do not go gentle into that good night
be a bit of a bitch about it
can't in good conscience leave this out
RMH
art blog(derogatory)
todays bird
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
cherry valley forever
One Nice Bug Per Day
h
$LAYYYTER

Product Placement

titsay

oozey mess

shark vs the universe
Not today Justin
Jules of Nature
Three Goblin Art
wallacepolsom

η₯ζ₯ / Permanent Vacation
Sade Olutola

izzy's playlists!

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@strangequarked
do not go gentle into that good night
be a bit of a bitch about it
can't in good conscience leave this out

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as a member of the lgbt community, it really hurts to hear people say that my "lifestyle" isn't "family friendly". i care a lot about being family friendly. it's very important to me. that's why this month i'm partnering with your mom -
It's rather telling how few people have noticed that brown and black women's selfies are getting auto-labeled "sensitive content" and think the problem is just affecting white trans women.
y'all ever reach the end of google
I'm starting to gain insight into why people turn into conspiracy theorists. Some topics are so totally neglected that it looks like they were intentionally and maliciously erased, instead of falling victim to arbitrary lack of interest.
I think it's a vicious cycle; when people don't know something exists, they're not curious about it. Also, people use conceptual categories to think about things, and when a topic falls between or outside of conceptual categories, it can end up totally omitted from our awareness even though it very much exists and is important.
This post is about native bamboo in the United States and the fact that miles-wide tracts of the American Southeast used to be covered in bamboo forests
@icannotgetoverbirds It already is a maddening, bizarre research hole that I have been down for the past few weeks.
Basically, I learned that we have native bamboo, that it once formed an ecosystem called the canebrake that is now critically endangered. The Southeastern USA used to be full of these bamboo thickets that could stretch for miles, but now the bamboo only exists in isolated patches
And THEN.
I realized that there is a little fragment of a canebrake literally in my neighborhood.
HI I AM NOW OBSESSED WITH THIS.
I did not realize the significance until I showed a picture to the ecologist where i work and his reaction was "Whoa! That is BIG."
Apparently extant stands of river cane are mostly just...little sparse thickety patches in forest undergrowth. This patch is about a quarter acre monotypic stand, and about ten years old.
I dive down the Research Hole(tm). Everything new I learn is wilder. Giant river cane mainly reproduces asexually. It only flowers every few decades and the entire clonal colony often dies after it flowers. Seeds often aren't viable.
It's barely been studied enough to determine its ecological significance, but there are five butterfly species and SEVEN moth species dependent on river cane. Many of these should probably be listed as endangered but there's not enough research
There's a species of CRITICALLY ENDANGERED PITCHER PLANT found in canebrakes that only still remains in TWO SPECIFIC COUNTIES IN ALABAMA
Some gardening websites list its height as "over 6 feet" "Over 10 feet" There are living stands that are 30+ feet tall, historical records of it being over 40 feet tall or taller. COLONIAL WRITINGS TALK ABOUT CANES "AS THICK AS A MAN'S THIGH."
The interval between flowering is anyone's guess, and WHY it happens when it does is also anyone's guess. Some say 40-50 years, but there are records of it blooming in as little time as 3-15 years.
It is a miracle plant for filtering pollution. It absorbs 99% of groundwater nitrate contaminants. NINETY NINE PERCENT. It is also so ridiculously useful that it was a staple of Native American material culture everywhere it grew. Baskets! Fishing poles! Beds! Flutes! Mats! Blowguns! Arrows! You name it! You can even eat the young shoots and the seeds.
I took these pictures myself. This stuff in the bottom photo is ten feet tall if it's an inch.
Arundinaria itself is not currently listed as endangered, but I'm growing more and more convinced that it should be. The reports of seeds being usually unviable could suggest very low genetic diversity. You see, it grows in clonal colonies; every cane you see in that photo is probably a clone. The Southern Illinois University research project on it identified 140 individual sites in the surrounding region where it grows.
The question is, are those sites clonal colonies? If so, that's 140 individual PLANTS.
Also, the consistent low estimates of the size Arundinaria gigantea attains (6 feet?? really??) suggests that colonies either aren't living long enough to reach mature size or aren't healthy enough to grow as big as they are supposed to. I doubt we have any clue whatsoever about how its flowers are pollinated. We need to do some research IMMEDIATELY about how much genetic diversity remains in existing populations.
