Autumn Breeze

Sure. 

You won't be in the relationship you seek until 4 years later. For now, you may meet people, if you choose to, from around you like friends/family who introduce them to you or even at school, but you won’t find someone that you “click” with right now. I think it’s best that you don’t be so focused on finding a partner right now. You will meet your partner later in life, like I said.

Often the more you crave for romance, the more life doesn’t give it to you. The more you want romance often, the more you get a bit desperate and end up lowering your guard. I suggest that you take it slow. 

5€ - 1 question (5 cards and clarifiers)

10€ - 2 questions (10 cards and clarifiers)

15€ - 3 questions (15 cards and clarifiers)

These can be about anything! I will send you pictures of all the cards that I pull and the readings will be much more detailed (for example: if you request a future spouse reading I will look for appearance, career, zodiac sign or dominant elements in the chart, personality, your relationship and so much more!)

Message me if you want a reading and we'll work out the details!

I will deliver your reading in 1~2 days! And of course I will continue with the free readings on this blog when I have time! ^^

It strikes, slipping between the sky. 

A parrot perches on a far off branch, orange and green plumage shining bright. 

What does this remind you of?

This is infinity, folded in half. A scholar of worldly knowledge, and and a blindfolded skull. 

It drips down in curtains as the sky cleaves in half, shielding it from view. It is seeking home, seeking comfort. 

Blink. 

This is an eye, an eye that sees all.

Hi! Here’s your reading - I hope you enjoyed it, and that it helps you! Surprisingly the last half of the reading (from “this is infinity” onward), was the strongest part. Usually they tend to fade away from me at the end but yours did quite the opposite. Feedback is always appreciated <3

ok, so i just saw the most convoluted method for this ever, and i see a lot of convoluted methods for isolating/transparent-izing your lineart, and listen, you guys, my method is so fast i can literally do it in less than five seconds. here are some pictures to walk you through it.

here’s your lineart. see, it’s only one layer, and that layer is the background layer.

make a new layer.

return to your background. select the whole thing. copy it. go to the new layer. paste it. now you have a background layer with your lineart, and a new layer with your lineart. now, make sure you’re on your new layer, not the background layer, before you do this next part.

so you’ll note in my little hovery tool box thing i keep “layers” and “channels” together. this is the main reason i keep “channels” in a tab. so, you’re going to see that list of things – red green blue etc – and then at the bottom, there is a wee dotted circle. see? click that circle.

holy mother of god what’s happening here!!! a whole bunch of dotted lines vaguely outlining your lineart should appear. look down at your keyboard. find the delete button. hit it. then, go back to your “layers” tab.

see how on the new layer, the lineart seems to have disappeared? it hasn’t. look where it says “lock” just above the layers. while on the new layer, hit the square directly next to “lock.” then click anywhere in your image to deselect and make those lines go away. switch to your background layer and just turn the whole thing white. you can use a big brush or whatever, i like to select white and white and then just run a gradient across it. 

either way once your background is pure white, you’ll see what’s happened to your lineart. it looks kind of faded, right? that’s because what you just did was delete every ounce of white from your lineart. awesome, right? sure. but you don’t want your lines to look faded like this. this is easy to fix.

switch to your new layer. select a color – any color you want your lineart to be. i like to use colors other than black, like dark blues and reds and so on. get a big brush. run that brush over every inch of your lineart. see how it darkens up again?

so now your lineart is transparent, and just as nice and dark and vivid as before. make another layer, between the background and the lineart layer.

Hey Here’s the Explaination! (tw for family abuse or etc), Please do take a read if you wanna know about my living conditions.

Read my ToS before commissioning though please! I promise it isn’t much! oooohhhh there’s also what I will be available to draw. Here’s more on my commission info : https://piipstachio.weebly.com/ Donations go here (donate $10 or higher for a quick full body sketch) :  https://paypal.me/tylermaker?locale.x=en_US DM me if you want a sketch though and DM me  if you want a commission!

• “I love you. I want us both to eat well.” 

— Christopher Citro, from “Our Beautiful Life When It’s Filled with Shriek”

• “You kiss the back of my legs and I want to cry. Only the sun has come this close, only the sun.”

— Shauna Barbosa, from “GPS”

• “August. We were arguing. You want love to be like this every day don’t you? 92 degrees even in the shade.”

