#{her team}

LOHEN! Stop looking at me like that! >///<

WYNONNA: “I’m totally sleeping.”

NICOLE: “No, you’re passing out. That’s not the same thing.”

WAVERLY: “You’re isolating yourself.”

WYNONNA: “No. I’m hunting alone. So until a new Chosen One rolls into town,

*directed at Rachel who’s watching from the stairs*

who’s old enough to drink…”

WAVERLY: “Wynonna! You’re… so… you seem so-“

WYNONNA: “Dedicated to keeping my friends and family safe?”

WAVERLY: “Really sad. And lonely.”

WYNONNA: “Well, we don’t all have the luxury of happily ever after.”

WAVERLY: “Doc loves you.”

WYNONNA: “Shut up.”

*moves to grab Peacemaker but Waverly covers her hands over it*

WAVERLY: “And so do we.”

WYNONNA: “Just keep the stupid gun.”

*walks off out of the house and Waverly runs after her*

NICOLE:

*tries to get her attention*

“Hey, babe.”

WAVERLY:

*outside the house*

“Wynonna, stop! Please!”

WYNONNA: “You want me to admit I have a problem?! Okay, well, here’s my problem, it’s a big one. Uh, if I stop killing demons, everyone I love, like you, gets eaten.”

WAVERLY: “Or maybe that’s what you’ve been telling yourself, Wynonna. Because you like it! A little too much.”

WYNONNA: “I don’t hear anyone else complaining about being too not dead because I’ve taken out too many demons.”

WAVERLY: “What about Holt? He was human.”

WYNONNA: “Why is it that when you kill a Clanton, it’s the right thing to do, but when I do it, it’s a problem?”

WAVERLY: “You know, I really thought we’d have a couple more years before your transition from fun drunk to mean alcoholic.”

WYNONNA: “Have fun planning your wedding, you sanctimonious asshole.”

WAVERLY:

*walks back into the house crying and into Nicole’s arms*

NICOLE: “Hey. Once she’s done being defensive, she’s gonna realize you’re right.”

WAVERLY: “Am I? I’m not judging her. I’m just trying not to lose her.”

NICOLE: “Hey.

*hugs her tight and kisses her head*

You want me to stay?”

WAVERLY: “No. You gotta go.”

Finally! We’re dealing with Wynonna’s inner conflict with believing that she needs to shut off the world and kill everything that threatens it. This episode must be her breaking point. This was what I was waiting for after the whole killing Holt situation and Doc left her.

Let’s see them try to make this one into a comedy. Something like this should only be dealt with in drama. I hope they handle this narrative seriously. It looks like they will from the intervention opening but you just never know. There may be some tonal shifts.

This is the narrative I wanted for Buffy Summers. They touched on it but they never went all out with it. They never made it clear how much of a demon she was becoming from having to constantly kill the demons. What that was doing to her mind, body and soul. How much of a price that she was paying to be The Hand.

I wanted a proper narrative undertaking for Buffy like Wynonna seems to be getting in this episode that showed that being a hero doesn’t always require being a killer. Whether it’s of the evil supernatural or not. And in the last season they should have done this since they made it canon that she was made from a demon and therefore her instincts were just the same. But they didn’t do that. They didn’t play morally grey. And it’s part of the reason why I just lost all interest.

See it’s been bubbling under the surface all throughout the show but Wynonna’s inner conflict was that she was afraid that she was a killer - a murderer for killing demons or human bad guys. In this season especially, she’s resigned herself to that objective because she doesn’t have a partner in crime with it anymore. There’s no Clyde to her Bonnie basically. And it’s tearing her apart that she cannot connect with someone that literally sold his soul to a demon because he is not okay with what she’s become from having such a defensive attitude towards the problem.

And everybody’s worried about her because she doesn’t communicate how she’s really feeling. What she’s really struggling with inside that’s eating her up. And something like that is one hell of a narrative to not only explore thoroughly, but also conclude and close.

And I am SO HERE FOR IT! I’m more here for this narrative than WayHaught’s because I already know I’m going to get that anyway. More focus on the lead main character at this point in the show is imperative. And I know Season 4 has been more comedy than drama. But there’s always time to change that around. You know it’s not always an equal amount of either in genre shows. Sometimes it’s just on a spectrum depending on what story it is that they’re telling. Which means the vibe and tone always serves the narrative and characters. Not the other way around.

It’s the reason I cannot watch either pure drama or pure comedy. I have to have that balance when it comes to TV art/enterainment. The grey area. And genre shows - particularly supernatural/fantasy - always have that balance. Even if it’s not equal.

But yeah, Buffy would have certainly been a much more interesting character to me than she was if they had went all the way with the “am I a killer?” subject. Like I said - they touched on it. Quite a few times actually. But they don’t make it into a proper arc where she had a breakdown and her team have to come in to help to save her from destroying herself.

Being a hero is fucking hard. Especially when chosen. When you never wanted to be the world’s protector in the first place but you find it’s who you are anyway. You’re eventually going to face up to the price of it. The loss and the grief. But most of all the evolution. And an evolution includes all the highs and lows. The downfalls, the sacrifices, the depression, the loneliness. All of it. You can’t have a true character development without it all. And the thing is Buffy has all of that. Sometimes more than I bear to watch. But the one thing they skip out of truly exploring is - to me - the most important subject that there is to address.

Which is if you’re a fighter - if you have protect and defend through violence - does it make you a killer?

And if you’re a hero - are you okay with not being one and letting somebody else take the reins - including all the pitfalls and burdens you’ve had to bear and overcome. Can you allow yourself to give up heroism?

All of that needed to be addressed with Buffy in the final season. And the way they choose to do it. To wrap up the sap up - is the most insane, nonsensical, confusing, frustrating extremely lazy way ever by her entire team throwing her out of the fucking house and then letting her back in when they realize they’re wrong and they need her and some other character has to be the one to make them face their mistake.

Exploring the extremely strong and substantial subject I’m talking about here is what would have avoided all that ridiculous mess because the take-away from it would have been that there is a necessity to heroism but it comes at the price of being a killer or at least fearing that you are or will become a killer.