Spumonii Draws!

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Here are some painting tips, as promised. I hope they will help beginner artists!

Composition

Position of characters on the sheet

Choose the location of your character to be beneficial to the appearance of the art in general, you can accentuate the important places where the viewer should look first by using perspective and composition.

Tone sketch

Set the lights based on references, but adjust to your own, favourable lighting.

Contrasts come in many forms. Contrast in color (warm and cold), values (dark and light), shapes soft and hard, straight and curve, etc.

Less is better. Work on the details of the most important part of your work while cutting down everything else. If you do strong detail in one place, don't forget to add looser detail in another so the viewer's eye can rest. For example: If you are detailing a portrait, don't detail the background as much. Next to a place of high detail, there should be a place of low detail so that the picture does not look overloaded.

All in all, you can twist and break perspective, anatomy and shapes to convey your idea better. No rules are made of steel, they should support your imagination, not restrict it

Anatomy

Break down objects into simple shapes to arrange them in space.

Check references! plasticity comes first, then structure (muscles are important, but proportions and line of movement come first).

Take a photo of yourself, you will be able to understand how to perform your pose naturally. Color/light.

Light is part of the composition, put it in a way that highlights the important things. Air perspective

General rules of composition. From the general to the particular, first prepare the general scene, correctly place contrasts and accents, make everything important in contrast, and take the unimportant into an aerial perspective. (aerial perspective, or atmospheric perspective, refers to the technique of creating an illusion of depth by depicting distant objects as paler, less detailed, and usually bluer than near objects.)

When all the points are ready we can start working out the details.

When all the details are finished again it's back to the overall picture, looking at it from a distance. Check if the accents you wanted to draw attention to are working. They should have the highest contrast. Check if the contrast is not created by objects on the edges, where you don't want the viewer to pay attention. For example, if you are painting a portrait then the focus should be on the face and not on the details of the clothes or details in the background. (You can always convert the image to black and white and check the contrast)

you keep secrets. shameful, terrible secrets. youre dying. every step is just a little bit harder than the last. youre a disgrace. if people didnt look at you with disdain, they were looking at you with pity. and youve got nobody to blame but yourself.

every moment, youre expecting the other shoe to drop, for tav to finally say enough -- you wouldn't hold it against them, youre more trouble than youre worth -- but then...?

it doesnt matter what it is. magical item consumption with no reason given. an awkward exit from an imagined kiss shared in the cradle of your ex's palm. revealing you could kill yourself, them, and everybody in a city-wide radius. defending you against one of your most powerful colleagues because he came baring mystra's will. dissauding you at every turn, to stay alive, to ignore a goddess's orders, because they think youre worth the space you take up. loving you ardently, hastily, easily, as though you have anything to offer them back. staying with you as you oscillate between self-destruction and ascension. never once stepping away from your side, even as the stabilised orb burns in your chest, begging to be used, and the crown, almost within reach, taunts you with your wildest dreams.

and that's just it, isnt it? you have the chance to give tav everything they could ever want at last, after so long of being a burden, and they tell you no. they tell you no. i want you.

you, the burden? you, the disgrace?

yes, you.

gale falling in love with tav wasn't like how the great novels describe. there wasnt any one moment that led to a grand realisation. there were no great leaps of faith toward each other.

falling in love with tav was like a warm candlelight and an even warmer hand in an endless void of black.

falling in love with tav was a gentle tug, a smile, and a 'this way.'

Baldurs Gate 3 Character Tropes: Gale Dekarios