Aug 21, 2025
"But what if Destiel was canon? Hm? What then?" I'd still ship sastiel, I fear, like? I don't care if they kiss and have a Lady and the Tramp™ style date, I still think Sam and Cas should kiss.
Loading...
seen from Germany
seen from United States
seen from Poland
seen from United States
seen from United States
seen from Spain
seen from Belgium
seen from United States
seen from United States
seen from Norway
seen from United States
seen from Türkiye
seen from Germany
seen from Türkiye
seen from Belgium
seen from Bulgaria
seen from United Kingdom
seen from United Kingdom
seen from United Kingdom
seen from China
"But what if Destiel was canon? Hm? What then?" I'd still ship sastiel, I fear, like? I don't care if they kiss and have a Lady and the Tramp™ style date, I still think Sam and Cas should kiss.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
HUESOS DE LOS ABORIGENES CANARIOS
La artista de los descendientes criminales, asesinos y genocidas españoles Teresa Correa, lleva años humillando y ultrajando la memoria de los aborígenes Canarii, los tribunales internacionales de las naciones unidas, corte penal Internacional y del consejo europeo actúen contra la humillación que plantea está colonizadora contra el pueblo canario, éstos actos se pueden calificar como terrorista o crímenes contra el pueblo aborigen o contra sus descendientes, es una auténtica aberración lo que hace está criminal, los responsables del Museo Canario y del CAAM Centro Atlántico de Arte Moderno también debe de ser juzgados.
EDRA - Origen
¿HUESOS HUMANOS DE NUESTROS ANCESTROS EN OBRAS DE ARTE?
«No puedo concebir una mayor pérdida que la pérdida del respeto hacia uno mismo» Mahatma Gandhi.
La “artista” Teresa Correa vuelve a utilizar restos humanos de nuestros ancestros para exhibirlos en otra institución (CAAM) que se suma a El Museo Canario en el desprecio de las personas fallecidas.
Algún día la sociedad canaria debería plantearse si esta necrofilia museística que domina en el Archipiélago desde hace décadas aporta algo a la integridad cultural de este pueblo.
En la foto superior, la obra «artística» perpetrada con huesos humanos por Teresa Correa y expuesta en El Museo Canario en 2018.
En la foto inferior, la obra «artística» perpetrada por Teresa Correa con una mano momificada y expuesta en el CAAM (Centro de Arte Moderno) en octubre de 2022.
Que los criminales de lesa humanidad no queden impunes.
https://www.facebook.com/permalink.php?story_fbid=pfbid02iGbVJXvwY1wPYRqQ123mp2SDB3CqaM11B2jRKJtPX5473vGtetJhhR5rnpTteCHMl&id=100046478508495&__cft__[0]=AZVwvA8TurWzYBRExr1y7sInGoIyKi2PJZ_re8Wg2ighBTErozrH3i3_CvIe57M8TI5nY7KylsT-Ak2DlPKDqaJBVYQtD13TWJYnpvLg9EMWyv0J5hoiGFhA9KRVbAz-ASdDEoAsh8qhaZPa5l9piwE6o0Lxysugme90Rn5W8uNRbCenKBNQnkMoKroTBT6PIiU&__tn__=%2CO%2CP-R
Late Night DJ.
Earnie Barnes, 1980.
UPR-RUM. University of Puerto Rico, Mayaguez Campus
Mayaguez, Puerto Rico
Part of the collection from the Ernie Barnes exhibit at the California African-American Museum.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I don’t know how to take pictures like Jay Z and Beyonce .
I recently visited a couple of #museums, including #caam. There's so much to learn here. And admission is free! Have you been? . . . . #californiaafricanamericanmuseum #losangeles #lamuseums #artandarchitecture #expositionpark #blackhistorymonth #blackhistory #thisisamericanhistory #americanculture
Hey, LA! We Wanted A Revolution: Black Radical Women, 1965-85 will make its only stop on the west coast at the California African American Museum from October 13, 2017–January 14, 2018. Through a diverse group of artists and activists, We Wanted A Revolution examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. If you have a friend in LA who you think will enjoy this show, tag them and tell them to check it out.
Posted by Gwen Arriaga Faith Ringgold (American, born 1930). For the Women’s House, 1971. Oil on canvas, 96 x 96 in. (243.8 x 243.8 cm). Courtesy of Rose M. Singer Center, Rikers Island Correctional Center. © 2017 Faith Ringgold / Artists Rights Society (ARS), New York