Severance - "Woe's Hollow" (2x04, 2025) "Trojan's Horse" (2x05, 2025), "Attila" (2x06, 2025), "The After Hours" (2x09, 2025) Anna Kavan, "A Visit," from Julia and the Bazooka (1970) and collected in Machines in the Head (2019)


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Severance - "Woe's Hollow" (2x04, 2025) "Trojan's Horse" (2x05, 2025), "Attila" (2x06, 2025), "The After Hours" (2x09, 2025) Anna Kavan, "A Visit," from Julia and the Bazooka (1970) and collected in Machines in the Head (2019)

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It's not up to you.
My dad strongly recommended this one to me because according to him, the prose is beautiful but "has a certain cruelty about it" so we'll see whatever that means I guess!!
Anna Kavan - Julia and the Bazooka - Peter Owen - 1970 (jacket design by Keith Cunningham)
— Anna Kavan, Sleep Has His House

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“As soon as I decided I’d have to dig down still deeper to uncover the root of my listless withdrawal from life, I became aware of some interference from the past distracting and confusing my thoughts, causing me a sensation that was at the same time oppressive, expectant and empty. In these somewhat contradictory feelings, I came to recognize my childish sense of having run down like a clock that needed someone to wind it before it could go again; and saw that I was now no less helpless than in those far-off days when I waited for somebody to take me by the hand and tell me what to do. On my own initiative I could do nothing, take no responsibility, make no decisions only watch my existence unroll.”
Anna Kavan, Guilty
weekend
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Despairingly she looked all round. She was completely encircled by the tremendous ice walls, which were made fluid by explosions of blinding light, so that they moved and changed with a continuous liquid motion, advancing in torrents of ice, avalanches as big as oceans, flooding everywhere over the doomed world. Wherever she looked, she was the same fearful encirclement, soaring battlements of ice, an overhanging ring of frigid, fiery, colossal waves about to collapse upon her. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Anna Kavan, Ice