Mar 18, 2025
In light-filled bedroom, two large obelisks sit on the windowsill with terrace beyond. The walls have been hung with old master drawings including Bibiena, Barye, Landseer.
House & Garden’s Best in Decoration, 1987
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In light-filled bedroom, two large obelisks sit on the windowsill with terrace beyond. The walls have been hung with old master drawings including Bibiena, Barye, Landseer.
House & Garden’s Best in Decoration, 1987
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Il y a une petite quinzaine, je suis allé avec Julien et Katie, au Louvre-Lens pour une expo temporaire : "Animaux Fantastiques". Une très belle expo !
Ici des êtres indéfinissables et des chimères !
Thomas Grünfeld - "Misfit (flamingo-pig)''
Antoine-Louis Barye - "Chimère"
Jean-Joseph-Marie Carriès - "Grenouille aux oreilles de lapin"
Louis-Jean Desprez - "Chimère de Monsieur Desprez"
—The Ed and Am Hunter Mysteries by FredricBrown —
THE FABULOUS CLIPJOINT by Fredric Brown. Winner of the Edgar Award for Best First Novel. (NY: Dutton, 1947). First paperback (NY: Bantam, 1948)
THE DEAD RINGER by Fredric Brown. (New York: Dutton, 1948). First paperback (New York: Bantam, 1949) cover by Robert Stanley;
THE BLOODY MOONLIGHT by Fredric Brown. (New York: Dutton, 1949). First paperback (New York: Bantam, 1950).
COMPLIMENTS OF A FIEND by Fredric Brown. (1950) First paperback (New York: Bantam, 1951) cover by Robert Skemp.
DEATH HAS MANY DOORS by Fredric Brown. (New York: Dutton, 1951). First paperback (New York: Bantam, 1952) cover by Barye Philips.
THE LATE LAMENTED by Fredric Brown. (New YOrk: Dutton, 1959). First paperback (New York, Bantam, 1960) cover by Barye Philips.
MRS. MURPHY’S UNDERPANTS by Fredric Brown. (New York: Dutton, 1963).
The Guichet de l’Empereur at the Louvre, Paris
(Panther, by Antoine-Louis Barye)
The Panther
In the Jardin des Plantes, Paris
His vision, from the constantly passing bars,
has grown so weary that it cannot hold anything else.
It seems to him there are a thousand bars;
and behind the bars, no world.
As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.
Only at times, the curtain of the pupils
lifts, quietly--. An image enters in,
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.
Rainer Maria Rilke (translated by Stephen Mitchell; keep reading for German original by Rilke)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Title: Vultures in a Tree Artist: Antoine-Louise Barye Date: 1810-75 Medium: Watercolor on woven paper Size: Sheet: 10 11/16 x 15 1/8 in. (27.1 x 38.4cm) Source: The MET
Antoine-Louis Barye, Tiger devouring a gavial, bronze sculpture, Sotheby’s
Retour à mon projet de présenter la plupart de mes 53880 photos (nouveau compte approximatif !)
2012. Le Louvre-Lens et sa magnifique Galerie du Temps :
- Saint François mort - Espagne, 1650
- dalle d'André Blondel de Rocquencourt - Paris, 1560
- “Madeleine à la veilleuse" - Georges de la Tour - 1640
- “la Liberté guidant le Peuple" - Eugène Delacroix - 1830
- Lion au Serpent - Antoine-Louis Barye - 1832
- athénienne de Bonaparte - 1800