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@sjstone-author
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My writing on Substack
We’re back this week in full effect, and I know it’s a lot, but the line-up is feeling pretty good!
What She Wanted (Parts 5 & 6) hit The Fictional with some significant sexy vibes — a story I wrote about three years ago when I was on Medium.
sjstone.substack.com/p/…
sjstone.substack.com/p/…
A new Substack to carry the weight of a hefty dark fantasy return to Oz launched episode 1 of Dorothy: Locked & Loaded. If you want to know how Oz went wrong when Dorothy Gale left, see what her granddaughter finds fifty years later. It will blow your mind!
dorothylockedandloaded.…
Tomorrow, we’re back into the world of erotic noir with The River. Caroline, our heroine, is back in the French Quarter, but she’s not free of Ethan Kingfisher or her new mistress, Liv Benedict. The intrigue kicks into full gear going forward as Caroline realizes everything she new about her late husband was not as it seemed.
sjstone.substack.com/s/…
And finally, Samantha is back in the mix in Gigaland in Gulliver’s Travels: The Broligarchy, an absurdist update of the original Gulliver’s Travels that’s more Black Mirror meets 1984 with a bit of sex appeal and attitude.
readingwritingrevolutio…
In the meantime, I’m still writing all the time, and coming up, we’re heading toward a banner latter half of 2026 with some all new stories.
I’m republishing Dorothy: Locked & Loaded right here now. It had started to overwhelm my other Substack a while back, so I stopped writing and publishing. But two years’ worth of writing with multiple characters needs somewhere to live, so we’re back with all the characters, a dynamic return to a dark, twisted Oz, and a single place to go to read it all, one episode after another.
Over 15 years ago, I brought together six different authors and asked them, “What happened to Oz after Dorothy left?” And we answered that question one episode at a time, and it turned into this — Dorothy: Locked & Loaded.
The thing about D:L&L is that it has so many flavors from character to character, and many of them are told in their own POV. They have their own backgrounds, their own stakes, their own needs, fears and dreams, but you can be assured of one thing — all of them are different than you remember them.
Dot is cautious but upbeat, trusting but ready to take on the challenge.
The Scarecrow is struggling with the misery that has engulfed him since he lost his throne.
The Tin Man is a broken, heartless shell, having had his heart ripped out by a lover — figuratively, if not literally.
The Lion has prospered, but his narcissism and pride make him a terror in the Emerald City.
Glinda, who we knew as the Good Witch — well, she’s twisted and dark, erotic and exotic, and she’s got a plan for Oz that no one is ready for.
Dorothy: Locked & Loaded is a more modern tale, if you will, more adult, more twisted; a two-year multi-author tour de force that will make
Soon...

