I have random followers I have an attachment to for no reason and whenever I see them in my notes I'm like "awww it's them :)" and it makes me happy. Listen to me....you never know the full enjoyment you bring to other people's lives
Mike Driver

Product Placement

祝日 / Permanent Vacation

oozey mess
h
occasionally subtle


izzy's playlists!

Andulka
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Origami Around
RMH

titsay

JBB: An Artblog!
Xuebing Du
noise dept.
taylor price

tannertan36
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@backjustforberena
I have random followers I have an attachment to for no reason and whenever I see them in my notes I'm like "awww it's them :)" and it makes me happy. Listen to me....you never know the full enjoyment you bring to other people's lives

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she's a comedian.
conversations with a ghost.
Judi Dench and Ian McKellen in Macbeth (1976)

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ANTHONY HEAD as UTHER PENDRAGON.
MERLIN (2008-2012)
EVE BEST as  RHAENYS TARGARYEN  in 2.01 “A Son for a Son”
"But it's all the torment, the gnawing remorse—and then, the great, killing dread. Oh—that awful dread!"
— Ghosts by Henrik Ibsen, tr. William Archer
I have had to work for everything that I have... and I thought you deserved better than that...

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Dancing Satyr of Mazara del Vallo, fourth-century B.C., Greece
Images: Â mondomostre.it
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Description from Wiki: Â "The over-lifesize Dancing Satyr of Mazara del Vallo is a Greek bronze statue, whose refinement and rapprochement with the manner of Praxiteles has made it a subject of discussion.
Though the satyr is missing both arms, one leg and its separately-cast tail (originally fixed in a surviving hole at the base of the spine), its head and torso are remarkably well-preserved despite millennia spent at the bottom of the sea. The satyr is depicted in mid-leap, head thrown back ecstatically and back arched, his hair swinging with the movement of his head. The facture is highly refined; the whites of his eyes are inlays of white alabaster.
Though some have dated it to the 4th century BCE and said it was an original work by Praxiteles or a faithful copy, it is more securely dated either to the Hellenistic period of the 3rd and 2nd centuries BCE, or possibly to the “Atticising” phase of Roman taste in the early 2nd century CE. A high percentage of lead in the bronze alloy suggests its being made in Rome itself.
The Dancing Satyr soon after its recovery, 1998
The torso was recovered from the sandy sea floor at a depth of 500 m (1600 ft.) off the southwestern coast of Sicily, on the night of March 4, 1998, in the nets of the same fishing boat (operating from Mazara del Vallo, hence the sculpture’s name) that had in the previous year recovered the sculpture’s left leg. Other well-known underwater finds of Greek bronzes have been retrieved from the Aegean and Mediterranean seas, generally from shipwreck sites: the Antikythera mechanism, the Antikythera Ephebe and the portrait head of a Stoic discovered by sponge-divers at Antikythera in 1900, the Mahdia shipwreck off the coast of Tunisia, 1907; the Marathon Boy off the coast of Marathon, 1925; the standing Poseidon of Cape Artemision found off Cape Artemision in northern Euboea, 1926; the horse and Rider found off Cape Artemision, 1928 and 1937; the Getty Victorious Youth found off Fano on the Adriatic coast of Italy; the Riace bronzes, found in 1972; and the Apoxyomenos recovered from the sea off the Croatian island of Lošinj in 1999.
Restoration at the Istituto Centrale per il Restauro, Rome, included a steel armature so that the statue can be displayed upright. When first displayed to the public after conservation (in the Chamber of Deputies in Rome, from 31 March to 2 June 2003), it was hailed as the finest new discovery in Italian waters since the Riace bronzes were found in 1972. On 12 July 2003 it returned to Mazara del Vallo, where it is on permanent display in the Museo del Satiro in the church of Sant'Egidio. There, it is provided with an anti-seismic base, to secure it against tremors in this earthquake zone. From 23 March to 28 June 2007 it toured to the Louvre for their Praxiteles exhibition, and an associated Louvre interactive installation, “Connaître la forme” (“Know your form”), displayed a replica of it lit in various ways to demonstrate the importance of lighting in displaying a sculpture.“  HERE
listen I didn’t come here to ship it lightly ok I came here for it to consume my soul
okay i've come to appreciate seneca for his banger lines but wow already on the FIRST PAGE of his medea???
MEDEA: Bring death on this new wife, death on the father-in-law and the whole royal stock. For the bridegroom I have a worse prayer in store: may he live. May he wander through unknown cities in want, in exile, hated and homeless may he seek out other men's doors, by this time a notorious guest; may he long for me as his wife and—I can make no worse prayer—for children resembling their father and resembling their mother. My revenge is born, already born: I have given birth.
I normally try to keep this blog strictly about the glory that is art history, but I can’t avoid sharing a good architecture pun!
(Yes, I love puns)
4, 8 & 24 for the recent writers asks please x
✍️ more fic writer asks!
4. a story idea you haven’t written yet
I usually write down my story ideas even if I haven't written any actual scenes or lines. So there's lost of things that are piecemeal, that don't have anything beyond a note or a line of dialogue.
I always want to do something tough with Rhaenys. Something really badass and cool, when she's sitting the Driftwood Throne in Corlys's absence, perhaps, or just performing a duty that's under her remit. Someone who takes umbrage to the power she wields and the family that she is from.
Anyway, I only have two lines that I'm sold on:
???: “Driftmark is no place for dragons.”
RHAENYS: “Driftmark is no place for traitors.”
8. if you had to write a sequel to a fic, you’d write one for…
Probably "Your Grace", because that's easiest and I do have around 1500 words of a Part Two already written. I'm seeing how I feel about it. Never say never. Queen Rhaenys is such a frothy concept to me, however it comes, and I do like my politics.
My problem with the show is that it doesn't quite have the world-building for me to confidently approach them, which is why I usually keep my "what-ifs" to the concentrated emotional perspectives of my POVs. Maybe S3 will help change that, especially if some of the rumours flying around are true. I'd quite like to see how the High Septon reckons with crazy ol' Targaryen succession issues.
24. how do you recharge when you’re not feeling creative?
Sleeping. Talking. Watching. Reading.

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i'm not normally one to make jokes about dialect or accent. but the way that British people pronounce "lieutenant" feels like an in-joke i'm not privy to
Aww, you're feeling lieut out?
Noah Dao