Baba L'oke Ba'wagbe · Super Borgou de Parakou
70's
Pure Benin heat
One of Beninâs standout orchestras, Super Borgou de Parakou crafted a sound rooted in northern traditions, fused with Afrobeatâs drive and electric instrumentation.

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Baba L'oke Ba'wagbe · Super Borgou de Parakou
70's
Pure Benin heat
One of Beninâs standout orchestras, Super Borgou de Parakou crafted a sound rooted in northern traditions, fused with Afrobeatâs drive and electric instrumentation.

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La BOA (BogotĂĄ Orquesta Afrobeat) Meets Tony Allen (through the magic of Comet Records' archive of Tony Allen drum tracks)
Few sounds transcend time and space quite like the driving pulse of Afrobeat, and few artists, for that matter, have defined their own domains quite as profoundly as Tony Allenâthe very beat of Afrobeat itself. In 2011, Allen recorded one of his inimitable rhythmic dialogues as part of the Afrobeat Makers Series for the Parisian imprint Comet Records. Charged with the same fervour for uninhibited expression that defined his trailblazing career, Tony Allenâs drumming, free from convention and charting its own course, emanates a cadenced stream of consciousness that speaks its own truth. If Allenâs language was his beat, then on this record, La BOAâLa BogotĂĄ Orquesta Afrobeatâbecomes his latest and most fitting interlocutor. What began as a tributeâa song named after Allenânow feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance. Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in BogotĂĄ, Michelâs Mambo Negro Records has become a cornerstone of Colombiaâs underground scene championing Afro-Colombian and independent music throughout that time. Across this LP, Allenâs recordings lay down the canvas upon which La BOA paints its own vision of Afrobeatâraw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is BogotĂĄ. What ensues is an enduring conversation that crosses eras, borders, even life and deathâa celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of BogotĂĄ, so too La BOA meets Tony Allen.
1975
Lijadu Sisters - Lifeâs Gone Down Low - funky joint coming to you outta Nigeria
A-T-5 067 Tony Allen Road Close (Dance Dub)
Another great track from Fela Kuti's Africa '70 musical director and drummer. From the album N.E.P.A. (Never Expect Power Always) - a dig at the Nigerian Electric Power Authority. Recorded after he'd moved to France
I shared tracks from N.E.P.A. last year, there's a bit on confusion over when it was released 84/85

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Amayo â Lion Awakes (Self-Release)
Amayo was the only actual Nigerian in the Brooklyn afrobeat juggernaut Antibalas, reigning from 1999 to 2021 in colored face paint and elaborate headdress over pulsing Fela-obsessed grooves. A devotee of martial arts, he is a practitioner of Kung Fuâs Chinese Lion Dance, as well as Nigerian Edo traditional arts. Lion Awakes celebrates all these elements of the Amayo creative package, unfurling frantic blasts of brassy syncopation around intricate narratives of supernatural kicking, punching might. This is not a long album, but it has epic scope thatâs well beyond the limitations of the usual five-song EP.
Listen/purchase: Ziglibithiens by Analog Africa