@motherfucking-dragons
it's called the Alabama Canebrake Pitcher Plant and there are, in total, 11 known sites where it still grows.
in general i'm feral over the carnivorous plant variety of the Southeastern USA. we have SO many super-rare carnivorous plants!!!
Protect the wetlands. Protect the canebrakes because the canebrakes protect the wetlands.
Many years ago I did some (non-academic) research on native canes in the USA because I thought I remembered seeing a bamboo-like something in the wild that I'd been told was native, and I thought it might make a nice landscaping accent. But the sources I found said something like "unlike Asian bamboos, the American equivilant barely reaches the height of a man", and I went "nah, that is exactly the wrong height for anything." But if it gets 10 feet and up, I think there are a lot of people who would be VERY happy to use it as a sight barrier in public and private landscaping, and if it means putting in a bit of a wetland/rain garden, all the better. The lack of a good native equivelant to bamboo is something I have heard numerous people bemoan. Obviously it's very important to protect wild sites and expand those, but if it'd be helpful, I bet it wouldn't be hard to convince landscapers to start new patches too.
For instance, a lot of housing developments, malls, etc. seem to set aside a percentage of their land for semi-wild artificial wetlands (drainage maybe?) planted with natives, and then block the messy view with walls of arbovitae or clump bamboo from asia - perhaps it would be a better option there?
Good Lord. Arundinaria isn't just a better option, it's perfect.
I was in the canebrake near my house again this morning, and river cane is extraordinarily good at completely blocking the view of anything beyond it. It is bushier and leafier than Asian bamboos, and birds like to build nests in it. It would make a fantastic privacy barrier.
The cane near my house is around 10-12 feet tall. This species can reach 30 feet or more, but I think it needs ideal conditions or to be part of a large colony with a robust system of rhizomes or something.
It grows slowly compared to Asian bamboos, and seems to need some shade to establish, so it would take time to become a good barrier, but no worse than those stupid arborvitae.
plants like this were often intentionally cultivated in planter boxes as a form of water filtration and civil engineering by a bunch of indigenous nations.
There's a reason why Native Americans cultivated canebrakes.
Well, several reasons. As y'all may know, bamboo is stronger than any wood, and therefore it makes a fantastic building material.
The Cherokee used, and still use, river cane to make fishing poles, fish traps, arrows, frames for structures, musical instruments, mats, pipes, and absolutely gorgeous double-woven baskets that can even hold water.
This stuff is, no joke, a viable alternative to plastic for a lot of things. The seeds and shoots are also edible.
Uh I know this is out of left field but I work in plant cloning - it's a lot easier than you'd think to do for plants and it's honestly a really important conservation tool, and good for making a TON of seedlings in a short amount of time. I can look into this genus for like, cloning viability?
I know about reproducing plants from cuttings, rhizome cuttings have proven doable with this species.
Hi y'all, reblogging the Canebrake Post again. It's been over a year since I fell in love with the coolest plant ever. I'm trying to bring it back but I am very small so if any of y'all have a Canebrake nearby you might wanna talk to the owners and contact some local parks and nature preserves yeah?
A lot of people are asking how to distinguish Rivercane from invasive bamboo species. This link should help you!
Here's some distinguishing traits I've observed myself:
River cane has a really full, bushy, leafy look that makes it really hard to recognize as bamboo from a distance, because the stems are harder to see. The shape of the individual cane with its branches and leaves is narrow, because the branches spread out very little, but the foliage is DENSE. It's like a plume.
River cane is stronger, denser and heavier than invasive bamboos I've seen.
River cane stems are always green all the way around, no yellow (unless the plant's been dead for a good long time)
River cane stems feel smooth like plastic to the touch. The common invasive bamboo I've seen here, when you run your hand upwards along it, the stem feels awful like sandpaper.
