I am done with six out of seven of the Austen rainbow, the only one missing is Mansfield Park. I had originally considered going red for the book, but I searched my stack of fabrics high and low, and could not manage to find any piece of red I even remotely liked the look of. So instead, I am going to make her a blue-ish green.
I like doing stuff in batches, so last night I had another book cloth boogaloo. One problem I'd run into before was lacking the space for more than two book cloths at a time, because I only had two glass panels to dry them on, but I found a new thingie to try on the internet: put those suckers on your windows to dry.
Genius!
I made a stash of six and a half cloths before I ran out of paste! Booyah!
Here's some pics of the book cloth I made previously:
The brocades are probably too busy for most projects, but I loved the way they turned out for Northanger Abbey and Lady Susan, respectively.
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It's so funny listening to people complain that Jane Austen's works are serious and stuffy. Clearly you never read Mansfield Park and heard that the Thrush was going out of harbour.
My plan is to first bind the seven Austen novels, and then move on to fanbinding when I've found my feet a little. Seven books to try things out, get a bit of a groove going.
Also good to have low-level stakes projects where it does not matter if you fuck up. You can just live with the newly learned lesson and move on. Or redo.
So I want to bind each of the seven books in a different colour, because why not. I envisioned something of a rainbow of Austen novels on my shelf. Good to have goals.
Sadly I don't live in a part of the world where multi-coloured book cloth is easy to come by, and I was still trying to abide by the resolution to use my own resources first, if possible. So I started to learn how to make my own book cloth, as the logical solution to obtaining my Austen rainbow. I've been following this tutorial, using cloth and flour paste:
Here is a simple technique for making professional quality, archival bookcloth from almost any fabric. Backing your fabric using this techni
It's been a little hit and miss, but I attribute that to my absolute amateur status. But even if some of the fabrics ended up curling, I have enough to use for my bindings, and I think they turned out quite pretty. I absolutely love the fact that I can take pretty much any of fabric out of my ever-growing hoarder's stash and use it for books!
My plan was to have green fabric for Northanger Abbey, and I had a nice little piece that would fit the vibe and the silky look of its predecessors PnP and Persuasion (mark I). Or so I thought! But the little bastard fought me every step of the way.
Not only did the glue come through in the front, the edges started fraying and coming apart, and then the PVA made truly hideous splotches on the inside when I tried to glue the fraying into submission. Also, I had again cut the boards too wide, as with my first try at the Pride and Prejudice cover. I had to admit defeat, and start afresh.
Here are some other progress pics:
Sense and Sensibility, signatures getting sewn up. I had run out of white thread and had to use green. XD I don't even mind how it looks. Maybe I'll use colored thread on purpose for other projects.
My stash of darlings, sewn and glued and freshly cut, now waiting to be cased in! On the left, Sense and Sensibility, Emma, Lady Susan, and Persuasion mark II for my friend, on the right Northanger Abbey, and my first stab at fanbindings. Mansfield Park is still being typeset, it's taking me awhile. Another chonk in the making.
Rereading Emma yet again (well, listening on audiobook) and this passage never fails to call me out. Ouch. Look at this. Who among us cannot relate?
Emma has been meaning to read more ever since she was twelve years old. I have seen a great many lists of her drawing-up at various times of books that she meant to read regularly through—and very good lists they were—very well chosen, and very neatly arranged—sometimes alphabetically, and sometimes by some other rule. The list she drew up when only fourteen—I remember thinking it did her judgment so much credit, that I preserved it some time; and I dare say she may have made out a very good list now. But I have done with expecting any course of steady reading from Emma. She will never submit to any thing requiring industry and patience, and a subjection of the fancy to the understanding.
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