The hands of Daphne transforming into branches in “Apollo and Daphne” - Gian Lorenzo Bernini (1625)
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON

Love Begins
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sheepfilms
Sade Olutola
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The Bowery Presents

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
Cosimo Galluzzi


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Claire Keane
2025 on Tumblr: Trends That Defined the Year

Origami Around
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@spotsoml
The hands of Daphne transforming into branches in “Apollo and Daphne” - Gian Lorenzo Bernini (1625)

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Trans-Europ-Express (1966) dir. Alain Robbe-Grillet
“Mi spogliavo e mi sentivo leggera. Avrei continuato a spogliarmi, se fosse stato possibile. Mi sarei sfilata la pelle come un cappotto e l’avrei appesa a una stampella. A scuola c’insegnano che abbiamo quattrocento muscoli: me li sarei tolti uno per uno come fazzoletti sporchi dentro alle tasche. E le ossa? Solo nel piede ce ne stanno cinquantadue. E io le avrei messe in un secchio al lato del letto. Anche le vene le avrei tirate via, raggomitolate e messe in un cassetto. E poi la stanchezza che mi pesava come un maglione, e tutti i pensieri che c’avevo addosso.”
— Lotta di classe, Ascanio Celestini (via erone-lavita-lestranezze)

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Virginia Woolf, from her novel titled "The Waves," originally published in 1931
— Robert Bly, In the Month of May (via letsbelonelytogetherr)
Poche cose mi fanno godere come gli uomini sofferenti a terra durante l’encierro. Meritate questo e molto peggio
Il sole no

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Lake Mungo (Joel Anderson, 2008)
Ciò che agli altri non direi, che per altri non farei, che non darei. Tutto questo è per te
Otto Schoff - Siesta (1920s)
Edvard Munch, Consolation, 1894

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Ogni maledetta notte
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