The biggest way to distinguish them: River cane grows 6-4 feet tall when it's in little patches, and up to 10-12 feet when it's in a large size patch (like, the size of a backyard) It is known to reach up to 15 feet tall nowadays and historical records claim heights of 30 feet or more in fertile river valleys. I really want to stress that it's RARE for it to get big. A canebrake will almost always be many times wider than it is tall (sometimes they grow in very long strips along fence rows)
The best time to look for it is in winter before things leaf out, because it's evergreen and grows in dense masses, making it easy to spot.
Some more cool stuff i've found outβRiver cane was a common food of bison! Earliest European settlers reported canebrakes so big that "100 bison could graze on a single canebrake." Apparently it used to make extremely high quality forage for livestock, before it was mostly destroyed.
European settlers apparently set their pigs loose in the canebrakes purposefully to destroy them, because the pigs would root up the nutritious rhizomes and kill the plant. Thinking of the relationship between Bison and Canebrakes, and the relationship between Eastern Native Americans and Canebrakes, and the relationship between Plains Native Americans and Bison...it seems like a pattern, huh?
In the case of both bison and canebrakes, they were a fundamental part of their ecosystem, and fundamental part of the indigenous cultures that used them for every material, their musical instruments, their homes, their most advanced arts, and even food (Rivercane shoots are edible just like other bamboo, and supposedly the seeds are edible too!) but European settlers purposefully destroyed the species almost completely. I can't help but wonder if there was a similar motivation.
Books that talk about Rivercane:
Weaving New Worlds: Southeastern Cherokee Women and Their Basketry by Sarah H. Hill talks about rivercane a LOT and gives tons of details of its uses and history.
Saving the Wild South: The Fight for Native Plants on the Brink of Extinction by Georgann Eubanks has a whole chapter about Rivercane.
Venerable Trees: History, Biology and Conservation in the Bluegrass is a book about Kentucky, but it talks about rivercane's importance including its relationship with bison. It's only a couple pages out of the whole book but it's still great information.
By the way, though, if you read any very early European account of Kentucky, the word "cane" is everywhere. It's just such a nondescript word it's hard to realize its significance.
On a more personal note...god, I love this plant. Here's another photo I took. When you're in the canebrake, it feels so cut off from the rest of the world; it's shaded, quiet, cool, and someone 10 yards away couldn't even see you.
i actually talked to my neighbor that I learned owns the canebrake. She had no idea what it was but she was excited to learn about it! It was a lovely conversation.
Apparently, she knew I had been down there a bunch of times and thought nothing of it. She said "Yeah I told my husband, If you see her down there, just leave her alone she's doing her thing." In the most sincere way possible, God bless this woman
She said I could transplant all I wanted, too. This was great! ...but I quickly learned how RIDICULOUSLY HARD it is to transplant from a canebrake of this size. The rhizomes are so big and tough, a shovel can hardly get through them, and unless you're at the edge of the canebrake, there's a thick mat of them going every which way. I was driving my whole weight down on this shovel and it kept just denting the rhizome and glancing off.
I did get some transplants but each one took like half an hour because I was fighting for my life!
Also, with a canebrake this size, it doesn't grow little canes that will later become biggerβit shoots up tall canes in a single season. The youngest canes, more accessible and toward the edge of the canebrake, were significantly taller than I was. I cut the top off of one transplant for ease of handlingβI had a pair of hand pruners with me that were usually perfectly useful for small limbs, but I could barely get these things through the cane, it's just so strong and dense.
Someone research the material properties of this stuff ASAP. It's insanely strong.
Hi everyone, it's the river cane post again!
Here is some YouTube videos that talk about river cane!
Roger Cain of Keetoowah/Western Band Cherokee shows and talks about Rivercane. This video has a BIG canebrake, the mature canes look as if they could be 15ft tall, but he says it's only a fragment of what they used to be!
Stan the River Man visits a Canebrake in Northern Kentucky. This channel only has 22 subscribers, I feel like I've discovered a rare and priceless treasure
River Cane Renaissance, Episode 1. This guy has devoted a large part of his life to studying Rivercane and now works with the eastern band Cherokee to try and bring it back.
Chattooga river conservancy video on Rivercane, haven't watched the whole thing myself but it looks really good and detailed
These videos barely have any views or comments, but y'all can help! We can spread the knowledge.
Hi everyone.
This is exactly what you think it is.
So i'm in contact with a couple of plant nurseries.
