Huang Gesheng regards sketching as his duty of perseverance all the year round. He draws close to nature in sketching, experiences life, and feels the infinite charm of natural things and social life. Through this art practice, he has repeatedly tested and reflected on "foreign teacher's creation, winning The art of "heart source" is true. Huang Gesheng's cleverness in art is that he is good at making full use of his existing advantages to design his own implementation plan. As a child of a strong country, his first entry point is the beautiful scenery of Lingshan at his doorstep. For example, in the 1980s, in order to create a huge long-winded "Lijiang River Hundred Miles", he walked across the banks of the Lijiang River and painted thousands of sketches. Later, these materials became his most important masterpieces. 1. "Lijiang Bailitu". Since he accidentally discovered Yuanbao Mountain in the mountainous area of ββNorth Guangxi in the 1980s, the cottage here has become an important subject that he never tires of painting. How many sketches have been drawn here, even Huang Gesheng has not been able to explain. With a flick of his finger, he went to Yuanbao Mountain nearly a hundred times in decades, where it ranges from one week to more than one month. In his own words, his familiarity with the study of the cottage is that he named every dog ββin the cottage. And that kind of hard life, in Huang Gesheng's own words, is called "eat hard, get tired". The masterpiece of landscape painting "Zhuang Brocade" exhibited in the round hall of the National Art Museum of China this time was produced under such a deep background.
