Aug 21, 2025
"But what if Destiel was canon? Hm? What then?" I'd still ship sastiel, I fear, like? I don't care if they kiss and have a Lady and the Tramp™ style date, I still think Sam and Cas should kiss.
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"But what if Destiel was canon? Hm? What then?" I'd still ship sastiel, I fear, like? I don't care if they kiss and have a Lady and the Tramp™ style date, I still think Sam and Cas should kiss.
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HUESOS DE LOS ABORIGENES CANARIOS
La artista de los descendientes criminales, asesinos y genocidas españoles Teresa Correa, lleva años humillando y ultrajando la memoria de los aborĂgenes Canarii, los tribunales internacionales de las naciones unidas, corte penal Internacional y del consejo europeo actĂşen contra la humillaciĂłn que plantea está colonizadora contra el pueblo canario, Ă©stos actos se pueden calificar como terrorista o crĂmenes contra el pueblo aborigen o contra sus descendientes, es una autĂ©ntica aberraciĂłn lo que hace está criminal, los responsables del Museo Canario y del CAAM Centro Atlántico de Arte Moderno tambiĂ©n debe de ser juzgados.
EDRA - Origen
ÂżHUESOS HUMANOS DE NUESTROS ANCESTROS EN OBRAS DE ARTE?
«No puedo concebir una mayor pérdida que la pérdida del respeto hacia uno mismo» Mahatma Gandhi.
La “artista” Teresa Correa vuelve a utilizar restos humanos de nuestros ancestros para exhibirlos en otra institución (CAAM) que se suma a El Museo Canario en el desprecio de las personas fallecidas.
AlgĂşn dĂa la sociedad canaria deberĂa plantearse si esta necrofilia museĂstica que domina en el ArchipiĂ©lago desde hace dĂ©cadas aporta algo a la integridad cultural de este pueblo.
En la foto superior, la obra «artĂstica» perpetrada con huesos humanos por Teresa Correa y expuesta en El Museo Canario en 2018.
En la foto inferior, la obra «artĂstica» perpetrada por Teresa Correa con una mano momificada y expuesta en el CAAM (Centro de Arte Moderno) en octubre de 2022.
Que los criminales de lesa humanidad no queden impunes.
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Late Night DJ.
Earnie Barnes, 1980.
UPR-RUM. University of Puerto Rico, Mayaguez Campus
Mayaguez, Puerto Rico
Part of the collection from the Ernie Barnes exhibit at the California African-American Museum.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I don’t know how to take pictures like Jay Z and Beyonce .
I recently visited a couple of #museums, including #caam. There's so much to learn here. And admission is free! Have you been? . . . . #californiaafricanamericanmuseum #losangeles #lamuseums #artandarchitecture #expositionpark #blackhistorymonth #blackhistory #thisisamericanhistory #americanculture
Hey, LA! We Wanted A Revolution: Black Radical Women, 1965-85 will make its only stop on the west coast at the California African American Museum from October 13, 2017–January 14, 2018. Through a diverse group of artists and activists, We Wanted A Revolution examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. If you have a friend in LA who you think will enjoy this show, tag them and tell them to check it out.
Posted by Gwen Arriaga Faith Ringgold (American, born 1930). For the Women’s House, 1971. Oil on canvas, 96 x 96 in. (243.8 x 243.8 cm). Courtesy of Rose M. Singer Center, Rikers Island Correctional Center. © 2017 Faith Ringgold / Artists Rights Society (ARS), New York