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I've read an interview Philip Griffiths gave over a year ago about being fired from poto after 29 years and it's heartbreaking. But I'm not even surprised given how mackintosh treats most of the actors that worked for him. He stabbed John Owen Jones, of all people, in the back multiple times...
Oh yeah, like, I love everyone in the post-pandemic cast (and the whole situation is not their fault at all, I'm glad we got Lucy, James, Rhys, Holly, Anouk, Saori, Ellie, and so on but I really wish it was under better circumstances) but the fact that CamMack fired the pre-pandemic cast and crew over Zoom (many of which like Philip Griffiths were with the show for decades) made me lose whatever little respect I still had left for him, and the Broadway production closing is the final nail in the coffin. But then again, he fired Hal Prince from POTO back in the 80s, so I can't say I'm surprised. (And lemme tell ya, Hal was a fucking saint to have come back after Trevor Nunn got fired)
I don't know about poor treatment of JOJ, though, can anyone elaborate?
Screw it, ALW and Cammack edit to No Children by The Mountain Goats
i would resurrect the old barricades just to throw mr producer off it
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The only thing keeping me from decking Cammack is the Atlantic Ocean
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Kat Cammack torches Biden admin for diverting funds from poor Americans to migrants: 'Insult to injury'
Kat Cammack torches Biden admin for diverting funds from poor Americans to migrants: âInsult to injuryâ
NEWYou can now listen to Fox News articles! Rep. Kat Cammack, R-Fla., joined âThe Faulkner Focusâ Tuesday to torch FEMA for diverting funds away from Americans most at risk for homelessness in order to help migrants at the southern border. Cammack said it was âstunningâ to hear FEMA Administrator Deanne Criswellâs decline to call the border issues a âcrisis.â DHS SAYS âNO DECISIONâ MADE ONâŚ
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I heard Cameron is cutting pay for West End Phantom actors. It's not their fault Covid made them cut back on shows, but to cut back on their pay too? Not fair at all! When can we boot this guy out of control over this show? Asking for Science!
Cameron Mackintosh is simultaneously selling us the "POTO West End's 35th anniversary!" narrative and the "this new production will probably not recoup for years, if ever" narrative.
So which is it? Do you feature the show who earned you shitloads of money these last 35 years, or do you feature a brand new production where you need to do anything to cut corners, including sacking all employees, cutting half of the orchestra, make the show easier and cheaper to run AND make cut the salary for the current cast and crew due to things beyond their control?
Yeah, the latter apparently... but the former when it serves the publicity and the overall success narrative.