Visiting some of my baby canes in the site where they were planted! They're looking good!
Big things are happening.
For privacy reasons, I share details online of my real world activities only reluctantly, and not very often. But don't be bamboozled into thinking I have forgotten the Canebrakes. It's exactly the opposite.
I have done a lot of networking and made a lot of contacts. I am not alone. There are other people with a story exactly like mine: first, they heard an offhanded mention of forests of American bamboo, which shattered everything they thought they knew about their environment. Next, they became crazed with fascination, searching for knowledge with insane ferocity. Then, they realized that river cane is not only a plant, it is a keystone species symbiotic with indigenous cultures for thousands of years, and it was almost destroyed due to the subjugation of its habitat and the genocide of its caretakers.
The canebrakes' devotees have been working tirelessly to compile every single scrap of information on canebrakes that exists in writing. Every record, every primary source, every historical mention, every comment and conjecture. I have been given access to some of this priceless treasure trove. The wealth of information is amazing, but even more amazing is how much is still unknown.
The history, properties, and ecological importance of the canebrakes is so much more than I imagined.
For example, the massive amounts of seeds produced by huge canebrakes in flowering events fed the passenger pigeon flocks. Likewise the Carolina parakeet was also dependent on canebrakes, and the extinct Bachman's warbler was a canebrake specialist. The destruction of canebrakes could be responsible for why these birds went extinct.
Canebrakes were absolutely fundamental to the indigenous peoples of the Southeast, providing for their every need. Food, shelter, containers, tools, music and art. The settlers foolishly thought the indigenous peoples were not "advanced" enough for metal tools, but in truth, they already had a material superior to metal. River cane by weight is stronger than steel. You can make knives and blades out of it.
I am excited for the future. It seems like momentum is building to save the river cane and bring back the canebrakes, and I am hoping to join together with all the other like-minded people to accomplish this task.
A new organization has just started in Alabama to bring back the river cane. Here is a blog post to read from a few months ago.
Was gonna go in the notes for this but screw it, I've reblogged this before because river cane is so cool Nashville is actually reintroducing it at a couple of parks within the city limits! For example, Shelby Bottoms (where I ride bikes most days) has a bunch of smaller canebrakes dispersed along the river and they seem to be growing steadily Also, Dr. Jon Evans, a professor at Sewanee, recently published a paper demonstrating that there are clonal stands of hill cane there that are around 1700 years old! Still a little inconclusive regarding the flowering/reproduction issue but still! I want to see that too if I can Makes me sad every time I go to the greenways in Knoxville and am like "man you could be introducing so much river cane here, it's great"
1700 years old???
Holy shit okay i looked it up and HOLY SHIT. Published 2 months ago.
1700 years old.
And it says A. appalachiana, (the Appalachian species of native rivercane), has actually NEVER been observed to flower, which means ???? i dont even know what the fuck that means.
THIRTY hectares. THIRTY. That's HUGE.
Does this mean that???? Most canebrakes are so small now because they're babies????
EVERYTHING I LEARN JUST MAKES IT MORE INSANE.
i have a suggestion

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They had not been seen together in the museum galleries for quite a while. Monetβs βWomen with Umbrellasβ are once again side by side in the Impressionist gallery.
AND THEN THEY LIVED HAPPILY EVER AFTER THE END!!!!
ok every time this post comes by i resist geeking out on it but NO LONGER so these women are probably the same woman and that woman is monetβs wife camille doncieux. he painted her a LOT. but fun fact: monet had this asshole friend named ernest hochede, and ernest racked up some debts, and like an asshole he basically just fled the country, leaving his wife alice and their six kiddos behind. monet immediately got alice and kids to move in with him, camille, and their two kids. at this point, monet, alice, and camille became my favorite probably historic poly threesome. they lived together, taking care of the kids. they were so poor that alice and camille took turns wearing the nice dress so they could go out with monet. when camille got uterine cancer and began dying, alice helped monet cope and took care of things while he painted camille over and over. when camille died, alice is the reason monet was able to survive. when ernest finally died, monet and alice married, and remained married until alice died. at that point, blanche, the oldest daughter, took care of monet until he died. anyway, the point is, the umbrella ladies are probably the same ladies, but as far as iβm concerned, there WAS a historically queer poly family in that household and they were wonderful.
this is a fucking joy
Tim HawkinsonΒ -Β Mobius ShipΒ (2011)
oh this is neat
Gingerbread build started
If you can guess what it's gonna be... i'll be very impressed!
