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~Article 1: âInviting the messy: Drawing methods and âchildrenâs voicesââ by EldĂ©n (2012)
1. What are the basic assumptions that inform the reading?
-The author contributes to the conversation regarding childrenâs voices and state that there are issues of representation in this research area. Research suggests that drawing methods can reveal childrenâs âauthenticâ voices and allows for the complex stories of childrenâs lives in care to be uncovered.
2. What are the major organizing ideas?
-The voice of a child should be regarded as a process, a function of thought, rather than a pin-point location of a childâs view. The relationality of care contributes to the expression or repression of childrenâs voices, which involves ânegotiations, reciprocity, and deservingnessâ through which relationships are affirmed as equal or âdeservingâ, or are undermined. A sociological interpretation of drawings allows for the complex narratives to contribute to the scientific understanding of childrenâs voices.Â
3. What serious questions does the reading raise regarding the fields of child and youth study?
-Acknowledging the relationality of care is tightly intertwined, in my opinion, with the importance of focusing on children as âactive co-participants in their parentâs careââŠand thus bringing childrenâs perspectives on care into research.
4. What serious omissions are left out of the article or reading (if any)?
-Drawing as a methodological approach seems accessible, but as suggested in previous research, the conversation about the drawing seems to be more meaningful than the drawing at face value. âMember-checkingâ could be useful when using the drawing method, to ensure that what we interpret and see in the produced image is what the child intends to communicate.
5. In what ways does this article reinforce, extend, challenge, or oppose your own views on child and youth study/research/practice?
-This article proposed a new lens in which to consider childrenâs voices as accessible, narrative thought processes, observed through drawing. Children can express themselves with flexibility and think âfluidlyâ, speaking to the nature of process. Meaning comes from the childâs interaction with others and environment, so as interaction continues, so does the childâs voice reflect the process of their thinking. The method of drawing is useful in research because it is another medium for children to express themselves and communicate, but it also allows the child to express their perspectives and display their understanding. âThe drawing is a part of the whole pictureâ.Â
6. What do you take away from the reading in terms of your own child and youth practice?
-This article reinforces previous readingsâ findings and suggestions. Working to recognize and acknowledge children as active participants in their lives is the beginning, emphasizing the value of childrenâs voices and encouraging children to use their voices, in any context and using multiple means, is the challenge. The power dynamic between child and adult is the struggle and cause of stratified spaces. Children have the capacity to have an âideal view of careâ and what theyâd prefer within a situation, and it is our job as professionals working for the benefit of the child to ensure their needs are met and their rights are respected and upheld.