“I used to be a hopeless romantic. I am still a hopeless romantic. I used to believe that love was the highest value. I still believe that love is the highest value. I don’t expect to be happy. I don’t imagine that I will find love, whatever that means, or that if I do find it, it will make me happy. I don’t think of love as the answer or the solution. I think of love as a force of nature - as strong as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming, as drought-making as it is life-giving. And when it burns out, the planet dies.”

“If love is going to be done differently I will have to do it. I don’t mean as a messiah-thing, I mean as a me-thing. I want to look into your eyes and not get blown up. I want you to see me as I am and not destroy me. I don’t want to retreat into plant life, or have the same bad dream every night. I don’t want to watch a city burn because I was there.”

— Jeanette Winterson

• “I’ll take care of you. / It’s rotten work. / Not to me. Not if it’s you.”

— from Anne Carson’s translation of Orestes

• “I think of you all the time and therefore have little to say that would not embarrass you, for instance my first feeling about the rain was that it was like you.”

— John Cage, from a letter to Merce Cunningham

• “I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.”

— Maggie Nelson, Bluets

• “I want to be a village full of sweethearts, / as you are, every second of the day, / cooking me soups & drawing me pictures / & holding me, my inexplicable & elephant sadness, / with your infinite arms. / But isn’t it true, you are not / always why I am happy. & I promise / it is true, you are almost never why, / why I am sad.”

— Chen Chen, from “Elegy for My Sadness”

• “Look here Vita—throw over your man, and we’ll go to Hampton Court and dine on the river together and walk in the garden in the moonlight and come home late and have a bottle of wine and get tipsy, and I’ll tell you all the things I have in my head, millions, myriads — They won’t stir by day, only by dark on the river. Think of that. Throw over your man, I say, and come.”

“I always have such need to merely talk to you. Even when I have nothing to talk about – with you I just seem to go right ahead and sort of invent it. I invent it for you. Because I never seem to run out of tenderness for you and because I need to feel you near.”

“I could only think of you as being very distant and beautiful and calm. A lighthouse in clean waters.”

“What can one say — except that I love you and I’ve got to live through this strange quiet evening thinking of you sitting alone. Dearest — let me have a line… You have given me such happiness…”

— Virginia Woolf, from letters to Vita Sackville-West

• “I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you, in a quite simple desperate human way. I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.” 

“Please, in all this muddle of life, continue to be a bright and constant star. Just a few things remain as beacons: poetry, and you, and solitude.”

— Vita Sackville-West, from letters to Virginia Woolf

• “Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. It makes you selfish. It makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there. So no wonder it’s something we don’t want to do on our own. I was taught if we’re born with love then life is about choosing the right place to put it. People talk about that a lot, feeling right, when it feels right it’s easy. But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope.“

— Phoebe Waller-Bridge, in Fleabag

• “i carry your heart with me(i carry it inmy heart)”

— e.e. cummings, from “[i carry your heart with me(i carry it in]”

• “There was once a very great American surgeon named Halsted. He was married to a nurse. He loved her-immeasurably. One day Halsted noticed that his wife’s hands were chapped and red when she came back from surgery. And so he invented rubber gloves. For her. It is one of the great love stories in medicine. The difference between inspired medicine and uninspired medicine is love. When I met Ana I knew: I loved her to the point of invention.”

— Sarah Ruhl, The Clean House

• “oh god it’s wonderful / to get out of bed / and drink too much coffee / and smoke too many cigarettes / and love you so much”

— Frank O’Hara, from “Steps”

• “This morning there’s snow everywhere. We remark on it. You tell me you didn’t sleep well. I say I didn’t either. You had a terrible night. “Me too.” We’re extraordinarily calm and tender with each other as if sensing the other’s rickety state of mind. As if we knew what the other was feeling. We don’t, of course. We never do. No matter. It’s the tenderness I care about. That’s the gift this morning that moves and holds me. Same as every morning.”

— Raymond Carver, from “The Gift”

• “Well Marianne, it’s come to this time when we are really so old and our bodies are falling apart and I think I will follow you very soon. Know that I am so close behind you that if you stretch out your hand, I think you can reach mine.”

