Sunbeam Collective

A pretty blonde, shimmering a strawberry blonde when the sun hits it just right, sometimes Ravio swears it’s more pink than blonde, but she’s pretty sure that’s just from the red reflecting off Ravio’s counter.

Ravio stares, chin in her hand, as Link starts talking about a puzzle in a dungeon. Ravio’s eyes trail over her girlfriend, from moving lips to her eyes still focused on some old quest item in her hand that started this conversation to begin with. Ravio’s gaze travels to Link’s hyrulian ears, a tad shorter, pointed up rather than down like her own. Slowly, her eyes return to Link’s hair, always such a pretty shine to it.

“Why do you keep staring at my hair?” Link’s sudden question makes her eyes snap back to Link’s face, now staring at Ravio with nicely flushed cheeks. Ravio leans forward, closer to Link. Her free hand pushes a strand of hair away from Link’s hair. “Your hair looks just like sunshine in Hyrule,” Ravio says and watches Link's face go brighter. She stammers something incomprehensible before huffing at Ravio and leaving the shop in a hurry. Ravio giggles to herself. Her girlfriend is so cute.

It’s days after that interaction that Ravio finds out why Link has always been so vague about her first quest. Ravio stares at Link from the front door. Groceries clutched to Ravio’s chest as she stared at the scene she walked into.

Her courageous, strong, beautiful girlfriend is in tears. Huddled in a corner, trying to make herself small. 

Ravio walks in and gently sets the groceries down before slowly crouching in front of her girlfriend. She can see her shoulders shaking, can see long furry pink ears flat on her head, her pink head, so very pink. Not a trace of blonde hair to be seen. Not even a trace of Hyrulian ears to be seen. 

“I-It broke…” A muffled sob followed the broken voice. Ravio snaps out of her curious examination and focuses on her girlfriend’s distress. She slowly and gently places a hand over Link’s shaking hand.

“What broke, love?” Ravio asks in a soft whisper. Link takes desperate breaths. “Ring,” she manages to say. Ravio blinks at the statement and moves her hand to see Link’s fingers. Link had a few rings, but there was one she never took off, even during the quest they met on. It was a simple gold ring with a pink opal. An opal with a crack in it. 

“We can see about getting it fixed, love,” Ravio says gently. Opal isn’t that expensive nor uncommon. She’s sure they can fix it quickly enough. Link sucks in a breath. “Doesn’t matter… you’ve already seen me like… like this.” Link says with obvious disdain. Ravio stares for a moment, trying to process things.

“Like this?” Ravio probes when Link doesn’t elaborate. “With this hair and the ears!!!” Link yells before shrinking into herself even more. Ravio blinks at the outburst. “What about them?” 

Link shudders. “You like me blonde…” She mumbles. Ravio stares. “Your hair looks like the morning sky in Lorule. It’s beautiful. Just like you always are.” Ravio says, and Link looks up at her in shock. “Did the ring hide this?” Ravio asks, Link nods. “I’ll get it fixed for you if that’s what you want. But I do hope one day you’ll show me this beautiful view again.” Link's face goes pink, and Ravio can’t help but stare, so much pink. “Adorable,” Ravio mumbles out. Link freezes before grumbling something similar to a curse word in Lorule, maybe a Hyrule curse word she hadn’t heard yet, before dragging Ravio forward and crashing her lips into Ravio’s. Ravio is quick to lean into the kiss, hands finding their way into pink hair. 

“You’re a doofus…” Link says, pulling away from the kiss. Ravio pouts at that but quickly makes a comeback. “You’re a rabbit.” She says, causing Link to shove her away a little with a huff. “Shut up.” Her girlfriend grumbles. Ravio pulls up her hood, tilting her head.

“We’re matching.” 

Link pauses, staring at her in disbelief, before she snorts. “You’re such a dumb rabbit.” Ravio smiles as she stares at the small smile on Link’s face. 

Step 1: Basic composition

Even if I already have one composition in my mind for a piece, I always try to brainstorm and sketch a few different options. I actually came up with the final one right away, but wanted to try something else before I even sketched it out just in case. I ended up picking it because it shows both the sky islands and the surface, combining the worlds the two boys come from

Step 2: Sketch

A detailed sketch with proper expressions, proportions and perspective (if necessary)

Recently I dropped the lineart stage and started cleaning up the sketches instead. I've mentioned it before, but I've been working on building up my confidence with my lines, and I'm definitely getting there! I still erase/add more weight to the sketch when I'm done with it, but at least it's not as messy as it used to be

Step 3: Values

Values are another thing that I've started working on more. They're the most important part of the image, so if the values are messed up - the whole piece feels off, so instead of frantically fixing them in the end with a shit ton of filter layers, I start with them, blocking out the lightest and the darkest parts and adding some subtle shading

Step 4: Basic color

This step is... different for each piece lol. For this piece specifically I used a gradient map as a first step of coloring, adding some yellow/light green overlays on top, but sometimes I just use an airbrush on layers set to color/overlay/multiply and then merge them all with the values layer.

The palette depends on the mood: my works are mostly very fluffy and cozy, so I use warm colors a lot (yellow... everywhere.... that's my favorite color..) Also, since there's a lot of green and blue in this work, I added the complementary purple and orange in shadows to make the colors pop.

Shading also depends on the mood! Those soft works have very soft, natural lighting, an the more serious ones have a more dramatic lighting, usually with some strong light source for contrast

Step 5: Coloring the characters

This step is always separate because my pieces are always character-centric, so the characters always need more attention (see how masterfully she's denying that she hates painting backgrounds).

The line/sketch is set to Multiply and colored (usually into dark magenta or a cool green color depending on MY mood lol). There's a base color for the characters already, which kinda tricks my brain into picking the colors that look good with it. I always paint skin and hair first.

The most important part of this step is to always check the values! It's very easy to mess them up here, so what I do is 1) create a new layer 2) fill it with white/black/grey 3) set it to the "Color" mode 4) hide and unhide it while you paint. Some details might end up having a different value, but it's important that the whole character is still separate from the background.

Step 6: Render

FINALLY, render. For the characters, I create a new layer, set it to Multiply and just paint those shadows. The color of the shadows depends on the environment, it reflects it: for example, in the outdoor setting shadows are blue because they reflect the blue sky. I also always add some blush (dark red/pink set to Overlay, under the shading layer), and some light to make it all shine (light yellow/orange set to Overlay/Soft light, painted with a soft brush above the lineart). For the hair I add a Color dodge layer and paint the highlights with the same color I use for hair (or a color leaning more into red)

Now, that's the stage where I have the most fun with the background. To make it look interesting you can make the colors buzz by using a special color selector that looks like this:

(this one's from Krita, but most programs have something similar)

So, what's the trick? Basically, you have a base color for something, and to make it buzz you need to build it up by adding colors that slightly vary in hue, value or saturation.

Step 7: Details and insanity

Noticed how composition on those WIPs looked.. different from the finished piece? Well, usually when I'm done with some basic rendering I start feeling that something is off. Even if it isn't.

So, I try to fix it by cropping, and recropping, and undoing it, and recropping again, and "oh it looks kinda empty. I need to add flowers", and then adding trees too, and then it looks oversaturated, and that island above draws too much attention, and then-

That's what happens on bad days. On good days I finish everything off by adding some brushstrokes here and there, some shadows/light with an airbrush and a gradient map set to low opacity on top.

And that's it! Here's an actual timelapse of this piece. If you want to laugh at my overthinking ass go to 1:23