Here's a website where Palestine GoFundMes are vetted and shared that you can send out to people. The url is gazafunds.com
Easy to use and simple. Just share the site whenever someone asks for GFMs for Palestine.

Today's Document
One Nice Bug Per Day
Cosimo Galluzzi
d e v o n
KIROKAZE
sheepfilms
DEAR READER
dirt enthusiast
Peter Solarz
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH

tannertan36
2025 on Tumblr: Trends That Defined the Year

izzy's playlists!

Love Begins
Show & Tell
almost home
I'd rather be in outer space 🛸
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@svtvres
Here's a website where Palestine GoFundMes are vetted and shared that you can send out to people. The url is gazafunds.com
Easy to use and simple. Just share the site whenever someone asks for GFMs for Palestine.

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a character being a perpetrator does not negate their victimhood and neither does their victimhood negate being a perpetrator. u can accept and reckon w both dimensions in ur analysis
there is nothing morally purifying about suffering or victimhood, it is not something that inculcates “goodness.”
one’s character has no impact on whether they were/are a victim or not, victim status is not something that is only afforded to the palatable.
it also does not = absolution.
ppl cant handle this in cartoons made for teenagers lets not get ahead of ourselves
One thing I love is that Neil perceives the Heat as this external entity that looms just “around the corner”, and he takes all necessary steps to ensure that when the Heat finally comes, he’s ready and packed to escape. Neil doesn’t have close relationships, other than the more paternal/ friendly dynamic he has with Chris, in order to not be tied down or put any potential loved ones in danger. He even asks Chris whether him being a husband and father won’t affect his rationality to make the right choice in a high tension situation.
By the end of the movie, we see the Heat not as external danger/risk, but as the core driving force of people like Neil and Vincent. Because it’s exactly that Heat, the obsession and grudge and passion, that makes Neil turn the car back around, and it’s that same force leading Vincent to Neil like a moth to a flame, ultimately killing him.
The most ironic part is that Eady (the one Neil was so adamant about letting in his life, since he believed a romantic, or any close relationship, would lead to his demise) ends up being the sole voice of reason during their car ride to, what could have been, freedom, “Is there time?”, and it’s exactly Neil making the very conscious choice towards his death, “There’s time”.
The Heat was never around the corner, it had always been right there, inside of them.
Wanted to add that this is one of the reasons I find it very very amusing when I see some viewers (usually boys/ young men) glorifying Neil’s detached and cold nature, like something one should incorporate in their own relationships. When the whole point of the movie is definitely not that and can even be a warning to adopting such an attitude in regards to relationships.
If i may, Neil dodges the invisible. The Heat is like a hydra with ghostly eyes operating all around him, haunting him. While trying to escape this, Neil must live coldly, like a ghost as well. But he is still alive and that is no way to live. The ghost lifestyle cant be sustained so long as his heart audibly beats
and if it all ended tomorrow, would vincent hanna and neil mccauley be on each other’s minds?
some things that will be up in my store for pre-order tmr :)
qu's portfolio, merch shop, and more

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its kind of distressing how you can tell a lot of people see popular indie artists and writers and such as like "a Celebrity but one which i stand a half decent chance of bullying to death"
Thought that post was cute so i drew it
Gulmp.

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truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
This is the paper. It's excellent, highly recommend reading it.
I remember reading about Gebru's firing but I had no idea this was the paper she was fired over.
I need y'all to see how this porn spelled ménage à trois
what world do people imagine their fursonae exist inside of. I love how undefined it is. some people are like "this is my sona Hryàxe, a hybrid dragon with ice powers who has been alive through three astral ages and toppled many kingdoms of men" and someone else is like "this is my sona he's an arctic fox named blurt and hes a barista in Toronto who loves to play mahjong." And then blurt and hryàxe are lovingly having sex on a tropical beach somewhere. and I'm like how'd they get to the beach

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strong, confident, and stupid is the total package in a woman if i’m being honest
when will they stop haunting me