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He struck... those rocks with his bare hands... And when he raised his aura like that, she could feel it. Should she be surprised that there was someone with some kind of powers? For her he looked like some normal human, but Lilli too knew that appearances can be deceptive. Besides, doesn't she also blends in perfectly? And she smiles when she hears Rex voice over the intercom.
" Oh, no no. It hasn't been damanged, don't vorry. I vas simply curious vho or vhat vould have been able to punch meteroids like zhey are simple rocks~ "
Earth. He is from the earth? Is that perhaps why he looked so... so human?
" And of course I've seen zhose kind of lifeforms before. Zhey're just not a everyday sight! "
Well, perhaps they are an everyday sight when she looks into the mirror. Not that she is going to tell him that. Makes her now wonder though what else the guy could do.
" Anyway, zhanks for zhe protection from all zhose eeeeevil meteroids! Do you like... need a ride? Or does mister 'superpowered-lifeform' rather travel alone, hm~? "
"Not evil... just nature. Nature's beautiful and scary."
Rex waited for Lilli to allow him aboard her starship. Despite all he could do, he still enjoyed the same creature comforts as any other sentient being. Food, rest, comfort and good company. Getting closer to Lilli gave the cosmic contender an odd feeling. But he was not aware yet to any abilities she possessed.
"-- Thanks. I've been out there on my own for longer than I'd have liked. Stopped for food and drink, bathroom breaks, but not so much to relax. I'll get off at the next spaceport and pay ya back somehow."
Maybe telling her a story, or about himself could help. Or putting his abilities to use on some kind of labor. He waited to see if Lilli would ask for anything.
The sharkmer abruptly let go of Rex when he... was suddenly starting to fly over the water. Mostly out of surprise but also because she didn't wanted to get pulled out of the water as well. And then all she could do was only stare as he spoke. Humans... aren't suppose to do that, right? She is pretty sure they would need wings, like birds, to be able to fly in the air.
" Huh? Me? I am Lilli... And I am a shark! I don't know what an Atlantis is though... "
A place as far as she got from what he said. She never heard of that before though. Perhaps some place other mers lived? Her kind didn't neither swim nor live with each other. Lilli also titled her head at the word 'space'. She does know the word, but is not sure she knows what he means. Planet was unfamilar with her though.
" Space...? Who are you anyway? And how can you fly like a bird? Humans can't fly like that! "
"Huh. Okay... uh. My name is Rex. When it gets dark, and you see those little shining jewels in the sky? Those are stars: huge and scorching, they're just very far away in an expanse called space, where there's no water or air. If the land, sea, and sky here make up a planet called Earth, then I can trace my heritage to a different land/sea/sky called Nypardia, deep into space. That's what makes me an alien."
He pointed up to the sky for emphasis.
"My people are not far off from baseline humans. But some of us figured out how to harness special powers. We become like the stars: floating freely, burning brightly. Enriched with energy."
Rex hoped his explanation helped convey a general idea of who and what he was. An outsider of sorts.
"But you. You said you're a shark... what are your people like?"
He hadn't expected Rex to stop and listen, however begrudgingly. As much as he knew Rex, the man before him felt like a stranger - not because the cosmic contender had changed, but because Tetra had.
Mayor Lopes tilts his head back slightly, masking his confusion with another display of arrogance.
"More wolves." A simple statement of his angle. "No one has anything to fear when the thing that protects their peace is more dangerous than anything else. No one dares touch my city because they respect it."
The riot cops from before, the occasional patrol - all wolves. All turned by the mayor to build his own willing, loyal army to keep the sheep in their pens. So he could feel secure. It was a kinder way than his mother had run her own pack, but still one ruled with fear and consequences.
And yet.. seeing Rex again was bringing back all sorts of feelings he wasn't ready to confront. Memories of who he had been. Of Tetra. His expression softens for just a moment.
"... I'm sorry I killed him. Tetra, that is. But I'm not sorry that it's worked."
It wasn't just those two from earlier-- the ranks of Mayor Lopes's law enforcement heavies were padded out largely with other werewolves? Rex had no doubt they were formidable, but something about this seemed wrong to the way were-type beastfolk were meant to live. On top of how the rest of Type City's inhabitants were now under the heel of that carefully tailored army.
"That's how you kept out any opposition-- whether rival elite or grassroots efforts. You made an order all your own."
And it had succeeded. In replacing one regime with another.
