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Il y a une petite quinzaine, je suis allé avec Julien et Katie, au Louvre-Lens pour une expo temporaire : "Animaux Fantastiques". Une très belle expo !
Ici des êtres indéfinissables et des chimères !
Thomas Grünfeld - "Misfit (flamingo-pig)''
Antoine-Louis Barye - "Chimère"
Jean-Joseph-Marie Carriès - "Grenouille aux oreilles de lapin"
Louis-Jean Desprez - "Chimère de Monsieur Desprez"
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Louis Jean Desprez Louis Jean Desprez
François Desprez - Les Songes drolatiques de Pantagruel,1565
A Listening Guide to Josquin Desprez
A Listening Guide to Josquin Desprez
The mass was the first big form in Western music. The fifteenth-century theorist and composer Johannes Tinctoris called it the cantus magnus, or “great song.” In its standard structure, it consisted of musical settings of five sections of the Christian liturgy: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. Before composers began to complicate matters, in the late medieval period, these segments…
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Louis Jean Desprez – Scenery/backdrop study for “Frigga” (an opera by Carl Gustaf af Leopold). 1787
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"La Chimère de M. Desprez" eau-forte de Louis Jean Desprez (1771) à l'Institut Suédois de Paris, octobre 2014.
Francois Desprez: Vignettes for Rabelais' Gargantua and Pantagruel
François Desprez. Woodcuts from Les Songes Drolatiques de Pantagruel, ou sont contenues plusieurs figures de l’invention de maistre François Rabelais : & derniere oeuvre d’iceluy, pour la recreation des bons esprits. 1565. [internet translation: 'The drolatic Dreams of Pantagruel, or are contained several figures of the invention of maistre François Rabelais: & derniere work of iceluy, for the recreation of the good spirits.] Franciscan friar, doctor, traveller, model for the Thelemic magickal writings of Aleister Crowley, humanist, Benedictine monk, alchemist, teacher, leader of the French renaissance, heretic, greek scholar and groundbreaking satirical writer, François Rabelais (?1483/1493-1553) issued his magnum opus 'The life of Gargantua and Pantagruel' as a five book series over 20 years up to 1564. It is strongly believed that, although the original publication advertises the series of 120 woodcut grotesqueries as having been drawn by Rabelais himself, it was far likelier that this was a marketing ploy, seeking to capitalize on Rabelais' fame following his death. (BibliOdyssey)
