macklin celebrini has autism
he wasn't even looking at me and he found me
Claire Keane
Today's Document
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icyghini twinkie
I'd rather be in outer space đ¸
The Stonewall Inn

oozey mess
Fai_Ryy

shark vs the universe
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
cherry valley forever

romaâ

Andulka

ellievsbear
Lint Roller? I Barely Know Her

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@sun-fleur-blog

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Promptly-Written Photo Prompt: Wildfire
Photo credit: David Uzochukwu Â
Poetic Justice dir. John Singleton || 1993
 wanted to share this hoping itd inspire someone tht follows me that makes music or just anything
 i made this song with a cheap toy keyboard and recorded my vocals on my phone because at the time i didnt have a microphone and the keyboard didnt have any line ins to plug it into my laptop so i just said fuck it. the keys  reminded me of all the mexican music i had been listening to, and falling in love with at workâŚbanda and ranchero all that stuff is so painful whether u understand what they r saying or not haha.Â
when nosaj thing called me to tell me Kendrick had rapped on it and wanted to use it for his album it was crazy for a day or two but it honestly made sense after i heard the album bc music is music and he understands that not too many people do,Â

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Iâll be done after this butÂ
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Siddeshwari (1990)

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I think its so interesting to look at the relation to black artists and the American music video as a part of black cinema and its importance its had onto digital cinema as well. Serving as the new medium to experiment with the editing process and cinematography, music videos hold a place holder of black narratives that couldnât and wouldnât be told through a full feature and often times go overlooked in the space of ~*cinema*~ as a whole. For better and for worse music videos during the early 00âs (and obviously before as well) definitely show black stories, techniques, and power of these narratives.
Dakar (2000) - Maurice Weiss
Shawn Theodore
A friend of mine shared this on Facebook, and I shared it too. But seeing as I have a lot more followers on tumblr than friends on Facebook, I thought Iâd bring it here.
Willâs post really talked to my heart, because itâs exactly what itâs like to live in a gentrified neighborhood. Sure, my wall didnât get painted on, but the feelings of entitlement that are held over you are universal. Itâs very frustrating when people have been living in your neighborhood for less than 3 years and they act like youâre the new ones.
And letâs not even get into the comment section of this post! You cannot compare gentrification, which systemically kicks poor people (who are usually poc) out of their neighborhoods to âwhite flightâ.
Iâll probably be reporting the bushwick fleaâs Instagram if you need me, but please share his story.
Kiripi Katemboâs best photograph: the heroic women of Kinshasa
âWhen I look at this picture, I think about all the work women do to serve the economy of Congo and their families, but they get no respect. They are treated like machines, while men can do what they like. I also think of my mother, who died last year. She worked in the market, ran her own business, knitted and worked out in the fields, too. So I called this image Move Forward as a way of saying thank you to women â because they are the true power of my country, the people driving it forwardâ
- Kiripi Katembo.
(Shortly after he spoke to the Guardian, Kiripi Katembo died of malaria in Kinshasa, aged 36. Katemboâs work is part of the BeautĂŠ Congo 1926-2015 exhibition at Fondation Cartier in Paris.)

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self-portrait by Charlie Moreau