It's of course Ever Ginger!
@todays-problematic-ship
if you are going to need some kind of sedative for 4th of july fireworks for your pets NOW IS THE TIME TO SCHEDULE THOSE APPOINTMENTS TO ASK FOR THEM
NOT WHEN ITS 2 DAYS AWAY
I feel like to really get this circulating as it should, we need it superimposed over the picture of the turkey going in the fridge. (I can't do it I'm on my phone.)
Youβre completely correct. Out of my way, able-bodied losers. Fuck you.
It's called an EZRide+ and you can learn where to find them here. They're about $1100 US as of June 2026, but you might need to buy additional parts to attach them to your chair, depending on the style of chair.
Remember to put links to products like this, they're usually hard to find and a lot of people need to know they exist.

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on the alberta oil sands
If you want to understand the Alberta oil sands β and everyone should, at least a little, because they are among the strangest industrial artifacts in the Western hemisphere and the standard coverage of them is almost uniformly wrong β you have to start with the fact that what's in the ground is not oil. Oil, proper oil, the stuff Saudi Arabia and Texas and the North Sea have been pumping for a century and a quarter, comes out of the ground as a liquid. You drill a hole, pressure differentials do most of the work, and what comes up is roughly pourable. This is not what's in northeastern Alberta. What's in northeastern Alberta is bitumen, which is oil that has been sitting around for a hundred million years getting its light ends biodegraded out of it by bacteria, and what's left is a substance with the consistency, at room temperature, of cold molasses or peanut butter. You cannot pump it. You cannot drill it. If you cut a chunk of oil-sand out of the formation and put it on your desk it will sit there, looking like a dark sticky brick, being the least ambitious hydrocarbon in the history of hydrocarbons.
So the entire industry is, at a physical level, a workaround for the fact that the thing they're extracting is an embarrassment to the concept of petroleum.
There are two workarounds and they both cost a lot of energy. If the deposit is close to the surface β and only about a fifth of the reserves are β you can dig it. This means you strip off the boreal forest and the peat underneath it (the "overburden," in the terminology, which is one of those words like "collateral damage" or "surplus population" that you can tell was invented to not describe something) and you run the biggest trucks and shovels in the world, actually the biggest, 400-ton dump trucks that cost five million dollars each and tires that cost the price of a house, and you mine it like coal. The oil-sand goes into crushers and then into giant hot-water tumblers that separate the bitumen from the sand the way you'd separate wet paint from gravel, with a lot of help from caustic soda and even more help from steam. The water goes into tailings ponds, which are not ponds, they are lakes, they are visible from low earth orbit, and they are full of a mixture of fine clays and residual bitumen and a lot of other chemistry that is at best dubious and at worst a slow-motion environmental catastrophe nobody in Alberta can figure out how to clean up and which, by provincial law, the operators are supposed to eventually reclaim β a promise whose timeline keeps sliding to the right and whose financial reserves, if you actually cost them out, would bankrupt most of the companies that made them. That's the mining side.
The other eighty percent of the reserves are too deep to mine. For those you use SAGD, steam-assisted gravity drainage, which works like this: you drill two horizontal wells, one stacked a few meters above the other, you blast the upper one full of high-pressure steam until the bitumen down there gets hot enough to actually flow, and then you collect the flowable bitumen out of the lower well. You are, essentially, cooking the ground. To do this you need ungodly amounts of natural gas, because steam doesn't make itself, and the natural gas is piped in from elsewhere in the province, which is why the oil sands are sometimes described (accurately) as a process for converting natural gas, which is a reasonably clean fuel, into synthetic crude, which is not, at a thermodynamic efficiency that would make a nineteenth-century millwright wince.
