You shine even without the moonlight

If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself

[image transcript: Nolan's Odyssey lacks many of the elements that make the poem great. It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior's glorious return and the lives of his family, adversaries, comrades, friends and neighbours. It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters have convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible. /End image transcript]

*deep breath* If the antifascist (esp. American-centered) art you make or consume refuses to acknowledge the truth that framing this time period as the "sudden rise of fascism" along with its supposed volatility (i.e. "it can't last; that's not how its built") is just a comforting construct to keep white Americans from reckoning with their literal centuries of active and passive participation in this country's fascist, genocidal violence against Indigenous and Black people, your art isn't just wrong...it's worthless. How can you imagine dismantling unjust systems without seeing the blood on your own hands? How do you comprehend the size of the fight for mutual liberation without seeing that the scale of the threat is exponentially larger than your personal experience of the danger of state violence; or is your envisioned win condition only as shallow as the return to your previous sense of safety?

Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.