Hello everyone, the third strip of our Jane Austen series!! Don't hesitate to comment, to reblog, to send us hate messages! Or, you know, chocolate! Or rum! Or cake! Yes, please send cake.
seen from Netherlands

seen from Türkiye
seen from Germany

seen from Yemen
seen from Finland
seen from United States
seen from Türkiye
seen from Japan

seen from Germany

seen from United States
seen from Türkiye

seen from Kazakhstan
seen from United States
seen from Iraq
seen from Netherlands
seen from Iraq
seen from United States
seen from China

seen from United States

seen from Türkiye
Hello everyone, the third strip of our Jane Austen series!! Don't hesitate to comment, to reblog, to send us hate messages! Or, you know, chocolate! Or rum! Or cake! Yes, please send cake.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
It’s Jane Austen’s 250th birthday today and I just want to yell about how much modern writing (in the English language) owes to this woman.
Jane Austen did things with stories and characters that had simply never been done before. Do you like flawed characters who grow over the course of the story? Jane Austen pioneered the art of doing that in novels. Do you like it when a story is filtered through a character’s perspective, so you can hear their voice in the narration? Say thank you to Jane Austen.
I’m going to very, very generally summarise what novels looked like when Austen started writing. The first important thing is: they were an incredibly young genre. The first English book that everyone agrees ‘this is definitely a novel, not a collection of short stories, or an allegorical fable, or a political commentary’ is Robinson Crusoe, published 1719. Austen’s first book was published in 1811. That’s less than a hundred years!
benedick confessing his love to beatrice while she’s sobbing bc her cousin is disowned/has to fake her own death to win back her fiancé who publicly denounced and abandoned her during her wedding vs. mr darcy insulting every member of elizabeth’s family and calling her poor during his proposal to marry her. fight.
Jane Austen was born in 1775, so this year marks her 250th birthday (in fact on the 16th December, but I'm doing while the weather is tolerable). So I decided to do what I've often said I would do and take a walk around the villages where she grew up (with Nevis of course - he's a big Austen fan).
According to the leaflet I had, the first church there is St Mary's, where her brother was curate (I was sure it was called something else - maybe some of the names have changed over the years, or I'm remembering wrongly. I could find out but I'm too tired right now). At the end is Deane House I'm pretty sure, home to the Harwood family in her time, so just before that would be Deane Church where her father had been rector in 1773.
Not sure those would have been there in Jane's time. But anyway, in Steventon itself, this phone box has been refurbished as a book exchange:
'Steventon's most famous resident was arguably Jane Austen'. I would say definitely. But maybe I don't know local history as much as I should. Maybe at one time this was the arts capitol of the world.
Anyway obviously there was more. Steventon Rectory where she was born was demolished, and a new rectory built later by her brother after her death. But it was getting pretty late in the afternoon by this point.
Listening to Pride and Prejudice again (Kate Reading my beloved) and I was just thinking how stoked Wickham must have been to find out that Darcy - who he was probably hoping never to be in company with ever again and who could destroy his reputation in minutes - has made himself so completely disagreeable that everyone in this new community (dear Jane excepted of course) despises him.
Had Darcy been more civil, had he made a little more effort to please, had he even merely mixed in Meryton society enough to make his general views, opinions and morals known, Wickham's stories would never have been so easily believed. But all of Meryton is absolutely overjoyed to have their dislike for Mr Darcy validated, and all he has to do is sigh tragically and look brave and they all start doing his work for him.
When she finds out the truth, Elizabeth blames herself for the vanity that made her believe Wickham's story, because he flattered her while Darcy slighted her, and she is right to do so. But if Darcy had not presumed that his good character and conduct must be self-evident wherever he went, and his superiority acknowledged even in places where he and his family (and the undeniable good they did and do) are completely unknown, Wickham would never have been able to twist the truth against him so severely. And if he had bothered to make himself even decently agreeable in Meryton, Wickham very likely would not even have dared to spread his lies as far as he did.