"Costumed adventurers should be an exception, not the rule. People have to steer their own way to the future-- this won't allow for that! I don't want to fight you. But this is no way to live, either!"
They could look all they damn well wanted. If they found them, Emily wasn't going to stop even if Rex told her to. He sure as Hell wouldn't be the one dying today. However, she doesn't go on rambling about all her upset and anger. Instead, she's quick to kneel down by him, checking where she can start grabbing to pick him up into her. All that rage and volcanic violence is forcibly, achingly shoved aside to make room for all the consideration Rex needed right now. She doesn't want him dying, either - let alone here... He doesn't deserve that.
Emily's not even going to pretend she knows or understands all the cosmic oddness going on with his eyes and wounds. All she does is what she knows to first; He's carefully cradled in her arms, knelt down so her thighs can work as a cushion for now. At the very least she considered herself leagues more comfortable than brick and mortar. There's an uncertainty to her eyes that she tries to hide. It only ends up mixed in with all the rest of her worry and fear and the bloodlust she hasn't quite gotten rid of yet.
❝ Wha'd'you need? ❞ She says it more like a demand and she doesn't care if he can tell it's because she's desperate. ❝ I can warm up my palms, try to cauterize somethin'... - Got first aid at home... ❞ Home being an uncomfortable amount of miles away, though. Emily hates how she can't keep calm. A different sort of pacing tiger. ❝ You're not dyin'. - Not lettin' it happen. ❞
Anything but being alone. Although the iridescent plasma jettisoned out, it would eventually give way. The fragmentation process would slow and he could begin to heal. Including his wrist: his hand was technically separated from it, the stump showing bone, and his signature cosmic energy nestled within his musculature. If he'd fought again before he'd recovered enough he'd be shredded down to quarks. Reduced to stardust subatomica. A consciousness waning as his driving-force energy was redirected in service to celestial mechanisms that made the universe's various functions run.
Only a gentler end could perhaps allow him to retain something of himself into the final dimension.
"Just talk to me. Tell me anything you want. Please..."
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I'm sure there are already a few tutorials like this one out there, but hey, what can one more hurt?
What's this do?: Krita has features you can use so you can make quick edits to your icons all at once, and save them all out individually with the press of a button. It's a great time-saver, and gives you a lot of flexibility in your edits!
What you'll need:
Krita, a free and open-source painting / image editing program!
Icons!
Part 1: How to export your icons all at once.
( warning: long and image-heavy! Written with beginners in mind. )
Once you open Krita, you'll want to go to Window > Workspace > Animation on the uppermost bar to change the layout for what we'll need, here.
We're going to be using Krita's animation features to make iconing / icon-editing a little easier.
( as an extra note, hitting '1' on your keyboard will set Krita's zoom to the image's actual size, while '2' will have it fill the available space. Helpful for seeing how your icons will appear on the dash. )
Okay, let's get started! Make a new image ( File > New or press Ctrl + N ), set it to whatever dimensions you want ( I default to 100x100px ). Make a new layer ( Click the plus icon in the layers tab, or press ins ), and then put that layer in a group ( Right-click the layer and click group > quick group, or press Ctrl+G while its selected. )
With that grouped layer selected, Grab your icons, and click & drag them into Krita, onto the canvas ( the big empty grey space in the center ). When Krita prompts you, select 'insert many layers.' This will load in each image as its own layer. If you don't have the grouped layer selected, you'll have to select them all and put them back in the group. ( No big deal, just shift + click the first and last layers, and drag them where you need them. )
You can now delete your initial paint layer in the group, if you want. Otherwise it will make an 'empty' icon when we export.
Select that group, then go to Layer > Convert > Convert Group to Animated Layer on the top bar.
( This is only accessible through the top bar, not the menu that appears when you right-click on a group. I don't know why. )
Congrats! Now all your icons are frames in an animation. Each cell on the timeline is a single icon. If you have a scroll wheel, you can scroll to quickly look through them all.
If you can't see all of your icons on the timeline, click the three bars here and set 'clip end' to whatever number of icons you have ( or a little more, for extra wiggle room. )
Find the last filled cell, right-click it and select 'set end time.'
When you're ready, hit File > Render animation.
You'll want to make sure you set it to export as an image sequence, and select where you want your icons to go on your computer. Give them a naming scheme.
Make sure you save before you export your icons, as I've had Krita crash while exporting a large number of icons all at once.