— Leonard Cohen, in a letter to Marianna Ihlen

• “I think about love on a scale from 1 to 10. Most of us find a 6 or a 7, and that’s why we have divorce. It’s the truth. We settle for that 6 or 7. But I like to think Kevin is Chiron’s 10. He’s found that and he realizes that there’s no reason to settle for a 6 or a 7 because, “I know this person is my 10. Whether or not this person believes I’m his 10, I’m going to devote my life to this person entirely.” That’s why the line where he says, “You’re the only man that’s ever touched me,” for me, was the most amazing, most beautiful thing I’ve seen in cinema, period. Because that’s what we strive for as people, to find that one person because they’re there. If Kevin doesn’t feel that they should be together, Chiron is just going to die a miserable person because that’s his person and he won’t settle for anything else.“

— Trevante Rhodes about Moonlight

• “I look at you and I would rather look at you than all the portraits in the world”

— Frank O’Hara, from “Having a Coke with You” but the whole poem is !

• “The door slammed and someone came home and low voices could be heard, the single lilt of a question as it rose, “How was it?” or “Are you hungry?” Something plain and necessary, yet extra, with care, a voice like those tiny roofs over the phone booths along the train tracks, the ones made from the same shingles used for houses, except only four rows wide—just enough to keep the phone dry. And maybe that’s all I wanted—to be asked a question and have it cover me, like a roof the width of myself.”

— Ocean Vuong, from On Earth We’re Briefly Gorgeous

• “I keep wishing for you, keep shutting up my eyes and looking toward the sky, asking with all my might for you, and yet you do not come. I thought of you, until the world grew rounder than it sometimes is, and I broke several dishes.”

— Emily Dickinson, in a letter to Minnie Holland

• “I don’t want you to be nervous. Maybe thinking of a walrus would help. Have you seen the video of the penguin accidentally stepping on a sleeping walrus? It thought it was a rock. The walrus wakes up like what the fuck and the penguin scurries off like oh shit. Sometimes it’s funny watching a surprise happen, and not just funny but kind of amazing — like, you never really know what’s what when it comes to this planet.

Then again, when it’s you getting surprised, that’s different. Especially for tender ones like us. What are we supposed to do? It’s bad for our hearts, you know. I hope you won’t need pills like I do. I think I get so scared because I’m greedy — I want to hold onto everything, the world wants to take it away. What the fuck. The number of hours we have together is actually not so large. Please linger near the door uncomfortably instead of just leaving. Please forget your scarf in my life and come back later for it.”

— Mikko Harvey, “For M”

• “Willem sleeps on the left side of the bed, and he on the right, and the first night they slept in the same bed, he turned to his right on his side, the way he always did, and Willem pressed up against him, tucking his right arm under his neck and then across his shoulders, and his left arm around his stomach, moving his legs between his legs. He was surprised by this, but once he overcame his initial discomfort, he found he liked it, that it was like being swaddled. One night in June, however, Willem didn’t do it, and he worried he had done something wrong. The next morning–early mornings were the other time they talked about the things that seemed too tender, too difficult, to be said in the daylight–he asked Willem if he was upset with him, and Willem, looking surprised, said no, of course not. “I just wondered,” he began, stammering, “because last night you didn’t–” But he couldn’t finish the sentence; he was too embarrassed. But then he could see Willem’s expression clear, and he rolled into him and wrapped his arms around him. “This?” he asked, and he nodded. “It was just because it was so hot last night, Willem said, and he waited for Willem to laugh at him, but he didn’t. “That’s the only reason, Judy.” Since then, Willem has held him in the same way every night, even through July, when not even the air-conditioning could erase the heaviness from the air, and when they both woke damp with sweat. This, he realizes, is what he wanted from a relationship all along. This is what he meant when he hoped he might someday be touched.”

— Hanya Yanagihara, A Little Life

• “No, I didn’t imagine my being alone with you the way you do. If I want the impossible, I want it in its entirety. Entirely alone, dearest, I wanted us to be entirely alone on this earth, entirely alone under the sky, and to lead my life, my life that is yours, without distraction and with complete concentration, in you.”

— Franz Kafka, from a letter to Felice Bauer

• “If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth, to this present time, I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours, I would.”

— David Wojnarowicz, The Half-Life

• “I could recognize him by touch alone, by smell, I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”

— Madeline Miller, The Song of Achilles

• “If Moses had seen the way my friend’s face blushes when he’s drunk, and his beautiful curls and wonderful hands, he would not have written in his Torah: do not lie with a man”

— Rabbi Yehuda Al-Harizi/Judah Ben Solomon Harizi

• “I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. I hope our ghosts aren’t eating you alive. If i’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.”