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i always find it funny (and a little pathetic ngl) when people write 19th century european and specifically english historical fiction and try desperately to show these characters as “progressive” (i.e. outspoken whig party member etc) while avoiding implicating their characters in imperialist and colonialist actions despite being technically complicit just by virtue of living in the empire and benefiting as a citizen, like imo if you’re writing stories about these characters in this setting you just have to “accept” their sense of english exceptionalism at the very least. personally i notice asian diaspora especially brown 2nd gen immigrants do this a lot (makes sense maybe because they themselves benefit from american imperial hegemony despite often having “progressive” politics in general). which is why i find shows like bridgerton etc kinda funny bc back home these race traitors would hopefully all be jailed or executed by revolutionaries or something ngl and i can’t really feel for them regardless of whatever racism or prejudice they experience. (I like reading irish fans’ thoughts because of stuff like this)
but anyway this is all to say i especially find persuasion funny because this kinda happens with wentworth in canon despite austen herself being a 19th century upper class woman and not a writer on ao3 LMFAO. all the actions he’s involved with as mentioned in canon are restricted to direct engagement with the napoleonic empire only with the exception of the battle of st domingo… where he would be allied with haitian revolutionaries against french slavers 😭 this coupled with the fact that the next major british naval actions were all in the mediterranean for greek independence like navarino or anti-smuggling/slave trade actions along west africa (like francis austen) means you could credibly and conveniently say wentworth will never step into the colonies despite being a part of one of the largest colonizing forces in his time, it’s so absurd. i think it’s especially strange because other austen novels don’t escape this looming sense of empire and its acceptance/accompanying nationalism, if that makes sense - tilney’s “we are English, we are Christians,” darcy’s “every savage can dance,” even the treatment of roma in emma, in a sense. and yet in the novel wherein i most expected to see this sort of thing, it never properly came… i wonder if it’s because austen says “anne wanted…a much higher tone of indifference for everything but justice and equity.” or am i giving austen far too much credit here? i would really be interested in your thoughts if possible
mwah anon. im assuming we've all read edward said on austen in culture and imperialism re: mansfield park? its explicit where austen's positioning is – fanny price (our heroine, who is relatively the moral centre considering the narrative's contempt for everyone else in her house) asks her uncle about the slave trade in antigua that finances their living and the answer is a dead silence. it does not go beyond that for fanny price. we know (1) austen is pro abolition (2) she is aware of the slave trade in the west indies (slaves not emancipated till the 1830s after her death) and the plantations powered by it.
the reason you identify something of the sentiments of modernity in persuasion is because persuasion is a novel about modernity! it celebrates the merit based british navy where a man's courage and competence can grant him the just deserts that profligate, inherited aristocracy excludes him from because of his birth. it is an endorsement of the new british world order, opposed to slavery but not opposed to colonial plantations, opposed to aristocratic rank as organising force but not opposed to class as a system, opposed to provincial chauvinism but not to imperial nationalism. its heroes are middle class and cosmopolitan. they have bravely fought for the nation. they collect foreign curios they selected on their own travels for their homes. this is the bourgeois revolution happening in literature. austen's notion of appropriate moral sentiments towards those below the middle classes have always been nothing more than patrician and responsible charity throughout the books, see: anne doing so at kellynch.
i think you identify very accurately that wentworth is arguably relieved of having been a slaver. but i don't think austen is intending to soften imperial plunder or its violence at all unlike the elisions being made w modern writers that aim for racial reconciliation. poor, disabled mrs smith's concerns is that her dead husband's "properties" in the west indies could be recovered from mr. elliot's greed and negligence as the executor of the will. this revelation results in anne expressing sympathy for mrs smith, condemning mr. elliot and helping her retrieve said properties so she can be restored to her status. this is anne's dispensation of justice. in 1817, everyone knows said properties in west indies are plantations. it is known that the "prizes" of navy men like wentworth come from war and the capture of enemy ships and seizing their loot. mr & mrs croft talk intelligently of their time in the east indies. the navy men are feted for risking their lives, being entrepreneurial and living in discomfort away from home at the frontier. these are colonial national logics and i don't think austen is staking out a position opposed to them.
ok some fun citations