The net energy math on this is β fine. It works. You put one unit of energy in, you get three or four out, that's the rough ratio, less than conventional oil's old ten-to-one but more than enough to make money at any oil price north of roughly fifty dollars a barrel, which the global oil price has been north of most of the time since about 2004. So it gets done. And once you've gotten the bitumen out of the ground β whether by digging or by cooking β you still can't ship it, because at pipeline temperature it's still too thick to flow, so you cut it with condensate (a light hydrocarbon imported specifically for this purpose, sometimes from the US Gulf, shipped north, used as a thinner) until it's a mix called dilbit, diluted bitumen, which is what actually goes down the pipe. About a third of every barrel of dilbit leaving Alberta is diluent. You are paying to ship the thinner.
This is, I want to stress, the normal operation of the industry. None of this is scandal. This is the regular Tuesday.
The scale of it is the part people don't absorb, because the numbers are all in units nobody has intuitions for. Canadian oil sands production is running around 3.5 million barrels a day as of 2025, which is more than every OPEC producer except Saudi Arabia and Iraq, which is almost half of all oil produced in Canada, which accounts for most of the difference between Canada being an oil-exporting country and Canada being a quiet resource backwater with a per-capita income that looks more like Ireland's. The industry is about thirty percent of Alberta's GDP. It is the entire reason Alberta's per-capita GDP is what it is. Until the Trans Mountain pipeline expansion came online in May 2024 β after twelve years of construction, at a cost of 34 billion Canadian dollars, after the federal government had to buy the project from Kinder Morgan because no private company could eat the political risk β basically all of it went to the United States, which meant Canadian producers had exactly one customer and priced accordingly, at whatever discount to WTI the American refiners felt like imposing. This was annoying to Canada in the way that having a single customer is always annoying to a supplier, and it's the thing the pipeline was supposed to fix, and fixing it is already looking like it wasn't as much of a fix as promised because production keeps growing faster than egress capacity can keep up.
Okay. That's the industrial situation. Here's the part that actually matters.
Fort McMurray is not a city in any sense that the word normally carries. It is a town of maybe 75,000 permanent residents, up near the 57th parallel, surrounded by boreal forest and muskeg, to which is attached β and the word "attached" is wrong, the word needs to be something more like "grafted" or "hosting" β a second population of roughly 35,000 workers who live in what are called camps. The camps are the actual operational engine of the industry. A camp is a cluster of prefab dormitory buildings attached to a cafeteria and a gym and maybe a movie room, plopped down in the bush near a mine or a SAGD plant, with capacity for anywhere from a few hundred to several thousand workers. Workers fly in from everywhere in Canada β Newfoundland, Cape Breton, New Brunswick, whatever backwater the post-industrial labor market has stranded them in β on two-week-on two-week-off rotations, work twelve-hour shifts, live in a room the size of a cell, and fly home to spend two weeks with their families before coming back. The term of art is "shadow population." The official census counts them separately.
And this arrangement is not incidental to how the industry works. It is the industry. You cannot run a facility the size of Syncrude's Mildred Lake mine with a labor force of people who live in the nearest city and commute to work. There is no nearest city. The nearest city is eight hundred kilometers away. You have to import the workforce, and because you have to import the workforce, you have to house them, and because you have to house them cheaply, you put them in camps, and because the camps are miserable, you pay the workers a lot of money, and because you pay the workers a lot of money, they put up with the camps, and the whole system is stable as long as the oil price is high enough to subsidize the discomfort premium. It is an entire industrial operation structured around the fact that nobody would voluntarily live where the bitumen is, and so the industry has to buy the labor's tolerance of not-living-there, over and over, shift after shift, for however many decades the deposit lasts.
Which brings me to Kate Beaton.
Beaton is from Mabou, Cape Breton, which is one of those Canadian places that the twentieth century was mostly unkind to. Cape Breton had coal, and Cape Breton had steel, and Cape Breton had fishing, and Cape Breton lost all three of these industries in the space of about forty years, and what it has now is diminished. The island's culture, which is Gaelic-inflected and absurdly musical and which has produced a shocking amount of art per capita, has as one of its load-bearing assumptions the idea that you will probably have to leave to make a living, and that this leaving will be sad but necessary, and that everyone you know will do it too, and that it's been going on since the Highland Clearances, and will go on after you. This is the Cape Breton structure of feeling. It predates the oil sands by about two hundred years. The oil sands are just the current destination.
