Oii, tenho uma loja online de acessórios (brincos, colares, diversos piercing, pulseiras, tornozeleiras), com isso queria te convidar a compartilhar este post, curtir página e seguir nosso Instagram! Já irá me ajudar bastante se reblogar, não estou conseguindo emprego e única renda é essa...
São acessórios de qualidade tanto masculino quanto feminino.
Nossas novidades saí em primeira mão no Instagram e catálogo, na mesma hora.
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Commission for my friend @awkward-tabi ♡＾▽＾♡
I had so much fun while drawing it! I'm obsessed with a decent source of light on the artwork but it also so hard to draw! Anyway, apparently, Acess can't read the map correctly which made him and Kiall lost their way (ノ∀￣•)
Other:
Commission info
Byakuya and Kazue
Cam and Kano
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Book Review #4: High Society, Open Door — Can you guess who’s on the stage ?
Who's who in the audience ? Who gets to belong? Who decides the rules? HIGH SOCIETY Advice as to Social Campaigning, and Hints on the Management of Dowagers, Dinners, Debutantes, Dances, and the Thousand and One Diversions of Persons of Quality answers with a smile that strips things bare.
This early 20th-century satire invites the reader in, then shut the door, then invites again. It's all in the lines.
It shows a closed world that sells itself as open. The result: a sharp portrait of status, taste, and illusion.
The book targets the social elite: club members, opera box regulars, hosts of lavish dinners.
It names them through habits. It also names those excluded: small trades, minor artists, anyone outside the circle.
Behind the text stand three voices: George S. Chappell, Frank Crowninshield, and Dorothy Parker. Each brings irony, rhythm, and bite.
HIGH SOCIETY Advice as to Social Campaigning, and Hints on the Management of Dowagers, Dinners, Debutantes, Dances, and the Thousand and One Diversions of Persons of Quality is a satire of upper-class life. It mocks codes of access, rituals, and desire.
This book invites the reader in, then sets a condition: belong, or stay out. The text plays with that rule. The illustrations by Anne Harriet Fish expose it.
Together, they answer a simple question: what does high society look like when you stop believing in it?
The book emerges in the early 20th century, at the height of the Jazz Age. A moment of wealth, speed, and social display. A moment where old hierarchies shift but do not fall.
The setting stays urban and selective: opera houses, private clubs, manicured gardens, dinner tables. Spaces of visibility. Spaces where one must be seen to exist.
The tone looks playful. The book exposes a rule: access defines value. It shows how taste becomes a weapon. It shows how wealth becomes a filter. It shows how culture becomes a badge. it reveals that this world needs outsiders to exist. Without exclusion, the “elite” loses meaning.
This book does not describe high society. It shows how it works. Read it as a manual of signals:
Who gets named
Who gets erased
What habits mark entry
What rituals maintain power.
The key point: the door stays closed, even when it looks open.
