Yup.

“hazbin hotel is ugly with bad dialogue, questionable politics, horrible character design, a monotonous color scheme that makes it difficult to distinguish the characters in group shots, and an often ‘what the hell, sure’ approach to plot” is a shallow and boring take. whereas if you, as i have, really sat down and watched hazbin hotel and just really got to know it you would learn: it’s also☝️ racist

a Black creole man in new orleans rising to fame among high society in the 1920s and early 30s despite the odds against him however he secretly has a voodoo shack where he performs ritualistic cannibalism. he is shot by a hunter when mistaken for a deer and in hell takes a deer-esque form; his soul is owned by a white demon woman who uses explicitly animalistic language to refer to him, and for a time he lived in a place known as cannibal town (her dominion). and he personally owns the soul of keith david’s character and is shown to keep him on a chain. interesting interesting. medrano and associates if i might bend your ear for a spell i would love to know more about the process of creating this character, perhaps a word association game, an inquiry, even, after your familiarity with racial caricature, the naacp’s guidelines for the depiction of Black life in media, the life and work of w.e.b. du bois…if i might offer you some reading….

“hazbin hotel is ugly with bad dialogue, questionable politics, horrible character design, a monotonous color scheme that makes it difficult to distinguish the characters in group shots, and an often ‘what the hell, sure’ approach to plot” is a shallow and boring take. whereas if you, as i have, really sat down and watched hazbin hotel and just really got to know it you would learn: it’s also☝️ racist

a Black creole man in new orleans rising to fame among high society in the 1920s and early 30s despite the odds against him however he secretly has a voodoo shack where he performs ritualistic cannibalism. he is shot by a hunter when mistaken for a deer and in hell takes a deer-esque form; his soul is owned by a white demon woman who uses explicitly animalistic language to refer to him, and for a time he lived in a place known as cannibal town (her dominion). and he personally owns the soul of keith david’s character and is shown to keep him on a chain. interesting interesting. medrano and associates if i might bend your ear for a spell i would love to know more about the process of creating this character, perhaps a word association game, an inquiry, even, after your familiarity with racial caricature, the naacp’s guidelines for the depiction of Black life in media, the life and work of w.e.b. du bois…if i might offer you some reading….

“hazbin hotel is ugly with bad dialogue, questionable politics, horrible character design, a monotonous color scheme that makes it difficult to distinguish the characters in group shots, and an often ‘what the hell, sure’ approach to plot” is a shallow and boring take. whereas if you, as i have, really sat down and watched hazbin hotel and just really got to know it you would learn: it’s also☝️ racist

a Black creole man in new orleans rising to fame among high society in the 1920s and early 30s despite the odds against him however he secretly has a voodoo shack where he performs ritualistic cannibalism. he is shot by a hunter when mistaken for a deer and in hell takes a deer-esque form; his soul is owned by a white demon woman who uses explicitly animalistic language to refer to him, and for a time he lived in a place known as cannibal town (her dominion). and he personally owns the soul of keith david’s character and is shown to keep him on a chain. interesting interesting. medrano and associates if i might bend your ear for a spell i would love to know more about the process of creating this character, perhaps a word association game, an inquiry, even, after your familiarity with racial caricature, the naacp’s guidelines for the depiction of Black life in media, the life and work of w.e.b. du bois…if i might offer you some reading….

“hazbin hotel is ugly with bad dialogue, questionable politics, horrible character design, a monotonous color scheme that makes it difficult to distinguish the characters in group shots, and an often ‘what the hell, sure’ approach to plot” is a shallow and boring take. whereas if you, as i have, really sat down and watched hazbin hotel and just really got to know it you would learn: it’s also☝️ racist

a Black creole man in new orleans rising to fame among high society in the 1920s and early 30s despite the odds against him however he secretly has a voodoo shack where he performs ritualistic cannibalism. he is shot by a hunter when mistaken for a deer and in hell takes a deer-esque form; his soul is owned by a white demon woman who uses explicitly animalistic language to refer to him, and for a time he lived in a place known as cannibal town (her dominion). and he personally owns the soul of keith david’s character and is shown to keep him on a chain. interesting interesting. medrano and associates if i might bend your ear for a spell i would love to know more about the process of creating this character, perhaps a word association game, an inquiry, even, after your familiarity with racial caricature, the naacp’s guidelines for the depiction of Black life in media, the life and work of w.e.b. du bois…if i might offer you some reading….

“hazbin hotel is ugly with bad dialogue, questionable politics, horrible character design, a monotonous color scheme that makes it difficult to distinguish the characters in group shots, and an often ‘what the hell, sure’ approach to plot” is a shallow and boring take. whereas if you, as i have, really sat down and watched hazbin hotel and just really got to know it you would learn: it’s also☝️ racist

a Black creole man in new orleans rising to fame among high society in the 1920s and early 30s despite the odds against him however he secretly has a voodoo shack where he performs ritualistic cannibalism. he is shot by a hunter when mistaken for a deer and in hell takes a deer-esque form; his soul is owned by a white demon woman who uses explicitly animalistic language to refer to him, and for a time he lived in a place known as cannibal town (her dominion). and he personally owns the soul of keith david’s character and is shown to keep him on a chain. interesting interesting. medrano and associates if i might bend your ear for a spell i would love to know more about the process of creating this character, perhaps a word association game, an inquiry, even, after your familiarity with racial caricature, the naacp’s guidelines for the depiction of Black life in media, the life and work of w.e.b. du bois…if i might offer you some reading….

You need to start moisturizing before it's too late. I'm not talking about wrinkles or any of that nonsense. Winter is fucking coming you need to grease up or you are going to dry out like a raisin. It's too late for me but you can still save yourself. Please don't end up like me