( If it does this to you, just try again. Worst comes to worst, you can export by setting the first frames and last frames to smaller chunks instead of all at once. )
Hit OK and voila! No more saving icons out one-by-one!
Of course, we haven't done any editing yet, so this is all redundant unless you're saving out your own freshly-cropped icons. Let's move onto the fun part:
Part 2: Editing
Right-click your new group layer and hit add > filter mask. Choose any you want- for demonstration purposes, I'll be using my favorite: gradient map.
This will put that filter over all frames in that animation layer, meaning you won't have to repeat your edits per icon.
If you want to edit your filter mask after you click off, just right-click it in the layer tab and select 'properties.' It will bring the initial prompt up again for you to adjust.
You can add as many filter masks as you want! The order the layers are in does matter, though, so keep that in mind.
If you want to add frames, banners, name tags, symbols etc, you can do that on layers over or under that animation layer! They'll stay consistent across the 'animation' unless you add new frames to them on the timeline.
If you want to edit your icons again, just do so, and re-export! If the naming scheme and numbers are the same, Krita will automatically overwrite the old files. But watch out; if you're trying to save new icons, make sure you start numbering at a higher number than your last icon, or change the base name.
There’s that instant as he got so close to her where he accidentally got a faceful of her hair. Time mellowed into an infinite blur. She stared at him for a moment, her eyes almost glowing from within.
“O-Oh!… thanks!” Quickly holstering her laser pistol, she accepts the cap from his hands.
She stared down holding her cap for a moment, her hair still undulating in the breeze. Those gauntlets of hers gripped the cap tightly, her face felt warm.
“Ohhhh, I hope you’re right!” she cringed.
She doesn't hesitate taking his hand and went out into the dark by his side. She didn’t don her cap, not yet. She's once again taken pause with her eyes sloped looking at her cap and what putting it back on would mean: a return to battle, it would seem. Being pulled away from that small, but eternal moment before seemed like pain before a laughing cosmic comedy. Her eyes drifted to her hand, hidden under her gauntlet. Wouldn't it be nice? To at least feel the air? But they had a job to do.
Twisting her hair up, she hastily put her cap on, like a swimmer before a heat in a swim meet. A single twinkle of something metallic on the back of her head was quickly hidden in that one motion. If only she was more brave… The small strand of hair spilled out of her cap made whatever hair framing her face asymmetrical. It always happened, a hair out of place. Always.
Hoping for the people to see the “humanity” in them felt like a tall order, it's a lot to bet on, and a wager this great made Pokie scrunch her nose, especially after what happened earlier. But it was something that both of them wanted to strive for. The glimmer of light in her eyes was illuminated by the previous room. Eyeshine: unnatural in humans, her pupils oozed some glowing electric lime hue, stanching any doubts of her origin from beyond this world. With a voice no louder than a whisper, spurred by one part determination and one part trepidation, she announced their existence with a tender, “...Hello?”
The others ahead simply waited and watched for a while before stepping forward. There were metaforms-- some empowered humans, others near or far from human species. Few were costumed adventurers, mostly amateurs and nothing greater than intermediates in the practice. Some of them had eyeshines and other effects, dimmed. Long ears or antennae drooped.
These were folk of many stripes. All of whom, were peoples defeated.
Rex gestured that it was alright. Someone snapped at him with a jolt of electricity that earned a yelp. But the cosmic contender did not hold it against them, even with a singe-mark on the back of his hand that was still smoking a little.
"This area. You've all been hiding here?"
Someone nodded. "It's the only part of the maze we haven't run into death traps. They drop food and toiletries in for us. But they won't let us out. We get extra if we test their new additions, but..."
"--These two will take all we have! They'll realize they can't get out either and try to speed up our deaths, so they can be the new top lab rats--"
"We won't! C'mon, Pokie. Let's keep going."
"There's no way out. We've all tried!"
Rex felt sympathy because this place and its owners built it to sap the will of any who were caught here. But he grit his teeth and cast a glare. He still had it in himself to try to smash through these oppressive walls and death traps first.
"Anybody who wants to give it another go, come with us. Maybe we can pull it off, this time. My friend has a giant robot here somewhere, then we could all work together and take the fight back to those military goons!"
The other 'inmates' murmured weakly. They could only share some of their rations. Too indecisive, too scared to continue. Someone saw the stain of the gummy creature on Rex's shoe and looked crestfallen, while the Earthborn Alien tried to use his aura to clean it away.