— Lucas Regazzi, from “Small”

• “I thought she was sleeping until I heard her call out from across the room, “Will you bring me a glass of water?” I did. Then in her always-sleepy tone and drawl she said, “Do you remember when you were a little girl and you would ask your mama to bring you a glass of water?” Yeah. “You know how half the time you weren’t even thirsty. You just wanted that hand that was attached to that glass that was attached to that person you just wanted to stay there until you fell asleep.” She took the glass of water that I brought her and just sat it down full on the table next to her. Wow, I thought. What am I gonna do with love like this.”

{ 3 tarot 2 oracle }

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| CLOSES 5/28/2020 12:00am |

Conjunction (Hard)

This aspect is form when two or more planets are within 3 degrees of one another (the tighter the degree is to 0, the more powerful and profound the integration of the two planetary energies into one another).

Each planet has their own individual energy, however in a conjunction, the planetary energy is expressed simultaneously in the style of the sign they are both placed. These planets will act together, not individualistically.

This aspect is considered a ‘hard’ aspect due to the fact they can express more positive or negative qualities depending on the style of drive of a planet.

Conjunctions to other planets can give that planet a style of expression as the conducting planet rules (Example: Sun conjunct Jupiter will give the native a Sagittarian style of expression to their self identity, regardless of sign. Conjuncting Jupiter will also greatly enhance the sign of the sun, making them far more prominent than without the conjunction).

EXAMPLE:

Easy - Moon conjunct Venus: Love and affection is also integrated into the natives style of nurturing and what they need to be emotionally satisfied. This is an extremely gentle, and affectionate conjunction.

Hard - Sun conjunct Saturn: This can be a very self limiting aspect, as Saturn puts blocks on the natives drive for self expression, making the native rather quiet and shy. This can also be an indication of someone who is prone to depression and self doubt.

Opposition (Hard)

This aspect if formed 177 - 183 degrees from one another (the closer to 180 degrees, the more prominent this aspect is felt).

This aspect show two conflicting energies within the self, that are contradicting and conflicting.

These planetary energies will make a ‘swinging’ motion, going back and forth as they try to gain dominance of expression.

This aspect feels internally tense, irritating and uncomfortable, as if no matter what you do, you can’t get exactly what you want.

Though this is another hard aspect, like the conjcuntion, it does carry benefits and can be balanced.

The first step to balancing this aspect lies in the realisation that you need BOTH energies to be expressed, not just one.

This aspect is easier to resolve if a trine to one or both planets is involved or is part of a T-Square.  

The opposing planet, like the opposition, will integrate the style of the sign it rules (Example: Mars in pisces opposite Pluto in Virgo would indicate someone who acts passive in times of confrontation one time, than becomes explosive and aggressive - much like a mars in scorpio - another time).

This aspect can also be balanced as planets will more often than not share the same modality and be a in compatible element (apart from the cases where this aspect is formed by out of sign planets).

EXAMPLE:

Venus opposite Uranus: To balance this opposition, the native would need a sense of personal freedom in relationships in oder to form a functional relationship. This person may also fluctuate from being affection to passive, and in these time, some personal space will be needed, and they are ready, can return to the partner - unconventional relationships tend to manifest from people with this aspect.

Trine (Easy)

This aspect is formed when two planets are 117-123 degrees from one another  (the closer to 120 degrees, the more prominent this aspect is expressed).

Training planets are often in the same element.

It is a easy, flowing aspect whereby planets interact with ease, often providing the native with a ‘talent’ or strength in and between characteristics and energies.

This aspect is so easy, the native will not notice this aspect in their own personality, and are often puzzled by others who can not express the planets training in the same way they do.

This aspect holds a lot of potential, though because the nature of the aspect is so natural and laid back, a transit or interaction with another who activates the trine in synastry may be needed for the potential to be manifested.

Acknowledging this aspect in your chart will help you better understand and utilise this talent/gift.

EXAMPLE:

Sun trine Mars: This will show a native who’s self-expression and self-drive flow together with ease. This person will have no problem expressing who they are and what they want, and have a great amount of personal drive to achieve goals. This can also give the native an aura of sexual magnetism and a heroic and stand-out presence.

Square (Hard)

This aspect is formed when two planets are 88-92 degrees apart (the closer to 90 degrees, the more prominent this aspect is expressed and felt).

Planets squaring one another will often be a planet with the same modality but with an incompatible element.

