#autumn.comic

bonk

[reference]

another spelljammer comic: this time something that happened while the party was away doing other things.

the fleet admiral's favorite hobbies include flagrantly violating the ien's uniform code in order to wear high heels on the job and jumping straight to the nuclear option whenever she gets the chance.

anyway, this incident wound up decimating the weave, and the area immediately surrounding the new star is now a null magic zone where a spelljammer's arcane engine will not function.

+ bonus alosrin contemplating his life choices

a redraw of this comic. closeups under the cut

that's cheating.

this is a scene from a emerald fic i'm writing that is unfortunately getting cut from the first draft in exchange for something different. ah well.

that being said: i also write in omega ruby continuity and this feels like the sort of thing that maxie would do, so i'll be redoing this comic with him instead.

this is just a general guide on how i personally do things, and i'm gonna keep it pretty simple. let's get into it!

for this tutorial i'm gonna be drawing some trainers trying to find a particular pokémon.

i'm gonna jump ahead a little here and show my finished sketch for the full page, so we can see the end goal.

the best advice i have is to treat panels as part of the composition. make them work for you. reading a bunch of comics will help inspire you--there are so many creative things you can do with panels.

next, placing dialogue bubbles! these are a bit more complex than they seem at first glance.

once you've got all that sorted, you can move onto the fun stuff, like lining and coloring. keep in mind that you can partially cover dialogue bubbles, break panel lines, etc. do whatever gets your message across. like so:

you can also apply these guidelines to much simpler comics, too. really, flow is the most important thing, in my opinion. it's like a line of action when you're drawing poses. here's a comic i did that's basically just talking heads, but the bubbles and art still flow together to draw the reader's eye along a path. here's a jokey little scribble comic that does something similar. making a good comic is not about polish at all. it's more about readability, composition, and making your dialogue and art work together.

scott mccloud's book making comics has a lot more useful information than what i can fit on one post. it's been a hot minute since i read it (and by that i mean like. twelve years) but it's a solid resource. you can also just read comics or webcomics that you like and see how those illustrators do it. one of my personal favorites is cucumber quest. it starts off very simple, but by chapter 3 (especially near the end) the artwork, panel choices, effects, etc all work together to make every page a stunning work of art.

anyway, as always please feel free to reach out if there's any part of this that you'd like elaborated on, clarified, if you just have questions, etc. i'm not a teacher by any stretch of the imagination but i love helping people with this sort of thing, so please don't hesitate!

the astromundi cluster certainly is a place [spelljammer scribble comic]