Today's Document
trying on a metaphor

titsay
d e v o n

Love Begins
taylor price
RMH

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Keni

⣠Chile in a Photography âŁ
Claire Keane

blake kathryn

izzy's playlists!
Cosmic Funnies
EXPECTATIONS
"I'm Dorothy Gale from Kansas"

tannertan36

Origami Around

Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
seen from United States
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seen from India
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@skoonie

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âObligatory Christmas Celestia artâ
Really cute stuff, Alum!
By Sadyna // On Tumblr
Twitter thread by Gail Simone, [HERE]
Okay, for various deliberate reasons, I have not read nearly as many comics in 2017 as I normally do. And this week, I started reading a ton of comics. And I have stuff to say.
Now, if you are an aspiring comics creator, I hope you will listen. Ignore this advice if you like, but at least consider it first.
First, for the love of god, remember that the reader does not know what is inside your head. That is your only job, to convey your message.
Pro or newbie, shame on you if you donât name your characters on panel if we are supposed to recognise them later.
Over and over, I am reading comics where (t)he main character is not named or even introduced. The story just starts and we are meant to guess.
This is just aggressively bad storytelling, unless there is some specific reason. If you are writing the Man With No Name, fine. But thatâs mostly not the case.
Second, learn what an establishing shot is, and what it accomplishes. Over and over, I was not told where the characters are.
An establishing shot establishes not just location, but tone. One lonesome farm in the snowy emptiness can convey pages of dialogue and exposition. Better, too.
Third, when did we forget that itâs important to know what a character wants? I donât need a characterâs D&D stats, I need to know what they NEED. What drives them.
Over and over, I am seeing stories where a threat arises, attacks the hero, the hero fights back, bang, continued next issue.
If I read your story and donât know what the characterâs motive is, thatâs on the writer.
Additionally, learn what a reveal is. In almost any story worth a damn, someoneâs keeping a secret, regardless of genre. Secrets are storytelling nitro.
Finally, I am still reading comics where the characters all have similar speech pattern, a sort of affected one-liner-spouting verbal malaise.
Itâs bad enough if TWO characters are indistinguishable in their speech, itâs bad. If all of them are, start over, you have hit a tree in the road.
Thatâs it, just some things to consider. A lot of potentially very interesting comics out there are missing a little lesson in the basics.
Just think it over, I guarantee you you will be happier with the result.
(thread is about comics, but the points apply to all forms of writing)

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Why Guzma isnât in Team Rainbow Rocket, probably
BONUS:
Connie would totally re-read and cherish all her faves when sheâs older
dont forget
#Someone add a picture of woy #With the Voltron robot  Â
Once again, Tumblr has failed to include any Nick shows. Allow me to fix thatâŚ
#WHAT ABOUT THE PHINEAS AND FERB CARAMELDANSEN
#and dont forget the new svtfoe ep w a sailor moon ripoff
Robomechabotatron is my spirit animal Bless this post
You forgot the most important one!
#someone add OK KO please
How could you guys forget
Sheâs gettin good!