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The Wrong Goddess
Hank gasped. A cornfield had sprung up in the living room and the kitchen was growing wheat. He was pretty sure he heard the sound of chickens coming from the bathroom. “What... what happened? What is this?”
Raven sighed. “I cast a spell, but I must have invoked the wrong fertility goddess.”
“But didn’t you ask for a baby?”
She pointed to the couch, and a tiny, sleeping scarecrow.
Eat Your Own Adventurer
I want to write an interactive novel from the POV of a zombie. All the choices would be:
Braaains! - Turn to page 23
Braaaaains! - Turn to page 47
Normal is overrated!! Wear your Wonderland 🖤💙🖤
Jealousy boiling over !!
₊⟡ "you didn't have to laugh at his jokes like that." -- "are you jealous?" -- "...maybe." [watches from across the room, drink untouched, jaw tight]
₊⟡ "he's just a friend." -- "i didn't ask." -- "you were thinking it so loud i could hear it."
₊⟡ "careful. your face is doing the thing." -- "what thing?" -- "the 'i want to fight someone' thing."
₊⟡ "you left me standing there for twenty minutes." -- "i got caught up." -- "with who." -- "...does it matter?" "yes."
₊⟡ "i don't like how he looks at you." -- "how does he look at me?" -- "like i look at you. and i don't share."
₊⟡ "are you actually mad or just being dramatic?" -- "can't it be both?"
₊⟡ "you're doing that thing where you get quiet and polite. i hate when you get quiet and polite."
₊⟡ "i'm not jealous." [white knuckles around a glass] "i'm just observant."
₊⟡ "who's he texting?" -- "why do you care." -- "i didn't say i cared." -- "you asked twice."
₊⟡ "you danced with him for one song." -- "one song." -- "i counted every second of it."
₊⟡ "say his name again like that and see what happens." -- "like what?" -- "you know exactly like what."
₊⟡ "i'm allowed to have friends." -- "i never said you weren't." -- "then why do you look like that every time i mention him."
₊⟡ "you didn't even notice i was in the room." -- "i noticed." "you didn't look at me once." -- "i looked at you the whole time. that's the problem."
₊⟡ "is this about earlier?" -- "what happened earlier." -- "don't do that." -- "do what." -- "pretend you don't remember exactly what happened earlier."
₊⟡ "he put his hand on your back." -- "it was nothing." -- "it wasn't nothing to me."
₊⟡ "i'm not mad you talked to him. i'm mad you didn't tell me you were going to."
₊⟡ "i trust you." -- "but?" -- "but i don't trust him."
₊⟡ "you could've just said you didn't want to dance with anyone else." -- "would that have been so hard to hear?" -- "no. it would've been exactly what i wanted to hear."
₊⟡ "you're being ridiculous." -- "maybe. doesn't mean i'm wrong."
₊⟡ "i wasn't jealous." -- "you left the party." -- "i had a headache." "you had a headache the exact second he sat next to me."
Building conflict into every part of your story is an important key to a good narrative. Conversing are a great way to add tiny bits of conflict.
What are some of your examples of this?

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Late Summer 2026 Edition
Over the past two weeks, I wasn't writing as much as I was experimenting. I wanted to find a visual language for Gulliver's Travels: The Broligarchy — something that wasn't just "book cover art," but something that communicated the themes before anyone read a single word. Somewhere along the way, I decided I wanted something simpler — something iconic, something that would hit home and maybe introduce a bit of mystery.
New images included -- take a look and tell me what you think.
princess who has trouble reaching orgasm on her own. she invites the jester into her bedchambers because she's pent up and sexually frustrated, ordering him to make her cum or else.
he agrees, he says he knows just the trick! but it'll involve tying you up, m'lady, you know you always close your legs right when it gets good and lose the pleasure.
she agrees, and so he does. and when he gets up to circle her feet, she knows in her pent up frustration, she wandered into another one of his schemes.
"don't you dare!"
the second he starts tickling her, she loses it, a breathy laugh that is unrefined for a princess. she scolds him, curses (also unrefined), and bucks her hips, his fingers gliding across her soles with no way to stop it.
"whatever is the matter, princess?" he taunts, her laughter upping an octave as he traces his fingers up her leg, and then starts tormenting the softness of her thighs, "this is what i'm here for, to make you laugh!"
to her horror, she's absolutely soaked. just like last time. and the time before. why, why does she always agree to being tied up when she knows, she knows he'll tickle her half to death!
nobody questions the laughter, after all, everyone saw the jester with his bell-adorned hat tromp into her private quarters. the laughter is expected.
of course, he'll still make her cum hard. after a long while of merciless, insistent tickling. after her breasts are thoroughly teased, her armpits spidered until she thinks she's going mad, and he finally leans down and trails his tongue over her swollen, desperate clit, sending her crashing over in no time.
she'll likely punish him for it. after she's done melting in the soft, merciful afterglow.
Oh that's a fantastic story...
Ashes to Dust -- working on season two now!
It feels like this every time I write a fic
Werewolf OC Job Ideas!!

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If people can have a cellar full of more wine than they'll ever drink, I can have a library of books I'll never get to. Amassing a collection is about giving yourself choice, not chores. I sleep at night knowing my brain will never starve.
Never regret a book purchase and learn to love that TBR pile.
Centrist (noun): "I'm not principled—I'm domesticated. I know which moral performances keep my career and social standing intact."