So when Beaton graduated from Mount Allison in 2005 with an arts degree and a pile of student loans, she did what her cousins and the boys from her high school had already been doing for a decade, which was get on a plane to Alberta. She went to the camps. She worked tool cribs, she worked supply offices, she worked at Syncrude's Long Lake and at Shell's Albian Sands and at a couple of the smaller operators whose names I can't remember off the top of my head, and she kept a notebook, and eventually β many years later, after she'd become internet-famous for Hark! A Vagrant, which is a different story β she turned the notebook into a graphic memoir called Ducks, published in 2022 by Drawn & Quarterly, which won pretty much every prize available to graphic novels and landed on Obama's list that year, and which is, I think, the single best book anyone has written about what the oil sands actually are, which is a very specific kind of social machine.
The book is called Ducks because in 2008, while Beaton was there, 1,600 migratory ducks landed on a Syncrude tailings pond and died in it, which became briefly a global news story and got Syncrude fined three million dollars, which is roughly the kind of money Syncrude made every forty-five minutes that year. The ducks were the visible atrocity. The book is about the invisible one.
The invisible one is that the ratio of men to women in the camps was, depending on which camp and which shift, somewhere between 30-to-1 and 50-to-1. Beaton spent two years as one of the maybe two or three women at any given installation surrounded by several hundred men who were working twelve-hour shifts, living in single-occupancy dorms a hundred meters from hers, drinking heavily when off-shift because there was nothing else to do, doing cocaine at a rate that surprised even her, isolated from their wives and girlfriends and mothers and daughters, and β this is the part the book builds very patiently and very devastatingly β slowly losing the ability to behave like the people they used to be when they were still at home. The book is not a condemnation of the men. It is explicitly not that. The book's most painful move is that it keeps humanizing them, keeps showing how they're also trapped, also miserable, also being used up by the same machine, even as they do the things they do to her. Which, without getting into the specifics β read the book β include the full range of what several hundred isolated men will do to two women when the HR function is a phone number in Calgary that nobody is going to call.
And the thing Beaton sees, the thing she sets up with complete economy and then lets the rest of the book bear out, is that the machine is designed to produce exactly this. It's not a bug. The camp structure produces isolated men away from their social networks in exchange for money. Isolated men away from their social networks, given enough money and enough boredom, will do predictable things, and those predictable things are accepted by the operators as part of the cost of doing business, the way a mine accepts that a certain number of miners will get silicosis. It's a function of the design. Nobody up the chain at Suncor or Syncrude or Shell wants the women in the camps to be harassed. It's just that preventing the harassment would require reorganizing the entire labor-rotation structure of the industry, which would raise the cost per barrel, which would make the operation uncompetitive, and so the harassment is priced in as an externality. The women are told they have a bad attitude. The men are told to knock it off. The rotation continues. The oil flows.
What makes Ducks extraordinary, and what makes it a book about the oil sands rather than a book about harassment β though it is also that β is that Beaton also sees the men. She sees the welders from Cape Breton she grew up around, except here they're trapped in a way she recognizes because she's trapped in the same way, a way her dad would recognize from his own generation going to Boston or Toronto, a way her grandfather would recognize from the mines. The Maritime out-migration has been happening long enough that it has a folk repertoire, a whole tradition of songs about leaving, and the men in the camps are inside that tradition whether they know it or not. Some of them are actively dying inside it β there's a running count in the book, not emphasized, just there in the margin, of young men who die on the highway between Fort McMurray and Edmonton, or who kill themselves in their dorms, or who disappear. The mortality of the rotation is ambient. It's baked in. Nobody makes a particular fuss because making a particular fuss isn't what anyone there has the cultural equipment to do.
And the thing I keep coming back to, reading that book, is how precisely it maps onto earlier Canadian industrial extractions. Cape Breton exported its own men to its own mines in the 1890s and they died of black lung. Newfoundland exported its men to the Banks and they died drowning. The cod collapsed in 1992 and those men went to Fort Mac. There is a temporal rhyme here that Beaton doesn't belabor but that sits underneath the whole book: this is what Canadian industrial history is, a series of extractive operations that consume the bodies and social networks of men from places the previous extractive operation already hollowed out. The oil sands are just the current iteration. When the oil sands go β and they will go, either because the world stops buying the product or because the bitumen that's economically recoverable runs out or because a carbon regime finally prices the externalities β whatever comes next will be staffed by the grandsons of the men who died at Fort McKay, who were themselves the grandsons of the men who died at Glace Bay. Same as it ever was.
