Leica
(06161946,Chicago Tribune)
ライカ カメラ
seen from Türkiye

seen from Malaysia

seen from United States
seen from Germany
seen from Egypt
seen from China

seen from Singapore
seen from Singapore
seen from Kyrgyzstan

seen from Malaysia

seen from United States
seen from China
seen from Germany

seen from Germany
seen from United States

seen from Malaysia

seen from Malaysia

seen from United States

seen from Singapore
seen from Australia
Leica
(06161946,Chicago Tribune)
ライカ カメラ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Donald Trump, born June 14, 1946
"Philip Johnson & Donald Trump's White House Revovation Plans," illustration by Danny Hellman for New York Press, 10/4/99
Bacall To Arms, 1946
Mostly Malarky by Wally
(06151946,Chicago Tribune)
La maja de los cantares (1946)
Directed by Benito Perojo
Soledad is a young Spanish singer of the last century that everyone wants to conquer. But she only has eyes for one man, Pepe Velazquez, owner of the cafe where she sings. After several incidents caused by all kinds of jealousy and misunderstanding, Pepe embarks for America, leaving Soledad by Manolo, a young man of his town that has always been in love with her.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ritual in Transfigured Time (1946)
[letterboxd | imdb]
Direction: Maya Deren
Cinematography: Hella Heyman
Choreography: Frank Westbrook
Performers: Anaïs Nin, Rita Christiani, Frank Westbrook
The Strange Love of Martha Ivers premiered in London, England on 13 June 1946, before its official release in July.
Robert Rossen adapted John Patrick's short story "Love Lies Bleeding" and Barbara Stanwyck was cast. Kirk Douglas made his feature film debut, and was recommended for the role by Lauren Bacall (the two had studied together at the American Academy of Dramatic Arts in New York City), and Douglas credited co-star Van Heflin with helping him feel comfortable in front of the camera.
Producer Hal Wallis was intent on making Lizabeth Scott a star (he wanted to give her top billing in the film, but the idea was quickly defeated by Stanwyck and her lawyers) and demanded that director Lewis Milestone reshoot scenes to include more close-ups of Scott (who was appearing in her 2nd feature film), when Milestone refused, Wallis directed the scenes himself, and then cut Stanwyck's screen time.
Released to mostly positive reviews, The Strange Love of Martha Ivers was a commercial and critical success, and John Patrick was nominated for an Academy Award for Best Writing, Original Motion Picture Story. It is now regarded as one of the best film noirs.
Ritual in Transfigured Time (1946)
[letterboxd | imdb]
Direction: Maya Deren
Cinematography: Hella Heyman
Choreography: Frank Westbrook
Performer: Rita Christiani