Baba L'oke Ba'wagbe Ā· Super Borgou de Parakou
70's
Pure Benin heat
One of Beninās standout orchestras, Super Borgou de Parakou crafted a sound rooted in northern traditions, fused with Afrobeatās drive and electric instrumentation.

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Baba L'oke Ba'wagbe Ā· Super Borgou de Parakou
70's
Pure Benin heat
One of Beninās standout orchestras, Super Borgou de Parakou crafted a sound rooted in northern traditions, fused with Afrobeatās drive and electric instrumentation.

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La BOA (BogotĆ” Orquesta Afrobeat) Meets Tony Allen (through the magic of Comet Records' archive of Tony Allen drum tracks)
Few sounds transcend time and space quite like the driving pulse of Afrobeat, and few artists, for that matter, have defined their own domains quite as profoundly as Tony Allenāthe very beat of Afrobeat itself. In 2011, Allen recorded one of his inimitable rhythmic dialogues as part of the Afrobeat Makers Series for the Parisian imprint Comet Records. Charged with the same fervour for uninhibited expression that defined his trailblazing career, Tony Allenās drumming, free from convention and charting its own course, emanates a cadenced stream of consciousness that speaks its own truth. If Allenās language was his beat, then on this record, La BOAāLa BogotĆ” Orquesta Afrobeatābecomes his latest and most fitting interlocutor. What began as a tributeāa song named after Allenānow feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance. Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in BogotĆ”, Michelās Mambo Negro Records has become a cornerstone of Colombiaās underground scene championing Afro-Colombian and independent music throughoutĀ that time. Across this LP, Allenās recordings lay down the canvas upon which La BOA paints its own vision of Afrobeatāraw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is BogotĆ”. What ensues is an enduring conversation that crosses eras, borders, even life and deathāa celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of BogotĆ”, so too La BOA meets Tony Allen.
1975
Lijadu Sisters - Lifeās Gone Down Low - funky joint coming to you outta Nigeria
A-T-5 067 Tony Allen Road Close (Dance Dub)
Another great track from Fela Kuti's Africa '70 musical director and drummer. From the album N.E.P.A. (Never Expect Power Always) - a dig at the Nigerian Electric Power Authority. Recorded after he'd moved to France
I shared tracks from N.E.P.A. last year, there's a bit on confusion over when it was released 84/85

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Amayo ā Lion Awakes (Self-Release)
Amayo was the only actual Nigerian in the Brooklyn afrobeat juggernaut Antibalas, reigning from 1999 to 2021 in colored face paint and elaborate headdress over pulsing Fela-obsessed grooves. A devotee of martial arts, he is a practitioner of Kung Fuās Chinese Lion Dance, as well as Nigerian Edo traditional arts. Lion Awakes celebrates all these elements of the Amayo creative package, unfurling frantic blasts of brassy syncopation around intricate narratives of supernatural kicking, punching might. This is not a long album, but it has epic scope thatās well beyond the limitations of the usual five-song EP.
Listen/purchase: Ziglibithiens by Analog Africa