The tension caused by this aspect is described as a type of ‘friction’ - two planets having the same aim (modality) with a different style/method (element).

This aspect can force and issue/compose a challenge externally as the aspect is projected outside the self onto the outside world to be dealt and resolved with.

This aspect can pressure to to find a resolution based on the lessons of the planets (in signs) that are involved.

A lot of effort is required to resolve the issues proposed by this aspect.

EXAMPLE:

Mercury square Neptune: This native may have difficulty in differentiating facts from reality. There may be a lot of mental confusion with this aspect and a tendency to get lost in conversation, being spoken to and to transverse into a world of daydreaming and fantasy. Their concentration may be short, and may also be delusional in their thought. This aspect could also manifest a lair, or through a more positive manifestation, someone who can express their mental confusion through creative writing and materialising their fantasies into words/poetry.

Sextile (Easy)

This aspect is formed when two planets are 58 - 62 degrees from one another (the closer to 60 degrees, the more prominent this aspect is expressed and felt).

This aspect links planets of different modalities and elements, though the elements will be compatible (Earth/Water - Air/Fire)

These planets have compatible styles of expression and will ‘encourage’ one another in their form of expression

They can excite/stimulate one another, feeding each other productive energies

This aspect can manifest opportunities, but it is up to the native to decide whether or not they chose to use them. More to gain if taken, and if ignored or declined, nothing is lost.

This aspect is also another indicator for talents, possibly more active than the trine. You are more likely to notice and work on these talents.

EXAMPLE:

Mars sextile Pluto: This aspect would give the native formidable ability to incorporate raw plutonic  power into their will power and drive. This can give great ability to put a lot off personal power into tasks and to achieve goals. This natives drive would be persistent and they would possess tremendous durability. This native may posses great physical power and have a large sex drive, not to mention quite sexually skilled and magnetic.

Inconjunct/Quincunx (Hard - often debated as a major or minor aspect.)

This aspect is formed when two planets are 148-152 degrees apart (the closer to 150 degrees, the more prominent this aspect is expressed and felt).

This is a point of major conflict between planets. Two planets that have no compatibility by sign or modality, yet are forced to interact with each other.

This aspect must be balanced and adjusted (either by escape rout via sextile or trine to one of the planets involved).

Those who poses this aspect in a tight orb (0′-2′) between planets often tend to compartmentalise the two areas of life indicated by the planets and points involved, acting out one planet at a time until the other planet becomes frustrated and takes over and is expressed.

Through the inflexibility of this aspect, it can manifest as an either ‘make or break’ situation.

A new, inventive and personal outcome can be created with this aspect.

EXAMPLE:

Venus inconjunct Saturn: This aspect can indicate a native who’s ability to express love and tender affection clashes with their sense of authority, structure and patriarchal nature. This person may give excessive amounts of affection and love and may begin to feel like they aren’t getting the same amount in return, thus resorting to becoming cold and rejecting any affection that the partner tries to give. This person may also try to be patriarchal and directing in a situation that really requires gentle affection and care.

Question - I will answer any questions you may have, whether about relationships, love, romance, sex, work, finance etc, doing so by reading your energy and visualization!

Message from future self -

Their message to you, as you are now. Giving you a guidance of what you should be focusing on and what is coming ahead.

Angel Guidance - I will channel your angels, guides etc and you will receive a personal message from them!

Life Path - I would tell you what your life path is, how to achieve it and what lead you here and what to do next. Helping you with any confusion you may have about your life.

Soul Print - What does your higher self want to tell you right now? What are you missing or needing? Is there something your soul is needing that you aren’t seeing? I will channel these messages for you

Spirit Around Us - Will tell you if I sense any spirit around you and their message for you.

Past Life - I will read on what happened in your past life, who you were before this life and how it affects your life now.

Future Prediction - Prediction of any topic of general. 3-6 months in advance. Will tell you what you can expect.

Soulmate - Will tell you who your soulmate is, their personality, what they do and how your relationship will be like and a channeled letter from them. Extra: +15 if you want an illustration of them

Release blocks - Mental check, tell you where your blocks are (ex. You’re feeling anxious and how to deal or release that)

Aura - I will tell you the colors of your Aura and how they affect you and the people around you. How it influences people.

Telepathy Message - Will tell you messages from the person/being of choice

If interested, you can send payment to PayPal.me/limunette and you can DM for any questions