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ăđă
OH MY GOD!!!! THIS IS THE BEST THING EVER!!!
dAAAWWWW<3!!!!!
@unclekoopus Christmas At The Brief Family Home~
2017
Portrait of the artist ⼠Photoshop, After Effects
The facial expressions =D
cronch
Korrasami is canon. You can celebrate it, embrace it, accept it, get over it, or whatever you feel the need to do, but there is no denying it. That is the official story. We received some wonderful press in the wake of the series finale at the end of last week, and just about every piece I read got it right: Korra and Asami fell in love. Were they friends? Yes, and they still are, but they also grew to have romantic feelings for each other. Was Korrasami âendgame,â meaning, did we plan it from the start of the series? No, but nothing other than Korraâs spiritual arc was. Asami was a duplicitous spy when Mike and I first conceived her character. Then we liked her too much so we reworked the story to keep her in the dark regarding her fatherâs villainous activities. Varrick and Zhu Li werenât originally planned to end up as a couple either, but thatâs where we took the story/where the story took us. Thatâs how writing works the vast majority of the time. You give these characters life and then they tell you what they want to do. I have bragging rights as the first Korrasami shipper (I win!). As we wrote Book 1, before the audience had ever laid eyes on Korra and Asami, it was an idea I would kick around the writersâ room. At first we didnât give it much weight, not because we think same-sex relationships are a joke, but because we never assumed it was something we would ever get away with depicting on an animated show for a kids network in this day and age, or at least in 2010. Makorra was only âendgameâ as far as the end of Book 1. Once we got into Book 2 we knew we were going to have them break up, and we never planned on getting them back together. Sorry, friends. I like Mako too, and I am sure he will be just fine in the romance department. He grew up and learned about himself through his relationships with Asami and Korra, and heâs a better person for it, and heâll be a better partner for whomever he ends up with. Once Mako and Korra were through, we focused on developing Korra and Asamiâs relationship. Originally, it was primarily intended to be a strong friendship. Frankly, we wanted to set most of the romance business aside for the last two seasons. Personally, at that point I didnât want Korra to have to end up with someone at the end of series. We obviously did it in Avatar, but even that felt a bit forced to me. Iâm usually rolling my eyes when that happens in virtually every action film, âHere we go againâŚâ It was probably around that time that I came across this quote from Hayao Miyazaki: âIâve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if Iâm able to, then perhaps Iâll be closer to portraying a true expression of love.â I agree with him wholeheartedly, especially since the majority of the examples in media portray a female character that is little more than a trophy to be won by the male lead for his derring-do. So Mako and Korra break the typical pattern and end up respecting, admiring, and inspiring each other. That is a resolution I am proud of. However, I think there needs to be a counterpart to Miyazakiâs sentiment: Just because two characters of the same sex appear in the same story, it should not preclude the possibility of a romance between them. No, not everyone is queer, but the other side of that coin is that not everyone is straight. The more Korra and Asamiâs relationship progressed, the more the idea of a romance between them organically blossomed for us. However, we still operated under this notion, another âunwritten rule,â that we would not be allowed to depict that in our show. So we alluded to it throughout the second half of the series, working in the idea that their trajectory could be heading towards a romance. But as we got close to finishing the finale, the thought struck me: How do I know we canât openly depict that? No one ever explicitly said so. It was just another assumption based on a paradigm that marginalizes non-heterosexual people. If we want to see that paradigm evolve, we need to take a stand against it. And I didnât want to look back in 20 years and think, âMan, we could have fought harder for that.â Mike and I talked it over and decided it was important to be unambiguous about the intended relationship. We approached the network and while they were supportive there was a limit to how far we could go with it, as just about every article I read accurately deduced. It was originally written in the script over a year ago that Korra and Asami held hands as they walked into the spirit portal. We went back and forth on it in the storyboards, but later in the retake process I staged a revision where they turned towards each other, clasping both hands in a reverential manner, in a direct reference to Varrick and Zhu Liâs nuptial pose from a few minutes prior. We asked Jeremy Zuckerman to make the music tender and romantic, and he fulfilled the assignment with a sublime score. I think the entire last two-minute sequence with Korra and Asami turned out beautiful, and again, it is a resolution of which I am very proud. I love how their relationship arc took its time, through kindness and caring. If it seems out of the blue to you, I think a second viewing of the last two seasons would show that perhaps you were looking at it only through a hetero lens. Was it a slam-dunk victory for queer representation? I think it falls short of that, but hopefully it is a somewhat significant inching forward. It has been encouraging how well the media and the bulk of the fans have embraced it. Sadly and unsurprisingly, there are also plenty of people who have lashed out with homophobic vitriol and nonsense. It has been my experience that by and large this kind of mindset is a result of a lack of exposure to people whose lives and struggles are different from oneâs own, and due to a deficiency in empathyââthe latter being a key theme in Book 4. (Despite what you might have heard, bisexual people are real!) I have held plenty of stupid notions throughout my life that were planted there in any number of ways, or even grown out of my own ignorance and flawed personality. Yet through getting to know people from all walks of life, listening to the stories of their experiences, and employing some empathy to try to imagine what it might be like to walk in their shoes, I have been able to shed many hurtful mindsets. I still have a long way to go, and I still have a lot to learn. It is a humbling process and hard work, but nothing on the scale of what anyone who has been marginalized has experienced. It is a worthwhile, lifelong endeavor to try to understand where people are coming from. There is the inevitable reaction, âMike and Bryan just caved in to the fans.â Well, which fans? There were plenty of Makorra shippers out there, so if we had gone back on our decision and gotten those characters back together, would that have meant we caved in to those fans instead? Either direction we went, there would inevitably be a faction that was elated and another that was devastated. Trust me, I remember Kataang vs. Zutara. But one of those directions is going to be the one that feels right to us, and Mike and I have always made both Avatar and Korra for us, first and foremost. We are lucky that so many other people around the world connect with these series as well. Tahno playing tromboneâânow that was us caving in to the fans! But this particular decision wasnât only done for us. We did it for all our queer friends, family, and colleagues. It is long overdue that our media (including childrenâs media) stops treating non-heterosexual people as nonexistent, or as something merely to be mocked. Iâm only sorry it took us so long to have this kind of representation in one of our stories. Iâll wrap this up with some incredible words that Mike and I received in a message from a former Korra crew member. He is a deeply religious person who devotes much of his time and energy not only to his faith, but also to helping young people. He and I may have starkly different belief systems, but it is heartwarming and encouraging that on this issue we are aligned in a positive, progressive direction: âIâve read enough reviews to get a sense of how it affected people. One very well-written article in Vanity Fair called it subversive (in a good way, of course)⌠I would say a better word might be âhealing.â I think your finale was healing for a lot of people who feel outside or on the fringes, or that their love and their journey is somehow less real or valuable than someone elseâs⌠That itâs somehow less valid. I know quite a few people in that position, who have a lifetime of that on their shoulders, and in one episode of television you both relieved and validated them. Thatâs healing in my book.â Love, Bryan
One Piece World Seeker - Official English subtitled trailer.
screenshots.
i normally dont like videogames based on anime but this got me reaaaally interested!!!

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Stefano Martinuz  -  : https//www.youtube.com/channel/UCJMlwWrloBs96-M0nRoRaNQ  -  https://stetsubi-111.deviantart.com  -  https://www.instagram.com/ste_mart_art  -  https://www.facebook.com/stefano.martinuz
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