[Image ID: There are two images in the post stacked one on top of the other. The first image is a gouache painting showing Toph Beifong, her mother and father, as well as three guests sitting around a large formal dining table. The table is surrounded by three chairs on each longer side, and a single chair at the shorter side. Her father sits at the head of the table. She is dressed in green formal robes, and stares blankly ahead, not appearing to be involved in the conversation. Sunlight streams through a window and onto the dining table, illuminating Toph and her place setting. The lanterns behind the dining table are not lit. The plants at the opposite end of the table as Toph’s father are green and not in a flowering state. There are small plates and bowls around the table, but the table surface appears mostly empty. The dominant colors in the image are pale yellow, light green, and green-grey.
The second image is also a gouache painting in the same style. It is also shown from the same angle and vantage point. The same large formal dining table from the first image is shown. Sokka sits at the head of the table, and is accepting a dish handed to him by Toph, who is at the same place setting as in the first image. Also pictured at the table, seated, are Katara, Aang, Iroh, and Zuko. Suki is standing behind Sokka’s chair. In this image Toph appears engaged, as her mouth is shown open, as if she is speaking. The lanterns are lit, and the image is shown to be taking place in the evening. The plants at the opposite end of the table as Sokka are in a flowering state. There are many plates and bowls around the table, and they are overflowing with food. Making the table surface appear cluttered. The dominant colors in the image are deep yellow, dark green, and orange-red. End ID].
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