualified without any real proof. Tsubaki couldn’t bring herself to face her father, opting to spend the night in Jorani’s house. She eventually had to return home, where she was met with devastating news: their father had died of a stroke not too long after seeing the music festival incident on live TV.

      After that day, Tsubaki just shut down. They shut themself off from their friends, music, and her social life as a whole. Losing her father left her feeling like a ghost, and while a part of her wanted to go back to being with Viola Blackout, she could barely look Rosalee and Jorani in the eyes out of shame for her perceived failure. All that remained was hatred—for the Akuma Class, for Kitty Section, and especially for Juleka Couffaine. What right did that spineless little twat have to hide behind her classmates as Viola Blackout was treated like liars without any proof? Tsubaki never interacted with Juleka directly, but she found herself getting a kick out of seeing the guitarist fail even as their personal health deteriorated. When Tsubaki’s mother confronted them about not taking care of themselves, Tsubaki tried to protest, but Rami snapped. He exploded, saying how painful it was for him and their mother to watch her waste away over some kids. He yelled about how their father would be horrified to see her giving up on music, especially when his last piece was made WITH HER.

     The two got into a nasty argument, but after a few days of the silent treatment, they reconciled, with Rami apologizing for his harshness and Tsubaki admitting he was right about their father’s legacy and her mental state. She would apologize to Rosalee and Jorani for ghosting them, and the three would slowly but surely reform Viola Blackout. While some diehard Kitty Sections fans disavow them, many of their own fans were overjoyed to see them return. Over time, Tsubaki felt their passion reignite, but their hatred for Kitty Section—and especially Juleka—still bubbled beneath the surface.

Vader’s Vault Combat Class Sabers Explained

Vader’s Vault Combat Class Sabers are a category of sleek and balanced custom lightsabers designed for dueling, spinning and stunt work. Combat Class Sabers are generally a slim 1.25 inches in diameter in the grip section with an average length of about 10.25 inches long (with some exceptions). A chassisminimizes movement of the internal components (e.g. 18650 size battery, soundboard, wiring,…

Indonesian’s lost and unknown class of RPG combatants (Based on real life ghost story from my teacher’s brother).

Art summoner: People granted with the power to summon and lent a spirit’s powers just by drawing arts to impress them. While mages and healers, and normal humans do rituals with sometimes sacrifices and rune circles, art summoners deal with friendship, trust, and impression by drawing art to have a spirit to summon. Some of those people able to summon powerful spirits, such as sea empresses who are overlords of the sea demons.