"... Wait. I think I've seen the giant robot's hand in one chamber." someone exclaimed, remembering some recent update. "The army engineering corps, they were saying they wanted to use it to bolster the maze. Power the machinery. But they can't take it apart, so they just try to keep it locked down by building walls around each part! I'll take you there. But there's still traps that way. And they're bound to send a platoon or something to stop you!"
Rex nodded along. Black Light spoke with wisdom, and held it in mind closely. Even if he did not know the particulars of her life or thoughts up to this point, the way she regarded things spoke to experience. And there is relief to meet a stranger inclined to benevolence.
"Then we're allied, on that front." said Rex with a nod. "I've been trying to think of what could be done. I do try to observe, look for what could be done and try to effect a solution-- sooner rather than later."
Further ahead, the city had taller buildings with colorful lights, one more jewel of the eastern coast. And in another direction, inland, towards the green countryside. This area was residential: colorful and lively in its own right, but worn and getting by.
"How about a stroll? Between the two of us, we're bound to sniff something out. Maybe there's willing recruits, too."
@stgzr hey corbeau, why are you heckling a stranger !!!
【🐦⬛ . 】 Corbeau can’t help but bark out a laugh—whether it was for show or not, now that’s hard to tell (but there’s a crinkle of an eye crease alongside an all too wicked grin).
“Why, you offerin’ to be my test dummy? Sure. I’d pay for that. More than whatever that research institute pays you, I bet.”
Hey, how’d he know about that—?
“Bein’ pals is hunky-dory. But what about business partners? Seriously. Name your price.”
Rex raised a brow. Admitting to surveillance was not ingratiating. And the offer of superior pay didn't make the unnamed work seem enticing.
"Not offering. Not when I don't know a thing about the work. Or why you've been shadowing me enough to know where I work."
The cosmic contender wondered if Corbeau was here alone. At the very least he had to have had people around town he could summon.
"There's bound to be somebody else out there ready to take your coin-- and they do whatever it is you think I'm good at. Maybe not all at once, but you could put a crew together. Why go to the trouble of trying to rein me in?"
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Rex was trying to turn away from him again. Finally, the anger present in his ears reaches his eyes. With a snap of his fingers weaves a barrier of stolen matter into a row of harsh , obsidian-like spikes jutting from the ground up to eye level. A quick blockade to force Rex to think twice.
"Last I checked I still had a pulse." He doesn't get closer. He wants to. He wants to grab Rex and force him to stay. To force him to listen! But.. He knew, deep down, he couldn't. To do so would breed more resentment where he was so desperately seeking approval.
"It turns out a city run by the 'big bad wolf' is much more efficient as safer than one that fosters an ecosystem of heroes, vigilantes and rebels! So why won't you at least let me explain!?"
"That's not what I mean! Not about us being together, and not the way society ru-- !!!"
Rex halted momentarily when Mayor Lopes set that blockade of spikes. He barely came to a halt, shaken up by contact with it before turning to listen. In those past days Rex had also hoped to move away from the emphasis on 'cops & robbers' that costumed adventuring had become concentrated upon more than ever. But he wasn't sure how The Mayor's methods had actually achieved such a goal.
"... Yeah, alright. My back's against the wall here. Go on, tell me how you've changed things."
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Mayor Lopes' ears pin back in a display of emotion he (mostly) keeps from creeping onto his face. It's all he can do as his hands clench inside his pockets. He will not let it get to him.
"...I thought we had more between us. And yet you're standing here, calling me names like some teenaged rebel raised on comic books." His gaze briefly darts to the various exits Rex could take. He could block them off with ice if necessary — he would stop him from running away again so soon.
"I grew up. They chose to keep living in the delusion that we were changing anything for the better." The fights... The way his young apprentice had given him the same disgusted look Rex was giving him now...
"You have no right to judge me, Rex. Not when it works while you've done nothing except run away from your problems."
"Th-That's it-- play it like you matured and the rest of us didn't. We're all just a big embarrassment to your ~good name~ now! Judgement cuts both ways, Mr. Mayor."
Rex was angling to make a hard right. Emphasis on 'hard' with how hot emotions were running. It was in a state like this that Mayor Lopes could catch him off-guard.
"The guy I loved turned the remains of a shopping mall into a palace. He shared it, too. And he found his own meaning in being a werewolf! The warmth of his coat on me when I laid in bed like a sad sack reminded me we... we were alive...!"