I'm Nick.

Feline motherhood. April’s kittens. 1940. Clare Turlay Newberry, illus. 

I love both

source

Acrylics and gilding on paper, 41.5 x 29.5 cm

SAINT MAUD (2019) DIR. ROSE GLASS

Then I came back to Christine. She was waiting for me..."Erik here rose solemnly. Then he continued, but, as he spoke, he was overcome by all his former emotion and began to tremble like a leaf: "Yes, she was waiting for me... waiting for me erect and alive, a real, living bride... as she hoped to be saved..."

“horror movies of the 1980s exist at the glorious watershed when special visual effects finally catch up with the gory imaginings of horror fans and movie makers. technical advances in special effects (animatronics, liquid and foam latex) meant the human frame could be distorted to grotesque new dimensions on screen. 1980s horror movies delivered the full colour close-up, look-no-strings-attached, special effect in a way that previous practitioners of the art could only dream about. everything lurking in the shadows in older horror movies was now dragged into the garish light of day. the monsters were finally out of the closet.”

Near Dark dir. Kathryn Bigelow | 1987

Take responsibility

and just bc its a huge reason I'm still this in love with this movie; y'all fuckin rock. This fandom is so fun and full of the sweetest most understanding freaks. Keep being awesome; you make me want to be awesome!

- stuck in a loop

𝔣𝔢𝔢𝔩 𝔱𝔥𝔢 𝔟𝔯𝔢𝔞𝔱𝔥 𝔬𝔣 𝔞 𝔤𝔥𝔬𝔰𝔱

MFA Boston

“Choice colored slides with motion.” Dancing skeleton. Photographic illustrations for projection. 1897. Lantern slide catalogue. 

Internet Archive

Alchemical Laboratory.