
shark vs the universe
Misplaced Lens Cap
cherry valley forever
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
tumblr dot com
trying on a metaphor

Origami Around
Monterey Bay Aquarium


Kiana Khansmith

if i look back, i am lost
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

#extradirty
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
almost home
seen from United States
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@soft-luck

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In November 2021, it was announced that Spotify co-founder and CEO Daniel Ek’s investment company Prima Materia had invested €100 million ($114 million USD) in Helsing, an artificial intelligence company based out of Europe that assists in military technological ventures. Helsing’s AI technology is reported to assist with battlefield operations, helping to identify and assess multiple collected forms of data via sensors in order to assemble a picturesque viewpoint which military agents could then use at their discretion.
🌶️✨ Doechii en el Camp Flog Gnaw 2024

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was watching old winning sets from the dmc scratch championships & fuck this dude deserved to win for this shit alone
Experimental music notations

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Godspeed You! Black Emperor Riot Fest Chicago 2023 9/16/2023
"Transphobes eat shit and die alone"
No one's gonna click the Spotify link you idiot download the mp3 and upload it you MORON
What an amazing sound - Women from the Rugova region in Kosovo are singing to the rhythms of tepsia (copper pan for preparing traditional food). This disappearing minimalistic style was a popular form of singing among communities throughout the Dinara mountain range. Filmed by Japanese ethnographers from the National Museum of Ethnology in Osaka.

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Forget about Habibi Funk (white guy owned reissue music label who have been buying up and repackaging retro MENA music for public consumption) and support Sudan Tape Archive instead
Also check out Majazz, a similar Palestinian-run project 🥰
Majazz Project مشروع مجاز
Thank you for the recommendation ❤️
Did you know which pro-Palestine song that Habibi Funk removed from their release?
The song غيفارا غزة (Ghifara Ghazza) from Ferkat al-Ard's album Oghneya (one of their most famous reissues afaik). It's listed in the Discogs page for the original album:
https://www.discogs.com/master/889285-فرقة-الأرض-Ferkat-Al-Ard-أغنية
The actual song seems to have been removed from Youtube but here's a Reddit post that links to the deleted Youtube video:
https://www.reddit.com/r/Socialistmusic/comments/udcbur/ghfyara_ghaza_غيفارا_غزة_by_ferkat_al_ard_فرقة/?rdt=56774
Reddit - Dive into anything
Explore songs, recommendations, and other album details for أغنية by فرقة الأرض = Ferkat Al Ard. Compare different versions and buy them all
adding Retro Cassetta (he’s moroccan) to the lineup!
Play retro cassetta on SoundCloud and discover followers on SoundCloud | Stream tracks, albums, playlists on desktop and mobile.
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I wonder how many people realize that we wouldn't have most of the genres of electronic music we have today without black people, and what it says about that when you consider how much various electronic musical disciplines are more often associated with white people.
If it weren't for funk, jazz, soul, disco, dub, dancehall, and more, we wouldn't have house, techno, drum and bass, UK garage, even most forms of industrial dance music.
If you've ever enjoyed a song by Machine Girl you are morally obligated to listen to the entirety of Maggot Brain by Funkadelic
op you're right but also
I've been getting a lot of responses like this and at this point I find it kind of annoying and borderline infantalizing? Like yes, black music was stolen and commodified countless times over and is the bedrock of almost all modern genres of music. I'm a black musician. I'm intimately aware of this.
The reason I focused on electronic music specifically is because no one ever talks about it. The theft of rock n' roll is softened by celebrated legends such as Jimi Hendrix and Slash and Little Richard, and the visibility of the story in general. Hip-hop's story of capitalist exploitation of poor black men and enforcement of toxic standards of masculinity and white appropriation is softened by hip-hop made by black people being a culturally dominating force for the last 30+ years, and a concentrated effort by black artists to use the genre to platform black artists and issues first. Ska getting gentrified into ska punk is softened by ska punk sucking ass in comparison. Electronic music does not get the same redemption story.
Quick, without using Google, can you name a black electronic music artist? Do you know who Juan Atkins is? Phuture? Mr Fingers? When you think of acid, do you think of black people in the clubs of Chicago or white english people at raves in London? When you think of jungle, do you think about the African and Carribean diaspora in the United Kingdom drawing on dub and dancehall tradition to make some of the most futuristic sounding music in history, or do you think of white people recycling the same beats over and over again set to PS1-style cover art?
House music, the closest living relative to disco, which was a black genre of music MURDERED by reactionary white rock music fans, is more associated with two fucking white dudes from France than ANY black person in the minds of most people.
Do you know the name of the man who played the Amen break?
I'm not mad at you in particular, I'm just frustrated. The totality of black suffering can be overwhelming, yes, but it shouldn't sweep over the specifics when black people want to focus on them. Let me be pissed off about Daft Punk making more money than Frankie Knuckles ever did, please.
Actually y'know what? I'm using this opportunity to plug my shit. Listen to this song, I'm still really proud of it.