In love on South Congress - Austin, TX - April 2011

Sonia Boyce, Big Women’s Talk, 1984

lovers iii by taylor simmons, 2021, acrylic & oil on canvas, 34 × 27 centimeters

sevah

Boucle d'oreilles portée par une femme Tamang, dans les montagnes du Nord de Gorkha, massif du Ganesh Himal, 1990

big sp7nder by danté & leather park

8) Menina em Verde, 2003

by Krzysztof Kupren

Phillip Light

Late Spring, Mary Oliver

Anawana Haloba’s artistic practice is based on permanent research into contemporary history, culture and ideologies. Her sound, video and installation performances often arise out of poetic texts that she has previously written. They set out to confront the viewer with subjects such as human trafficking, self-identity, or repressive systems in the neo-colonial structures that still govern most contemporary societies. In this way, Anawana Haloba plays on the positive connotation of the word “foreigner” in Swahili, where it implies, not an uncultured new arrival but a traveller – someone who has learned much, and has much to give.

Peng Wei

Last light, Mary Mattingly

Ellen Gallagher

~ Hayao Miyazaki