The industry knows all this, by the way. None of it is secret. The oil companies have sociologists on retainer. The turnover statistics are studied. The mental health crisis in the camps is a line item, it has a budget, there are contractors whose entire business is running crisis-response services for a workforce they know is coming apart. The 2016 wildfire β which evacuated 88,000 people from Fort McMurray in the largest wildfire evacuation in Canadian history, which burned down 2,400 homes, which briefly shut down most of the industry β revealed in passing that the regional municipality's shadow population was around 40,000 people at that moment, people who lived here but didn't live here, who were uncounted in most of the news coverage because they weren't from there, they were from somewhere else, and they all went back to their somewhere elses during the evacuation and some of them simply never came back. The 2018 post-fire census found the shadow population down fifteen percent. The oil didn't care. The oil kept flowing. The rotations restarted.
And the Indigenous piece, which I've been circling without saying directly, is that all of this is happening on land that belongs, by every reasonable reading of treaty and prior occupation, to the Athabasca Chipewyan and the Mikisew Cree and the Fort McKay First Nation and the MΓ©tis communities of the region, who have been variously co-opted, partnered-with, sued-into-submission, paid-off, or simply bulldozed over, depending on the decade and the specific negotiation. Some of the bands have significant ownership stakes in the operations now, which is a development the 1970s activist version of this story did not predict. Some are still in active litigation over water quality and cancer clusters downstream on the Athabasca River. Both things are true. The oil sands produce billionaires and elders dying of bile duct cancer and they produce them in the same watershed and if you want a tidy story about which is the real one you'll have to write it yourself because the ground doesn't offer one.
Beaton's book ends, more or less, with her going home to Cape Breton, having paid off her loans. She is permanently changed. She does not know if she is changed in a way she can live with. The book came out fourteen years after she left the camps and you can feel in it the time it took her to process what she'd seen, which tracks β it takes that long, usually, to figure out what a thing was, and sometimes you never figure it out, you just get old enough to stop being wrecked by it. She is one of the very few people who went through those camps and came out with the specific combination of linguistic ability and patience and moral seriousness to write about them. The others β the welders and the mechanics and the engineers and the heavy-equipment operators β mostly did not. They went home. They drank. They worked the next rotation. They raised kids who, statistically, also went to Alberta, because the Maritime economy did not improve. The book is as much about them as it is about her, and the fact that their version of the book doesn't exist, and won't, is part of what the book is finally about.
There is a thing you learn if you read enough industrial history, which is that the machine doesn't need you to understand it in order to keep running. Understanding the oil sands does not stop them. Beaton writing Ducks did not stop them. The 1,600 ducks in the tailings pond did not stop them. The 88,000-person wildfire evacuation did not stop them. The carbon math does not stop them. The Chipewyan cancer clusters have not stopped them. The only thing that will eventually stop them is the price, and the price is set in a market that does not weight any of the inputs I have just listed, and so the bitumen will keep coming out of the ground until it doesn't, and the men will keep flying in, and the women who work among them will keep being what they have to be to survive the rotation, and somewhere a Cape Breton teenager is right now considering her options and thinking about student loans.
Same as it ever was.
CAW CAW CAW
CAW CAW CAW
(X)
I wish this feeling upon everyone who wants to wear a dress, its really the best
this makes me so happy as a fat hairy guy who likes skirts and dresses i never get to see guys like me in dresses itβs always skinny twinks this makes me so happy π₯Ίπ₯Ί
this fetish stuff is getting out of hand what the fuck is word play

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one of my most asexual fantasies is i want to dress myself up really nice and my pet really slutty then meet up with another domme and her sub then have a nice tea party together while we look on and remark upon our subs desperately fucking each other as though they were a particularly skilled musician I had hired to provide entertainment while we ate and drank. never directing anything at them in particular, just making little offhanded comments to each other in the middle of our unrelated conversation when they did something especially delightful
You want to [Smooch] the [Dork]