Jan 29, 2025
Giovanni Boldini Portrait of John Singer Sargent in Black Tie and Top Hat ca. 1885
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Giovanni Boldini Portrait of John Singer Sargent in Black Tie and Top Hat ca. 1885
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The Breath of Silk: A Woman in the Whirl of the Belle Époque
Giovanni Boldini captures elegance like a shiver. In his portraits, the woman of the Belle Époque does not pose: she glides, she trembles, she asserts herself. Through swift lines and an almost musical sense of movement, Boldini turns fashion into a language and makes his models the icons of a refined, modern, and fleeting world.
Guitar Player 1872 Giovanni Boldini (Italia 1842 - 1931) Boldini pintó esta escena mucho antes de visitar España mediante el uso de accesorios y disfraces, evoca un encuentro coqueto entre un hombre vestido de torero y una mujer con una mantilla de encaje que toca una guitarra. Estos alegres temas españoles se hicieron populares en Francia durante las décadas de 1860 y 1870. De hecho, esta pintura fue una de las primeras que Boldini vendió después de mudarse de Italia a Paris Óleo sobre lienzo 52,2 × 45,4 cm .
Portrait of M.lle Lanthélme, Giovanni Boldini
little sketch i drew at the art gallery a few weeks ago! (yes, before i hurt my wrist 💔)
i was walking through the permanent exhibit at my local modern art gallery, and then i just came across this beautiful lady, and i loved the way the brush strokes were all frantic and fast all over except her face, it captivated me, so i drew her. :})
FLORA L'incanto de ifiori nell'arte italiana dal Novecento a oggi
a cura di Daniela Ferrari e Stefano Roffi
Dario Cimorelli Editore, Milano 2025, 272 pagine, 23x28cm, ISBN 9791255611424
euro 28,00
email if you want to buy [email protected]
Fondazione Magnani-Rocca, Mamiano di Traversetolo – Parma 15 marzo -29 giugno
In concomitanza con la presentazione degli importanti lavori di restauro del Parco, la Fondazione Magnani Rocca presenta il volume dedicato al tema floreale.
Un catalogo corale che, attraverso opere provenienti da musei, istituzioni pubbliche e collezioni private, rende testimonianza dell’ampia fortuna che un soggetto semplice ma simbolicamente complesso come il fiore ha avuto nella poetica di un numero vastissimo di artisti.
Un ricchissimo bouquet, composto di capolavori “floreali” dei maggiori artisti italiani del Novecento – dalle Ortensie di Segantini e Longoni alle Dalie di Previati e Donghi, dalla Flora magica di Depero ai mazzi ipnotici di fiordalisi, papaveri e margherite di Casorati, dal Gladiolo fulminato di de Pisis ai Crisantemi di de Chirico, fino a una importante sezione contemporanea che annovera fra gli altri capolavori di Melotti, Paolini, Kounellis. Fiori dipinti o scolpiti del Novecento, da quelli simbolici a quelli futuristi, da quelli recisi a quelli silenziosi fino ai fiori inquieti. Molte “regine di fiori” abiteranno la mostra, in ritratti intensi in cui il fiore ha una presenza importante quanto quella del ritratto, con capolavori di Boldini, Tito, Zandomeneghi, Balla, Marussig, Fontana e Pasolini. In una sezione dedicata alla rosa “regina dei fiori”, le Rose di Morandi, dialogheranno con quelle di Funi, Oppi, Ghiglia, Cagnaccio, Pirandello e Mafai.
08/06/25
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If I can’t look like a lady of wealth, taste, elegance and scandal in a Boldini painting then why bother dressing at all:
Le Comte Robert de Montesquiou, Giovanni Boldini, 1897
Giovanni Boldini
Italian, 1842-1931
Portrait of a Lady, 1912
Oil on canvas
Brooklyn Museum, Anonymous gift, 41.876
In this painting, the sought-after society portraitist Giovanni Boldini imbued the New York philanthropist Florence Blumenthal (born Florence Meyer) with a casual, sensual elegance. The artists careful drawing of her face contrasts with the deftly abbreviated touches of black, gray, and white that render her fashionable dress and the silver jacket she has just removed. The liveliness of the brushwork and the complementary curves of the chaise longue and sitter make for a striking composition.
(Portland Art Museum, 5 September, 2024)